Richard Brome was the leading comic playwright of 1630s London. Starting his career as a manservant to Ben Jonson, he wrote a string of highly successful comedies which were influential in British theatre long after Brome's own playwriting career was cut short by the closure of the theatres in 1642.This book offers the first full-length chronological account of Brome's life and works, drawing on a wide range of recently rediscovered manuscript sources. Each of the surviving plays is discussed in relation to its social and political context, and its sense of place. A final chapter reviews Brome's enduring stageworthiness into the eighteenth and nineteenth centuries, and the most recent Brome revivals.

critical issues of early modern performance in fresh and vital ways. --

This collection of pamphlets describes fifteen English witchcraft cases in detail, vividly recreating events to give the reader the illusion of actually being present at witchcraft accusations, trials and hangings. But how much are we victims of literary manipulation by these texts? The pamphlets are presented in annotated format, to allow the reader to decide. Some of the texts appear in print for the first time in three centuries, whilst others are newly edited to give a clearer picture of sources.

Grattius' Cynegetica, a Roman didactic poem on hunting with dogs, is the author's only surviving work, though it reaches us now in an incomplete form. Thanks to a passing reference by Ovid in his Epistulae ex Ponto it can confidently be dated to the Augustan period, and yet while his literary contemporaries have been and continue to be subjects of academic scrutiny, Grattius is seldom read and remains almost completely unappreciated in classical and literary scholarship. This volume is the first book-length study of Grattius in English or any other language and sets out to rehabilitate the neglected poet by making him and his work accessible to a wide audience. Prefaced by an introduction to the poet and his work, as well as the Latin text of Cynegetica and a new English translation, it presents a broad collection of interpretive essays from an international team of scholars. These essays explore the poem within its literary, intellectual, and socio-political contexts and look forward to Grattius' (more charitable) posthumous reception in Europe in the sixteenth to eighteenth centuries. As a whole they aim to reveal his enduring relevance for the tradition of didactic poetry and the study of other Augustan poetry and culture, and to provide an impetus for future discussions.

Analyses the role of drama in English and Scottish court politics during the sixteenth century.

Written with an exciting combination of narrative flair and historical authority, this biography of Henry VIII’s fifth wife, Catherine Howard, is “a stunning achievement” (The Sunday Times, London), and “a masterly work of Tudor history that is engrossing, sympathetic, suspenseful, and illuminating” (Charlotte Gordon, winner of the National Book Critics Circle Award for Biography). On the morning of July 28, 1540, a teenager named Catherine Howard began her reign as queen of an England simmering with rebellion and terrifying uncertainty. Sixteen months later, she would follow her cousin Anne Boleyn to the scaffold, having been convicted of adultery and high treason. The broad outlines of Catherine’s career might be familiar, but her story up until now has been incomplete. Unlike previous biographies, which portray her as a naïve victim of an ambitious family, Gareth Russell’s “excellent account puts the oft-ignored Catherine in her proper historical context” (Daily Mail, London) and sheds new light on her rise and downfall by showing her in her context, a milieu that includes the aristocrats and, most critically, the servants who surrounded her and who, in the end, conspired against her. By illuminating Catherine’s entwined upstairs/downstairs world as well as societal tensions beyond the palace walls, Russell offers a fascinating portrayal of court life in the sixteenth century and a fresh analysis of the forces beyond Catherine’s control that led to her execution. Including a forgotten text of Catherine’s confession in her own words, color illustrations, family tree, map, and extensive notes, Young and Damned and Fair is “a gripping account of a young woman’s future destroyed by forces beyond her control…an important and timely book” (Amanda Foreman, author of Georgiana, Duchess of Devonshire and A World on Fire). This account changes our understanding of one of history’s most famous women while telling the compelling and very human story of complex individuals attempting to survive in a dangerous age.