Presents selections of the work of playwright Harold Pinter. Includes key plays, poetry, and the 2005 Nobel Prize in Literature lecture.

A moving testament to modern literature's most celebrated marriage: that of the greatest playwright of our age, Harold Pinter, and the beautiful and famous prize-winning biographer, Antonia Fraser. In this exquisite memoir, Antonia Fraser recounts the life she shared with the internationally renowned dramatist. In essence, it is a love story and a marvelously insightful account of their years together. Must You Go? is based on Fraser's recollections and on the diaries she has kept since October 1968. She shares Pinter's own revelations about his past, as well as observations by his friends.

An essential collection for any admirer of Harold Pinter, this brand-new, updated edition of his own selection of his poems and prose includes three never-before-published pieces, the most recent of which he wrote in January 1995. Included are love poems, political diatribes, short stories, character portraits. Some are intimately connected with plays; others are intriguingly allusive, and all of them share Pinter's lean, taut, and sometimes jarringly original use of language. Katherine Burkman has said that "like Shakespeare, Pinter is a poet," and in this single volume we see that Harold Pinter is not only, as Irving Wardle has written in the London Times, "our best living playwright" but one of the most accomplished writers in the English language today.

The Nobel Prize-winning playwright and political activist offers a personal selection of his poetry, prose, and political writings.

THE STORY: Furthering the theme of political consciousness expressed so forcefully and eloquently in his earlier play One for the Road, the author's present play takes place in an anonymous country where individual liberties have been forfeited to the state. Set in a prison where the inmates are forbidden to speak their own language, the play is comprised of four terse, arresting scenes which make masterful use of nuance and subtle understatement (with sudden bursts of violence) to create an overwhelming sense of terror and shocking futility. In one scene uniformed officers taunt and belittle the women who have come to visit their men, who are political prisoners; in another a mother and son are allowed to speak only in the language of the capital, which they do not know; in the third scene a young woman accidentally sees a guard holding a limp, tortured man whom she knows to be her husband; and, in the final scene the old woman reunited with her bloody, trembling son and, though told she may now speak, she has been silenced so long that she cannot, or will not, do so. Quintessentially Pinteresque in its skillful use of pregnant pauses, resonant images and nightmarish utterances, the play is both enthralling theatre and a stirring reminder of what can happen when the power of the state becomes all-encompassing and the rights of the individual are forfeited, whether through neglect or weakness of will.

Collection of five plays, with poems and additional material.

Accessible but rigorous, this outstanding text encompasses all of the topics covered by a typical course in elementary abstract algebra. Its easy-to-read treatment offers an intuitive approach, featuring informal discussions followed by thematically arranged exercises. This second edition features additional exercises to improve student familiarity with applications. 1990 edition.