For two mercifully short years in the early 1990s, 'The Escaped Horse' chronicled the questionable fortunes of Thornton-le-Dale Football Club as they wallowed in the depths of the Scarborough and District League Division Three. Ignoring regular verbal abuse and threats of physical violence, and undeterred by the League's attempt to issue them with banning orders, its editors went where others feared to tread. Reproduced here in its entirety, 'The Escaped Horse' is an enduring, warts-and-all expose of life at the arse-end of football.

Soccer fandom has traditionally been seen as an important part of adolescent, generally male, identity making. In Post-Fandom and the Millennial Blues , Steve Redhead shows how this tradition of youth culture of fandom has been eroded in the last years of the twentieth century by the more fleeting, style conscious allegiances inspired by television, films and music. The clubs that young people follow are determined by advertising and popular music; the games that they watch are brought to them by the globalized culture of television, as in the world cup staged in America; even their fears of so-called soccer hooliganism are determined by media-engendered moral panics at a time when the phenomenon itself seems to be dying away.

Shotgun Seamstress discusses the difficulties of being a black person within dominantly white punk and queer scenes. The author and contributors give anecdotes about their experiences at punk concerts. Osa interviews local punk artists of color, and provides excerpts of her own writing about racism. The zine incorporates images and sparse typewritten sections for a dynamic effect on each of the pages. Multiple issues have been produced, each focusing on a different aspect of black punk culture (e.g. Toni Young, love, money) and how people of color interact with popular culture.

Presents reprinted issues of the horror comic magazine "Creepy."