For many cultural theorists, the concept of the cyborg - an organism controlled by mechanic processes - is firmly rooted in the post-modern, post-industrial, post-Enlightenment, post-nature, post-gender, or post-human culture of the late twentieth century. Allison Muri argues, however, that there is a long and rich tradition of art and philosophy that explores the equivalence of human and machine, and that the cybernetic organism as both a literary figure and an anatomical model has, in fact, existed since the Enlightenment. In The Enlightenment Cyborg, Muri presents cultural evidence - in literary, philosophical, scientific, and medical texts - for the existence of mechanically steered, or 'cyber' humans in the works seventeenth- and eighteenth-century thinkers. Muri illustrates how Enlightenment exploration of the notion of the 'man-machine' was inextricably tied to ideas of reproduction, government, individual autonomy, and the soul, demonstrating an early connection between scientific theory and social and political thought. She argues that late twentieth-century social and political movements, such as socialism, feminism, and even conservatism, are thus not unique in their use of the cyborg as a politicized trope. The Enlightenment Cyborg establishes a dialogue between eighteenth-century studies and cyborg art and theory, and makes a significant and original contribution to both of these fields of inquiry.

What is the 'posthuman'? Is becoming posthuman inevitable-something which will happen to us, or something we will do to ourselves? Why do some long for it, while others fearfully reject it? These questions underscore the fact that the posthuman is a name for the unknown future, and therefore, not a single idea but a jumble of competing visions - some of which may be exciting, some of which may be frightening, and which is which depends on who you are, and what you desire to be. This book aims to clarify current theological and philosophical dialogue on the posthuman by arguing that theologians must pay attention to which form of the posthuman they are engaging, and to demonstrate that a 'posthuman theology' is not only possible, but desirable, when the vision of the posthuman is one which coincides with a theological vision of the human.

It brings together a range of critical approaches (the Gothic, monster theory, critical posthumanism, post-structuralism, postcolonialism, feminist theory, fat studies, cyborg theory) including very recent forays into posthumanist / new materialist intersections It contributes new readings to the critical canon on a wide range of critically acclaimed texts (from Mary Shelley’s Frankenstein via Toni Morrison’s and Angela Carter’s work to Margaret Atwood’s MaddAddam trilogy) It explores narrative strategies of resistance against systemic cultural oppression and challenges a number of critical approaches in the process

ARE YOU A VIRTUOUS CYBORG? You do everything on your smartphone and love it - you are, now and forevermore, a cyborg. But how would you know if you were a good cyborg? Game designer and philosopher Chris Bateman explores cyborg virtue through problems such as cyberbullying, 'fake news', and the indifference of computers to human needs. Bateman reveals our shallow-sightedness in the face of the unfathomable complexity of our cybernetic networks. Critical yet optimistic, The Virtuous Cyborg rises to the challenge of the twenty-first century by asking us to ponder the question of what kind of cyborgs we want to become.

What is the 'posthuman'? Is becoming posthuman inevitable-something which will happen to us, or something we will do to ourselves? Why do some long for it, while others fearfully reject it? These questions underscore the fact that the posthuman is a name for the unknown future, and therefore, not a single idea but a jumble of competing visions - some of which may be exciting, some of which may be frightening, and which is which depends on who you are, and what you desire to be. This book aims to clarify current theological and philosophical dialogue on the posthuman by arguing that theologians must pay attention to which form of the posthuman they are engaging, and to demonstrate that a 'posthuman theology' is not only possible, but desirable, when the vision of the posthuman is one which coincides with a theological vision of the human.

From fetuses scanned ultrasonically to computer hackers in daycare, contemporary children are increasingly rendered cyborg by their immersion in technoculture. As we are faced with reproductive choices connected directly with technologies, we often have trouble gaining perspective on our own cultural co-dependency with these very same technologies. Our notions of fetal health, maternal risk and child IQ are inseparable from them. Cyborg Babies tracks the process of reproducing children in symbiosis with pervasive technology and offers a range of perspectives, from resistance to ethnographic analysis to science fiction. Cultural anthropologists and social critics offer cutting-edge ethnographies, critiques, and personal narratives of cyborg conceptions (sperm banks, IVF, surrogacy) and prenatal (mis)diagnosis (DES, ultrasound, amniocentesis); the technological de- and reconstruction of birth in the hospital (electronic fetal monitors, epidurals); and the effects of computer simulation games and cyborg toys and stories on children's emergent consciousness. Contributors include Janet Isaacs Ashford, Elizabeth Cartwright, David Chamberlain, Jennifer Croissant, Charis M. Cussins, Robbie Davis-Floyd, Joseph Dumit, Eugenia Georges, Anne Hill, Mizuko Ito, Emily Martin, Steven Daniel Mentor, Janneli F. Miller, Lisa Mitchell, Lisa Jean Moore, Rayna Rapp, Matthew A. Schmidt, Syvia Sensiper, Elizabeth Roberts and Sherry Turkle. Examining the increasing cyborgification of the American child, from conception through birth and beyond, Cyborg Babies considers its implications for human cultural and psychological evolution.

An account of the complex relationship between technology and romanticism that links nineteenth-century monsters, automata, and mesmerism with twenty-first-century technology's magic devices and romantic cyborgs. Romanticism and technology are widely assumed to be opposed to each other. Romanticism—understood as a reaction against rationalism and objectivity—is perhaps the last thing users and developers of information and communication technology (ICT) think about when they engage with computer programs and electronic devices. And yet, as Mark Coeckelbergh argues in this book, this way of thinking about technology is itself shaped by romanticism and obscures a better and deeper understanding of our relationship to technology. Coeckelbergh describes the complex relationship between technology and romanticism that links nineteenth-century monsters, automata, and mesmerism with twenty-first-century technology's magic devices and romantic cyborgs. Coeckelbergh argues that current uses of ICT can be interpreted as attempting a marriage of Enlightenment rationalism and romanticism. He describes the “romantic dialectic,” when this new kind of material romanticism, particularly in the form of the cyborg as romantic figure, seems to turn into its opposite. He shows that both material romanticism and the objections to it are still part of modern thinking, and part of the romantic dialectic. Reflecting on what he calls “the end of the machine,” Coeckelbergh argues that to achieve a more profound critique of contemporary technologies and culture, we need to explore not only different ways of thinking but also different technologies—and that to accomplish the former we require the latter.