In the east end of Regency London, two families lie butchered. Residents of the notorious Ratcliffe Highway, the victims bear the mark of unprecedented brutality. Panic sweeps the country as its public cries for justice. But these murders stem from an older horror, its source a sea voyage two centuries old. In a ship owned by Queen Elizabeth herself, a young man embarks on England's first venture into a new trade: human souls. As a nation's sins ripen and bloom, to be harvested in a bloody frenzy on the twisted streets of Regency Wapping, an English Monster is born. 'A story as rich in ideas as it is in intrigue' Independent on Sunday 'Brilliantly imagined … Evokes such creations as Shardlake and Jonathan Strange & Mr Norrell'Sun

'Marvellous and menacing.' Daily Mail 'The shadow from which I thought I had unshackled myself has returned. Whether this Horror is real or merely the handiwork of my imagination I cannot say. Nor can I say which of these possibilities disturbs me more.' from 'The Dark Thread' by Graeme Macrae Burne From the legends of King Arthur embedded in the rocky splendour of Tintagel to the folklore and mysticism of Stonehenge, English Heritage sites are often closely linked to native English myths. Following on from the bestselling ghost story anthology Eight Ghosts, this is a new collection of stories inspired by the legends and tales that swirl through the history of eight ancient historical sites. Including an essay by James Kidd on the importance of myth to our landscape and our fiction, and an English Heritage survey of sites and associated legends, These Our Monsters is an evocative collection that brings new voices and fresh creative alchemy to our storytelling heritage. 'Nobody believes you when you talk about the whispering. Oh, Monny, you are funny, they say, you've such an imagination. There's a lot they don't believe.' from 'The Hand Under the Stone' by Sarah Hall 'This varied collection scratches the soil of the country to dig up some of the fairy tales and fantasies that have helped form the English identity.' Financial Times The atmospheric locations: Edward Carey - Bury St Edmunds Abbey Sarah Hall - Castlerigg and other stone circles Paul Kingsnorth - Stonehenge Alison MacLeod - Down House Graeme Macrae Burnet - Whitby Abbey Sarah Moss - Berwick Castle Fiona Mozley - Carlisle Castle Adam Thorpe - Tintagel Castle With original black-and-white illustrations by Clive Hicks-Jenkins.

'James Scudamore is now a force in the English novel' Hilary Mantel 'A very impressive novel' Sarah Moss When ten-year-old Max is sent to boarding school, his idyllic childhood comes to an abrupt end. Away from the freedom of his grandfather's farm, a world of rules and punishment awaits. But so too does the companionship of a close-knit group of classmates. Years later, as Max and his friends face down adulthood, a dark secret from their schooldays is revealed, drawing them together in unforeseen ways. Who knew what, and when? And who now wants to see justice done? 'Breathtakingly good' Observer 'Dark, tender, troubling' Guardian

The English Connection, an integrated skills course, highlights the holistic approach to language teaching and learning. The underlying principles of language learning advocated by the CBSE, i.e., learner autonomy, reflective thinking, creativity, and interactive learning, have been incorporated in the pedagogy that is embedded in the course content of the series.

Diane Purkiss analyses representations of masculinity in the writings of Milton, Marvell, Waller and Herrick.

This study centers on issues of marginality and monstrosity in medieval England. In the middle ages, geography was viewed as divinely ordered, so Britain's location at the periphery of the inhabitable world caused anxiety among its inhabitants. Far from the world's holy center, the geographic margins were considered monstrous. Medieval geography, for centuries scorned as crude, is now the subject of several careful studies. Monsters have likewise been the subject of recent attention in the growing field of monster studies, though few works situate these creatures firmly in their specific historical contexts. This book sits at the crossroads of these two discourses (geography and monstrosity), treated separately in the established scholarship but inseparable in the minds of medieval authors and artists.

This book considers the legal category 'monster' from theoretical and historical perspectives and deploys this category in order to understand contemporary anxieties surrounding transsexuals, conjoined twins and transgenic humans.