Andrew Rawnsley's bestselling book lifts the lid on the second half of New Labour's spell in office, with riveting inside accounts of all the key events from 9/11 and the Iraq War to the financial crisis and the parliamentary expenses scandal; and entertaining portraits of the main players as Rawnsley takes us through the triumphs and tribulations of New Labour as well as the astonishing feuds and reconciliations between Tony Blair, Gordon Brown and Peter Mandelson. This paperback edition contains two revealing new chapters on the extraordinary events surrounding the 2010 General Election and its aftermath.

When a student dies at a party held at the start of the high school year, a group of students are convinced it was more than a mysterious suicide, and their investigation leads them into danger.

Peter and his fearful twin brother Francis attend a birthday party which ends in tragedy.

Elections ask voters to choose between political parties. But voters across the UK are increasingly being presented with fundamentally different, and largely disconnected, sets of political choices. This book is about this hollowing out of a genuinely British democratic politics: how and why it has occurred, and why it matters. Electoral choices across Britain became increasingly differentiated along national lines over much of the last half-century. In 2017, for the second general election in a row, four different parties came first in the UK's four nations. UK voters are increasingly faced with general election campaigns that are largely disconnected from each other. At the same time, voters acquire much of their information about the election from news-media based in London that display little understanding of these national distinctions. The UK continues to elect representatives to a single parliament. But the shared debates and sets of choices that tie a political community together are increasingly absent. Separate national political arenas and agendas still have to interact but in some respects the House of Commons increasingly resembles the European Parliament – whose members are democratically chosen but from a disconnected series of separate national electoral contests. This is deeply problematic for the long-term unity and integrity of the UK.

Madchester may have been born at the Haçienda in the summer of 1988, but the city had been in creative ferment for almost a decade prior to the rise of acid house. The end-of-the-century party is the definitive account of a generational shift in popular music and youth culture, what it meant and what it led to. First published right after the Second Summer of Love, it tells the story of the transition from new pop to the political pop of the mid-1980s and its deviant offspring, post-political pop. Resisting contemporary proclamations about the end of youth culture and the rise of a new, right-leaning conformism, the book draws on interviews with DJs, record company bosses, musicians, producers and fans to outline a clear transition in pop thinking, a move from an obsession with style, packaging and synthetic sounds to content, socially conscious lyrics and a new authenticity. This edition is framed by a prologue by Tara Brabazon, asking how we can reclaim the spirit, energy and authenticity of Madchester for a post-youth, post-pop generation. It is illustrated with iconic photographs by Kevin Cummins.

A collection of twelve disarmingly witty tales about the complexities of love and intimacy from “a storyteller of genius” (Evelyn Waugh). “The sense of the author at play dominates” Graham Greene’s entertaining anthology as the masterful British author looks at love, lies, vanity, mortality, romantic obsessions, and seduction from a dozen sharply observed perspectives (The New York Times). A bored faculty wife looking for a fling discovers something more illuminating than sex; a jaded writer who eavesdrops on a pair of hopeful lovers feels compelled to relieve them of their foolish ideals and ambitions; a widow and a divorcée commiserate in mourning for their lost men, only to rejoice in their freedom after two bottles of blanc de blancs; a young man devises a test of true love—to find a woman who won’t laugh at the absurd circumstances of his father’s death; and in the title story, an oblivious young bride honeymooning in Antibes encourages a friendship between a gay couple and her adventurous and handsome new husband.

This is a dystopian social science fiction novel and morality tale. The novel is set in the year 1984, a fictional future in which most of the world has been destroyed by unending war, constant government monitoring, historical revisionism, and propaganda. The totalitarian superstate Oceania, ruled by the Party and known as Airstrip One, now includes Great Britain as a province. The Party uses the Thought Police to repress individuality and critical thought. Big Brother, the tyrannical ruler of Oceania, enjoys a strong personality cult that was created by the party's overzealous brainwashing methods. Winston Smith, the main character, is a hard-working and skilled member of the Ministry of Truth's Outer Party who secretly despises the Party and harbors rebellious fantasies.