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"Remember the Alamo!" is a phrase that is woven into the American consciousness, but what do most people really remember about the Alamo? Much of the true story has been shrouded in myth for over 150 years. This comprehensive encyclopedia provides thorough coverage for people, places, events and issues spanning the pre-Revolution period and settlement of Texas by Americans to the forming of the Republic in 1836. When appropriate, a mini-chronology supplements the entry, placing the discussion in context. A day-by-day account details the thirteen day famous siege. Entries cover major players such as Santa Anna, Jim Bowie and David Crockett and provide biographies (from obscure sources, in some cases) of every Alamo defender killed in the battle. American and Mexican resources have been used to assure a well-rounded picture of often misunderstood events. Maps and an extensive bibliography complement the text.

A guide to seashells found in Texas that discusses the historical uses of mollusks and seashells, the history of conchology and malacology in the state, habitats, and other related topics, and provides information for identifying nine hundred species.

Vol. 3: A supplement, edited by Eldon Stephen Branda. Includes bibliographical references.

A-Z entries and primary documents present a thorough examination of the events surrounding the 9/11 terrorist attacks.

The location of "the South" is hardly a settled or static geographic concept. Culturally speaking, are Florida and Arkansas really part of the same region? Is Texas considered part of the South or the West? This volume of The New Encyclopedia of Southern Culture grapples with the contestable issue of where the cultural South is located, both on maps and in the minds of Americans. Richard Pillsbury's introductory essay explores the evolution of geographic patterns of life within the region--agricultural practices, urban patterns, residential buildings, religious preferences, foodways, and language. The entries that follow address general topics of cultural geographic interest, such as Appalachia, exiles and expatriates, Latino and Jewish populations, migration patterns, and the profound Disneyfication of central Florida. Entries with a more concentrated focus examine major cities, such as Atlanta, New Orleans, and Memphis; the influence of black and white southern migrants on northern cities; and individual subregions, such as the Piedmont, Piney Woods, Tidewater, and Delta. Putting together the disparate pieces that make up the place called "the South," this volume sets the scene for the discussions in all the other volumes of The New Encyclopedia of Southern Culture.

The music of Texas and the American Southwest is as diverse and distinctive as the many different groups who have lived in the region over the past several centuries,” writes Gary Hartman in his introduction to this refreshingly different look at various genres of Texas music. Roots of Texas Music celebrates the diverse sources of the music of the Lone Star State by gathering chapters by specialists on each of them—specialists whose views may not have dominated the perception of Texas music to date. Editor Lawrence Clayton conceived this project as one that would not simply repeat the common wisdom about Texas music traditions, but rather would offer new perspectives. He therefore called on contributors whose work had been well-grounded but not necessarily widely published. The result is a lively, captivating, and original look at the musical traditions of Texas Germans and Czechs, black Creoles and Chicanos, and blues and gospel singers. Hartman’s introduction places these repertoires within the larger picture of one of the most fertile musical seedbeds the nation knows. The diverse genres included in the anthology also provide an introduction to the classes, cultures, races, and ethnic groups of Texas and highlight the ways in which the state’s musical wealth has influenced the listening habits of the nation.