"Drawing on the recollections of renowned theater critic David Austin Latchaw and on newspaper archives of the era, Londre chronicles the "first golden age" of Kansas City theater, from the opening of the Coates Opera House in 1870 through the gradual decline of touring productions after World War I"--Provided by publisher.

“The Enchanted wrapped its beautiful and terrible fingers around me from the first page and refused to let go after the last. A wondrous book that finds transcendence in the most unlikely of places. . . . So dark yet so exquisite.” — Erin Morgenstern, author of The Night Circus An astonishing and redemptive novel for readers of Alice Sebold and Toni Morrison, told from the point of view of a convict whose magical interpretations of prison life allow him to find absolute joy while isolated from the rest of humanity and a female investigator who experiences her own personal salvation in her work as a death penalty investigator. This is an enchanted place. Others don’t see it but I do. The enchanted place is a high security prison and is relayed through the eyes of an inmate on death row who escapes his surroundings by immersing himself in books, and by re-imagining the world that surrounds him. Instead of focusing on the cloudy medical vines that snake across the floor, empty and waiting for the warden’s finger to press the red buttons, our narrator sees golden horses as they run deep under the earth, heat flowing like molten metal from their backs. A woman and fallen priest haunt the prison halls--an unnamed female investigator only known as the Lady who is known for discovering information relating to soon-to-be executed inmates’ backgrounds that can be used to overturn their sentences. She is put on the case of a man named York and as she digs into his past, the experience brings up ghosts of her own and threatens to destroy everything that she has come to know about the enchanted place. The Enchanted is a magical novel about redemption, the humanity that can lie within what is monstrous, and the human capacity to transcend and survive.

In this fantasy adventure graphic novel, a shy goblin must play the role of hero. They say no one returns from the Enchanted Forest—but that won’t discourage Pella. Earthquakes are destroying her village, and worst of all, they’ve caused the Midsummer Festival to be canceled. According to legend, the Earth Queen is to blame for these violent quakes—and the Earth Queen’s tower lies at the heart of the Enchanted Forest. Late one night, Pella sneaks away to find the Earth Queen and give her a piece of her mind. But she’s not afraid—she’s never afraid. It’s Bix, Pella’s sister, who does the worrying for both of them. She’s the one, after all, who was tasked with keeping her sister safe after they lost their parents. But despite her fears and the very real dangers that lie ahead, Bix will do anything to protect her little sister—even walk into the Enchanted Forest with only a ball of yarn to guide them home. They say no one returns from the Enchanted Forest. Will Bix and Pella be the first?

Annie’s Enchanted Years: Glorious Years of a Teenager’s Life By: Hilda Adams Anne’s Enchanted Years is based on Hilda Rodrigue Adams’ daughter who, from the age of five to thirty-three, was an exciting, fun, adventurous journey for her. This book is intended to stir emotions in the reader with happiness, joy, courage, and a feeling of enchantment.

With the aid of King Mandanbar, Princess Cimorene rescues the dragon Kazul and saves the Enchanted Forest from a band of wicked wizards.

An abundantly illustrated history of fantasy art, from the Old Masters to the present For hundreds of years, artists have been inspired by the imaginative potential of fantasy. Unlike science fiction, which is based on fact, fantasy presents an impossible reality—a universe where dragons breathe fire, angels battle demons, and magicians weave spells. Published to coincide with a major exhibition organized by the Norman Rockwell Museum, this handsome volume reveals how artists have brought to life mythology, fables, and fairy tales, as well as modern epics like The Lord of the Rings and Game of Thrones. The main text of Enchanted, by exhibition curator Jesse Kowalski, traces the emergence of the themes of fantasy in the world’s civilizations, and the development of fantasy illustration from the Old Masters to the Victorian fairy painters, to Golden Age illustrators like Howard Pyle and Arthur Rackham, to classic cover artists like Frank Frazetta and Boris Vallejo, to emerging talents like Anna Dittmann and Victo Ngai. Additional essays by distinguished contributors address particular aspects of fantasy illustration, such as the relationship between science and fantasy in the nineteenth century, and the illustrators of Robert E. Howard. Enchanted features more than 180 color illustrations, including numerous stunning full-page reproductions. This handsome volume is a must-have reference for artists and illustrators, and a delight for all lovers of fantasy.

Starlight leaves the land of Elysia to find happiness, but returns and finds her friends are no longer jealous of her.