"This book examines how public ritual once placed kings at the privileged apex of Nepal's government, and how in the 21st century those same rituals stopped serving the king and turned instead to authorize party-based politicians. Ritual upheaval undermined the institutional logic of monarchy, and demonstrated that kingship was contingent/dispensable"--

Emphasizing the resilience of theatre arts in the midst of significant political change, Theatre After Empire spotlights the emergence of new performance styles in the wake of collapsed political systems. Centering on theatrical works from the late nineteenth century to the present, twelve original essays written by prominent theatre scholars showcase the development of new work after social revolutions, independence campaigns, the overthrow of monarchies, and world wars. Global in scope, this book features performances occurring across Africa, the Americas, Asia, Europe, and the Middle East. The essays attend to a range of live events—theatre, dance, and performance art—that stage subaltern experiences and reveal societies in the midst of cultural, political, and geographic transition. This collection is an engaging resource for students and scholars of theatre and performance; world history; and those interested in postcolonialism, multiculturalism, and transnationalism. The Introduction ("Framing Latine Theatre and Performance") of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND)] 4.0 license.

The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 December, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 07-01-1942 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 96 VOLUME NUMBER: Vol. VII, No. 2 BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 29-92 ARTICLE: 1. Spoken Literature 2. Year Of Hope And Confidence 3. News Takes A Voice (A.I.R. And The First Radio War) 4. India's Radio Listener No.1 AUTHOR: 1. Unknown 2. General Wavell 3. Unknown 4. Unknown KEYWORDS: 1. Radio Talker, Non-Writer 2. Battle of Atlantic, India's Part, Britain's Lone Fight 3. Radio's Dual Role, Technical Ground-Work, Trichinopoly 4. Bashir Ahmed, Lahore, India Document ID: INL-1941-42 (D-J) Vol- I (02)

On the traditional worship of Kumari by the King of Nepal.

This collection of seven stories and a thirty-one thousand word original novella revisits the vivid world of near future India that McDonald so successfully depicted in River of Gods (a BSFA Award winner). Readers will discover a new, muscular superpower of one and a half billion people in an age of artificial intelligences, climate-change induced drought, water wars, strange new genders, genetically improved children that age at half the rate of baseline humanity, and a population where males outnumber females four to one. This future India has fractured into a dozen states from Kerala to the headwaters of the Ganges in the Himalayas. Includes one Hugo Award nominee and one Hugo Award winner. From the Trade Paperback edition.

This book showcases how the monotonous winter evenings transformed into poetic beginnings for a 10 year old.

In this comparative study of three modern religious movements, Lawrence A. Babb argues that thematic continuities exist between traditional Hinduism and its widely divergent modern expressions.