The Empress Eugénie was one of the most glamorous, celebrated and ultimately tragic figures of the nineteenth century. Wife of Napoleon III and close friend of Queen Victoria, she suffered the loss of her beloved sister, her only son, and her adopted country. But did Eugénie take her greatest secret-an illegitimate child, conceived when she was a teenager in Spain and fathered by the only man she ever truly loved-to the grave with her? And if so, what became of the child? After half a lifetime's research Joyce Cartlidge has pieced together evidence from historic records and clues in correspondence from Eugénie and her family and friends, some of it never printed before, to tell a compelling story of love and motherhood that ties the Spanish house of Montijo and the French throne to a small family in Victorian Lancashire. 'An extraordinary odyssey into family history' -The Mail on Sunday

Eugenie de Montijo was Empress of the French, sharing the Second Empire with her husband Napoleon III. She impressed the Prussian Chancellor Bismarck so much that he called her The only man in Paris.

Reconstructing Empress Eugénie's position as private collector and public patron, this study is the first to examine Eugénie (1826-1920) in these roles. Her patronage and collecting is considered within the context of her political roles in the development of France's institutions and international relations. The book also examines representations of the empress, and the artistic transformation of a Hispanic woman into a leading figure in French politics.

The tragic story of Clisson and Eugenie reveals one of history's great leaders to also be an accomplished writer of fiction.Written in an eloquently Romantic style true to its period, the story offers the reader a fascinating insight into how the young Napoleon viewed love, women and military life.

An exploration of the little-known assemblage of art and architecture that Empress Eugénie created in Farnborough in the 1880s. This absorbing book tells the story of Empress Eugénie (1826-1920), the wife of Napoleon III and the last empress-consort of France. The Empress bought the Farnborough Hill estate in 1880, following a decade of personal tragedy: the collapse of the Second Empire (1852-70), the death of Napoleon III, and the loss of her only child. The death of the Prince Imperial in 1879, aged twenty-three, ended all hope of a Bonapartist restoration. With the imperial succession removed to another branch of the family, Eugénie resolved to create a permanent monument to her husband and son. In this book, Anthony Geraghty analyzes the principal buildings on the imperial estate and provides the first detailed account of the lost interiors of Farnborough Hill. He traces the origins of the collection back to the Second French Empire, and--drawing upon historic photos, inventories, and sale catalogs--he shows how the collection was displayed in the principal rooms of the house. Finally, the book describes the breakup of the estate in 1927, when the house was sold to a convent school and the collection was dispersed at auction. Today, only the Mausoleum functions as Eugénie originally envisaged. Geraghty, however, recovers the totality of Eugenie's vision for Farnborough. In so doing, he describes how the Napoleonic ideal, for one final time, was made visible through art, architecture, and collecting.

This account of William Kirkpatrick of Malaga reveals for the first time a remarkable man only occasionally mentioned in the numerous biographies of his famous granddaughter, the Empress Eugenie. As United States Consul in Malaga between 1800 and 1817, William Kirkpatrick was a strong advocate of the US Navy's role in combating the Barbary Corsairs. His Consular work, business enterprises and extensive European and American connections are explored using new sources. These show that the Kirkpatricks of Dumfriesshire who settled in Spain in the 1730s were an enterprising family of international merchants. Allied with similar families from across Europe, the Kirkpatricks revolutionised trade and industry in southern Spain and even had a hand in introducing grapevines to Australia. The Kirkpatrick family received wide attention when Eugenie, aided by her mother the formidable Maria Manuela, Countess de Montijo, made a spectacular marriage to Napoleon III and became Empress Regent of France, a confidante of Queen Victoria, and an iconic figure in 19th Century Europe.After a wide-ranging business career in Africa, Colin Carlin now lives in Bath where he is associated with a leading contemporary art gallery.