The compilation of the Complete Library of the Four Treasuries (Ssu-k'u ch' an-shu) was one of the most ambitious intellectual projects of the Ch'ing dynasty. Initiated by imperial command in 1772, the project sought to evaluate, edit, and reproduce the finest Chinese writings in the four traditional categories: Confucian classics, histories, philosophy, and belles lettres. The final products, created over a twenty-two year period, were an annotated catalog of some ten thousand titles and seven new manuscript libraries of nearly thirty-six hundred titles. The project had its darker side as well, for together with the evaluation of books there developed a campaign of censorship and proscription. Guy's study gives a balanced account of the project and its significance. Dozens of celebrated Chinese scholars willingly participated in the project, though it was sponsored by the Manchu emperor, and Guy explains their reasons for doing so. He also reconsiders the issue of censorship, arguing that it grew as much from tensions and jealousies within the intellectual elite as from imperial command. Guy's work will be useful to all those interested in the relationship between intellectuals and the state in late imperial China.

Preliminary Material -- Introduction -- The Imperial Initiative -- The Scholars' Response -- Scholars and Bureaucrats at the Ch'ien-lung Court: -- Reviewing the Reviewers: -- Ch'ui-mao ch'iu-tz'u: -- Conclusion -- Notes -- Bibliography -- Glossary -- Index -- Harvard East Asian Monographs.

A look inside the artistic treasures of a Chinese scholar's studio.

During the Qing dynasty (1644–1911), the province emerged as an important element in the management of the expanding Chinese empire, with governors -- those in charge of these increasingly influential administrative units -- playing key roles. R. Kent Guy’s comprehensive study of this shift concentrates on the governorship system during the reigns of the Shunzhi, Kangxi, Yongzheng, and Qianlong emperors, who ruled China from 1644 to 1796. In the preceding Ming dynasty (1368–1644), the responsibilities of provincial officials were ill-defined and often shifting; Qing governors, in contrast, were influential members of a formal administrative hierarchy and enjoyed the support of the central government, including access to resources. These increasingly powerful officials extended the court’s influence into even the most distant territories of the Qing empire. Both masters of the routine processes of administration and troubleshooters for the central government, Qing governors were economic and political administrators who played crucial roles in the management of a larger and more complex empire than the Chinese had ever known. Administrative concerns varied from region to region: Henan was dominated by the great Yellow River, which flowed through the province; the Shandong governor dealt with the exchange of goods, ideas, and officials along the Grand Canal; in Zhili, relations between civilians and bannermen in the strategically significant coastal plain were key; and in northwestern Shanxi, governors dealt with border issues. Qing Governors and Their Provinces uses the records of governors’ appointments and the laws and practices that shaped them to reconstruct the development of the office of provincial governor and to examine the histories of governors’ appointments in each province. Interwoven throughout is colorful detail drawn from the governors’ biographies.

A NEW YORK TIMES NOTABLE BOOK · A NEW YORK TIMES BOOK REVIEW EDITOR'S CHOICE · REVIEWED ON THE FRONT COVER · INTERNATIONAL BESTSELLER “Zhang’s blend of history and magical realism will appeal to fans of Ta-Nehisi Coates’ The Water Dancer as well as Amy Tan's The Valley of Amazement.” —Booklist (starred review) "Engrossing...Epic" (The New York Times Book Review) · "Transporting" (Washington Post) · "Propulsive" (Oprah Daily) · "Surreal and sprawling" (NPR) · "An absolute must-read" (BuzzFeed) · "Radiant" (BookPage) A dazzling debut novel set against the backdrop of the Chinese Exclusion Act, about a Chinese girl fighting to claim her place in the 1880s American West Daiyu never wanted to be like the tragic heroine for whom she was named, revered for her beauty and cursed with heartbreak. But when she is kidnapped and smuggled across an ocean from China to America, Daiyu must relinquish the home and future she imagined for herself. Over the years that follow, she is forced to keep reinventing herself to survive. From a calligraphy school, to a San Francisco brothel, to a shop tucked into the Idaho mountains, we follow Daiyu on a desperate quest to outrun the tragedy that chases her. As anti-Chinese sentiment sweeps across the country in a wave of unimaginable violence, Daiyu must draw on each of the selves she has been—including the ones she most wants to leave behind—in order to finally claim her own name and story. At once a literary tour de force and a groundbreaking work of historical fiction, Four Treasures of the Sky announces Jenny Tinghui Zhang as an indelible new voice. Steeped in untold history and Chinese folklore, this novel is a spellbinding feat.