Emo Boy is a comic book hero for the world's losers and outsiders.

The Emo boy is a story about a teenager who's rebellious and tried using a Ouija broad and summing a ghost then called a priest to cleanse the house until his mom & dad kicked him out the house... and he had trouble from Ouija board and a ghost that thought he was a past friend of his.

Violet knows she is different from the other kids at her new high school. It isn't just her goth clothes, purple-streaked hair, or black nails. She has special psychic gifts she never reveals to others. But as she glimpses into the auras of her classmates, one boy in particular falls under her radar. His name is Dane, an emo boy who's become the pariah for the school bully, Buffalo. He is quiet and reserved but seems to hold a dark secret behind his solid black eyes. Aside from just being able to shield himself from Violet's psychic gaze, he also has special powers of his own. She witnesses his abilities of mind-reading, telepathy, and eventually telekinesis. But his darkness and aloofness leave her questioning his motives, wanting to learn more about this strange, mysterious boy.

Is someone near to you in retreat? Are you finding scraps of poetry lying about? What about hair-dye stains in the shower? Are you sharing your residence with a person who loves the dark? You might be Living With.an Emo Kid! Learn to recognize and appreciate these weird and wired teens with the help of the first and best field guides to these cutting-edge homo-sapiens.

What is emo? For starters it's a form of melodic, confessional, or EMOtional punk rock. But emo is more than a genre of music–it's the defining counterculture movement of the '00s. EVERYBODY HURTS is a reference book for emo, tracing its angsty roots all the way from Shakespeare to Holden Caufield to today's most popular bands. There's nothing new about that perfect chocolate and peanut butter combination––teenagers and angst. What is new is that emo is the first cultural movement born on the internet. With the development of early social networking sites like Make Out Club (whose mission is to unite "like–minded nerds, loners, indie rockers, record collectors, video gamers, hardcore kids, and artists through friendship, music, and sometimes even love") outcast teens had a place to find each other and share their pain, their opinions, and above all, their music–which wasn't available for sale at the local record store. Authors Leslie Simon and Trevor Kelley lead the reader through the world of emo including its ideology, music, and fashion, as well as its influences on film, television, and literature. With a healthy dose of snark and sarcasm, EVERYBODY HURTS uses diagrams, illustrations, timelines, and step–by–step instructions to help the reader successfully achieve the ultimate emo lifestyle. Or, alternately, teach him to spot an emo kid across the mall in order to mock him mercilessly.

Nothing Feels Good: Punk Rock, Teenagers, and Emo tells the story of a cultural moment that's happening right now-the nexus point where teen culture, music, and the web converge to create something new. While shallow celebrities dominate the headlines, pundits bemoan the death of the music industry, and the government decries teenagers for their morals (or lack thereof) earnest, heartfelt bands like Dashboard Confessional, Jimmy Eat World, and Thursday are quietly selling hundreds of thousands of albums through dedication, relentless touring and respect for their fans. This relationship - between young people and the empathetic music that sets them off down a road of self-discovery and self-definition - is emo, a much-maligned, mocked, and misunderstood term that has existed for nearly two decades, but has flourished only recently. In Nothing Feels Good, Andy Greenwald makes the case for emo as more than a genre - it's an essential rite of teenagehood. From the '80s to the '00s, from the basement to the stadium, from tour buses to chat rooms, and from the diary to the computer screen, Nothing Feels Good narrates the story of emo from the inside out and explores the way this movement is taking shape in real time and with real hearts on the line. Nothing Feels Good is the first book to explore this exciting moment in music history and Greenwald has been given unprecedented access to the bands and to their fans. He captures a place in time and a moment on the stage in a way only a true music fan can.

Emo Boy is a comic book hero for the world's losers and outsiders.