"Isaac Everett's Emergent Psalter is clearly a work of love. Springing from the life of a young, emergent congregation, it embodies the best of old and new, and it is a sign of maturity in our important movement." —Tony Jones, author of The New Christians: Dispatches from the Emergent Frontier Many alternative and emerging church communities have begun exploring ancient music and liturgical traditions despite a lack of high-quality, published liturgical music, which does not require (or even desire) an organ and a four- part choir. The Emergent Psalter serves to provide that resource. The psalter itself consists of musically notated antiphon melodies with chord symbols followed by the printed psalm text which is read aloud. Featuring music written for two emerging communities (Transmission in New York and Church of the Apostles in Seattle), this book is an excellent resource for anyone producing alternative worship service or thinking of starting one.

This is a complete revision of a detailed resource which has been the essential guide for church musicians working in the Episcopal church for over 20 years. A Guide to the Practice of Church Music (1989) was originally written by Marion J. Hatchett, who taught for many years at the Episcopal seminary at Sewanee, was key in developing materials for The Hymnal 1982. This updated revision contains brief, but articulate discussions of the role of music in the church, the variety and nature of music ministries (people, cantor, choirs, organists, directors, instrumentalists, clergy, and music committees); principles for the selection of hymns, psalms, canticles, and other service music and their sources in materials from CPI and beyond; guidance for planning services for all rites of the church in the BCP and the Book of Occasional Services. Updated revision includes hymnals, electronic resources, and materials published since The Hymnal 1982.

This third volume completes the set of a groundbreaking reception history of the Psalter, the culmination of two decades’ work In Volume Three of Psalms Through the Centuries: A Reception History Commentary on Psalms 73-151, the internationally recognized biblical scholar Professor Susan Gillingham examines the Jewish and Christian cultural and reception history of Books Three to Five of the Psalter. She examines the changing ways in which psalms have been understood in translations and commentaries, liturgy and prayer, study and preaching, music and art, poetic and dramatic performance, and political and ethical discourse. Lavishly illustrated with thirty colour plates, several black and white images and a number of musical scores, this volume also includes a comprehensive glossary of terms for readers less familiar with the subject and a full, selective bibliography complete with footnote references for each psalm. Numerous links to website resources also allow readers to pursue topics at greater depth, and three clearly organized indices facilitate searches by specific psalms or authors, or types of reception for selected psalms. This structure makes the commentary easy to use, whether for private study, teaching or preaching. The book also offers: A one-of-a-kind treatment of the reception history of the psalms that starts where most commentaries end— beginning with the trajectory of the Psalter’s multi-faceted reception over two millennia Specific discussions of both Jewish and Christian responses to individual psalms Psalms Through the Centuries: A Reception History Commentary on Psalms 73-151, like the previous two volumes, will earn a distinctive place in the libraries of faculties, colleges, seminaries, and religious communities as well as in private collections of students and scholars of biblical studies, theology, and religion.

Introduces and explains church music and congregational singing for beginners. Music is an essential element in Anglican worship; in fact, The Hymnal 1982 is used in virtually every Episcopal service of worship that involves singing. While most parishioners participate in music making at some level (such as singing hymns or common responses), fewer people might understand the specific genres that comprise the music of an Episcopal worship service or the liturgical meaning behind each selection. This book provides a more in-depth understanding of this rich and complex tradition, discussing the history and evolution of music within the Episcopal Church, including its Anglican roots. This book is designed to help clarify—and simplify—the importance of hymn singing and service music in Episcopal worship, as well as explain the history, structure, and content of The Hymnal 1982.making at some level (such as singing hymns or common responses), fewer people might understand the specific genres that comprise the music of an Episcopal worship service or the liturgical meaning behind each selection. This book provides a more in-depth understanding of this rich and complex tradition, discussing the history and evolution of music within the Episcopal Church, including its Anglican roots.

Christian Sacred Music in the Americas explores the richness of Christian musical traditions and reflects the distinctive critical perspectives of the Society for Christian Scholarship in Music. This volume, edited by Andrew Shenton and Joanna Smolko, is a follow-up to SCSM’s Exploring Christian Song and offers a cross-section of the most current and outstanding scholarship from an international array of writers. The essays survey a broad geographical area and demonstrate the enormous diversity of music-making and scholarship within that area. Contributors utilize interdisciplinary methodologies including media studies, cultural studies, theological studies, and different analytical and ethnographical approaches to music. While there are some studies that focus on a single country, musical figure, or region, this is the first collection to represent the vast range of sacred music in the Americas and the different approaches to studying them in context.

In discussions of worship, the term ’participation’ covers a lot of ground. It refers not only to concrete acts in gathered liturgy, but also to some of the loftiest claims of Christian theology. In this book, Alan Rathe probes the ways in which North American evangelicals have in recent years regarded the landscape of participation. Rathe presents a broad review of evangelical worship literature through a lens borrowed from medieval theology. This brings into surprising focus not only evangelical understandings but also evangelical identities and the historical traditions they reflect, and offers fresh perspectives on such current theological concerns as God’s triunity, missio Dei, and the practical theology of participation. Offering a fresh contribution to a young but important discipline, the liturgically-informed study of evangelical worship practice, this book reconnects the evangelical tradition to the ’Great Tradition’ and in the process re-appropriates classic concepts that are full of promise for contemporary ecumenical dialogue.

In discussions of worship, the term ‘participation’ covers a lot of ground. It refers not only to concrete acts in gathered liturgy, but also to some of the loftiest claims of Christian theology. In this book, Alan Rathe probes the ways in which North American evangelicals have in recent years regarded the landscape of participation. Rathe presents a broad review of evangelical worship literature through a lens borrowed from medieval theology. This brings into surprising focus not only evangelical understandings but also evangelical identities and the historical traditions they reflect, and offers fresh perspectives on such current theological concerns as God’s triunity, missio Dei, and the practical theology of participation. Offering a fresh contribution to a young but important discipline, the liturgically-informed study of evangelical worship practice, this book reconnects the evangelical tradition to the ‘Great Tradition’ and in the process re-appropriates classic concepts that are full of promise for contemporary ecumenical dialogue.