"A marvelous recounting of the 1901 World’s Fair. Every chapter sparkles…The Buffalo-Niagara Falls extravaganza comes alive in these pages. Highly recommended!" —Douglas Brinkley, author of American Moonshot The Pan-American Exposition in Buffalo, New York, dazzled with its new rainbow-colored electric lights. It showcased an array of wonders, like daredevils attempting to go over Niagara Falls in a barrel, or the "Animal King" putting the smallest woman in the world and also terrifying animals on display. But the thrill-seeking spectators little suspected that an assassin walked the fairgrounds, waiting for President William McKinley to arrive. In Margaret Creighton’s hands, the result is "a persuasive case that the fair was a microcosm of some momentous facets of the United States, good and bad, at the onset of the American Century" (Howard Schneider, Wall Street Journal).

Angel De Cora (c. 1870–1919) was a Native Ho-Chunk artist who received relative acclaim during her lifetime. Karen Thronson (1850–1929) was a Norwegian settler housewife who created crafts and folk art in obscurity along with the other women of her small immigrant community. The immigration of Thronson and her family literally maps over the De Cora family’s forced migration across Wisconsin, Iowa, and onto the plains of Nebraska and Kansas. Tracing the parallel lives of these two women artists at the turn of the twentieth century, art historian Elizabeth Sutton reveals how their stories intersected and diverged in the American Midwest. By examining the creations of these two artists, Sutton shows how each woman produced art or handicrafts that linked her new home to her homeland. Both women had to navigate and negotiate between asserting their authentic self and the expectations placed on them by others in their new locations. The result is a fascinating story of two women that speaks to universal themes of Native displacement, settler conquest, and the connection between art and place.

The second edition of the Routledge Handbook of Public Diplomacy, co-edited by two leading scholars in the international relations subfield of public diplomacy, includes 16 more chapters from the first. Ten years later, a new global landscape of public diplomacy has taken shape, with major programs in graduate-level public diplomacy studies worldwide. What separates this handbook from others is its legacy and continuity from the first edition. This first edition line-up was more military-focused than this edition, a nod to the work of Philip M. Taylor, to whom this updated edition is dedicated. This edition includes US content, but all case studies are outside the United States, not only to appeal to a global audience of scholars and practitioners, but also as a way of offering something fresher than the US/UK-centric competition. In Parts 1–4, original contributors are retained, many with revised editions, but new faces emerge. Parts 5 and 6 include 16 global case studies in public diplomacy, expanding the number of contributors by ten. The concluding part of the book includes chapters on digital and corporate public diplomacy, and a signature final chapter on the noosphere and noopolitik as they relate to public diplomacy. Designed for a broad audience, the Routledge Handbook of Public Diplomacy is encyclopedic in its range and depth of content, yet is written in an accessible style that will appeal to both undergraduate and postgraduate students.

This multivolume encyclopedia surveys America's long and troubled history of political violence from the colonial era to the present, with a particular emphasis on factors driving political violence and intimidation in the United States in the 21st century. Americans like to think of their nation as one grounded in high-minded democratic ideals and peaceful transitions of power. In reality, though, American politics has been heavily laced with expressions of violence and intimidation since the nation's very inception, which saw a campaign of violent rebellion against British rule. Since then, America has endured the deaths of four presidents from assassination; a four-year civil war; racist attacks on civil rights activists and ordinary citizens; deadly clashes between protesting citizens and law enforcement; sustained campaigns of violence against marginalized populations seeking greater political or economic equality; politically motivated mass shootings; and, on January 6, 2021, the shocking spectacle of a politically motivated mob attack on the U.S. Capitol. How and why did these events transpire? What were the root causes? What factors are driving political violence and intimidation in America today? And are there changes that we could make to our country's political discourse that would reduce such outbreaks of bloodshed? This authoritative multivolume encyclopedia provides answers to all these questions and more.

It should have been a grand day at the Pan-American Exhibition in Buffalo, New York, in 1901. President William McKinley shook hands with well-wishers who had lined up to meet their popular leader. But one man stepped forward with a pistol hidden under a handkerchief wrapped around his right hand. Two shots rang out, both striking McKinley in the abdomen. As the nation puzzled over the shooter and the ease of his crime, the president suffered for days before finally dying. Vice President Theodore Roosevelt was sworn in as president, becoming the youngest person ever to hold the job. The country -- and the world -- would never be the same.

Abraham Lincoln watched a play. James Garfield walked through a train station. William McKinley shook hands with his public. John Kennedy smiled and waved from a motorcade. In these moments shots rang out and four presidents suffered mortal wounds. Some say their assassins were calculating killers. Others say they were madmen guided by strange notions of the world. Assassins' America examines the lives of each killer and his victim. Their stories are full of twists and mysteries, and even today Americans live with lasting effects of these terrible crimes.

Buffalo at the Crossroads is a diverse set of cutting-edge essays. Twelve authors highlight the outsized importance of Buffalo, New York, within the story of American urbanism. Across the collection, they consider the history of Buffalo's built environment in light of contemporary developments and in relationship to the evolving interplay between nature, industry, and architecture. The essays examine Buffalo's architectural heritage in rich context: the Second Industrial Revolution; the City Beautiful movement; world's fairs; grain, railroad, and shipping industries; urban renewal and so-called white flight; and the larger networks of labor and production that set the city's economic fate. The contributors pay attention to currents that connect contemporary architectural work in Buffalo to the legacies established by its esteemed architectural founders: Richardson, Olmsted, Adler, Sullivan, Bethune, Wright, Saarinen, and others. Buffalo at the Crossroads is a compelling introduction to Buffalo's architecture and developed landscape that will frame discussion about the city for years to come. Contributors: Marta Cieslak, University of Arkansas - Little Rock; Francis R. Kowsky; Erkin Özay, University at Buffalo; Jack Quinan, University at Buffalo; A. Joan Saab, University of Rochester; Annie Schentag, KTA Preservation Specialists; Hadas Steiner, University at Buffalo; Julia Tulke, University of Rochester; Stewart Weaver, University of Rochester; Mary N. Woods, Cornell University; Claire Zimmerman, University of Michigan