'When I wrote and recorded these songs originally, I never would have expected the fantastic audience response all these years later; it's amazing.' - Jeff Lynne The music of Jeff Lynne is beloved by fans all over the world and has been for three generations. Now, after a hiatus of nearly thirty years, the multi-award winning songwriter, producer and founder of ELO has made a triumphant return to touring. Since 2014, he has played across Europe and North America, the high point for Lynne being his dramatic homecoming for a crowd of 60,000 fans at Wembley. On 24th June 2017, London's historic stadium was transformed into one of the greatest rock'n'roll spectacles of all time, as Lynne performed his group's most extensive set list to date against a dazzling backdrop of pyrotechnics, lasers and a giant ELO spaceship. Now, in his first official book, Lynne reveals the meticulous planning leading up to the epic concert, and shares the stories behind a career-spanning catalogue of songs. In an exclusive new text, Lynne reflects on his formative years growing up and his eventual success with ELO hits such as 'Mr. Blue Sky', 'Evil Woman' and 'Livin' Thing'. From his memories of producing The Beatles' last single, 'Free as a Bird', to his anecdotes from inside one of the greatest supergroups, the Traveling Wilburys, Lynne also discusses his fascinating career outside of ELO. His narration guides the reader through hundreds of exclusive photographs taken specially for the making of this book. From backstage to front of house, Wembley or Bust is Jeff Lynne's account of a once-in-a-lifetime concert, and its significance within the greater story of his career as one of the most popular recording artists, songwriters and producers of all time. JEFFLYNNEBOOK.COM GENESIS-PUBLICATIONS.COM

ELO (Electric Light Orchestra) were formed by Roy Wood and Jeff Lynne of The Move as a fusion of rock and contemporary classical-style music, combining orchestral instruments, guitars, keyboards, and drums in the same line-up. Their aim was to continue from where The Beatles’ ‘I am the Walrus’ left off. After the release of their eponymous debut album in 1971 and a few live dates at home and in Europe, it became increasingly apparent that both leaders’ objectives were incompatible. Wood left Lynne in charge of the group to refine their sound, and their ambitious progressive rock epics gradually gave way to a more accessible style. Keyboard player Richard Tandy and drummer Bev Bevan were the only other constant members in an ever-changing line-up. By the end of the decade, the group were rarely out of the British and American charts. After disbanding in 1986, ELO Part II (minus Lynne) returned for two albums, but Lynne reclaimed the name with an album in 2001 followed by a long-awaited reappearance in 2014 as Jeff Lynne’s ELO. Electric Light Orchestra: Song by Song provides a brief biographical overview of the bands’ contributors in addition to a comprehensive examination of all the groups’ studio albums.

A photographic look into the world of vinyl record collectors—including Questlove—in the most intimate of environments—their record rooms. Compelling photographic essays from photographer Eilon Paz are paired with in-depth and insightful interviews to illustrate what motivates these collectors to keep digging for more records. The reader gets an up close and personal look at a variety of well-known vinyl champions, including Gilles Peterson and King Britt, as well as a glimpse into the collections of known and unknown DJs, producers, record dealers, and everyday enthusiasts. Driven by his love for vinyl records, Paz takes us on a five-year journey unearthing the very soul of the vinyl community.

Is it a love triangle if time travel is involved? Jeff Blue made important decisions every day—what clothes to wear, what to eat for breakfast, and what book to teach his high school English class. What he never expected was needing to make a choice between repairing his failing marriage in 1981 or start anew with J0—an unexpected and flawless copy of his wife in 2095. 114 years in the future is nothing like he imagined and waking up there comes with its own list of questions. But while getting back to his time should be at the top of his list, it's hard to resist the new-and-improved version of his wife. J0's a clean slate. A chance to have things just the way he wants, to have things as they were before their daughter’s “accident.” However, staring at J0 reminds him of the woman he had left back in 1981, whom he had vowed for better or worse. Armed with a one-way ticket to the moon, it's a race against the clock to seize his last chance to return home to his time. A time without hover cars, Justice Computers, TeleSkins—a time without J0. Is that what he really wants?