Cohen argues that the emergence of the United States as the world's sole superpower and the process of globalization have failed to remove the importance of geography as a political and strategic factor of great import. After laying out the structural basis for his theory of geopolitical theory, he launches into an examination of how geopolitical realities have developed since World War II, a period that witnessed greater change than the preceding two and a half centuries. He then turns his attention to the meat of the book, separate examinations of the each of the major world regions, including examinations of the important countries and their individual geopolitical realities.

Since the early twentieth century, 'balkanization' has signified the often militant fracturing of territories, states, or groups along ethnic, religious, and linguistic divides. Yet the remarkable similarities found among contemporary Balkan popular music reveal the region as the site of a thriving creative dialogue and interchange. The eclectic interweaving of stylistic features evidenced by Albanian commercial folk music, Anatolian pop, Bosnian sevdah-rock, Bulgarian pop-folk, Greek ethniki mousike, Romanian muzica orientala, Serbian turbo folk, and Turkish arabesk, to name a few, points to an emergent regional popular culture circuit extending from southeastern Europe through Greece and Turkey. While this circuit is predicated upon older cultural confluences from a shared Ottoman heritage, it also has taken shape in active counterpoint with a variety of regional political discourses. Containing eleven ethnographic case studies, Balkan Popular Culture and the Ottoman Ecumene: Music, Image, and Regional Political Discourse examines the interplay between the musicians and popular music styles of the Balkan states during the late 1990s. These case studies, each written by an established regional expert, encompass a geographical scope that includes Albania, Bosnia and Herzegovina, Bulgaria, the Republic of Macedonia, Croatia, Slovenia, Romania, Greece, Turkey, Serbia, and Montenegro. The book is accompanied by a VCD that contains a photo gallery, sound files, and music video excerpts.

The question of Modern Greek identity is certainly timely. The political events of the previous years have once more brought up such questions as: What does it actually mean to be a Greek today? What is Modern Greece, apart from and beyond the bulk of information that one would find in an encyclopaedia and the established stereotypes? This volume delves into the timely nature of these questions and provides answers not by referring to often-cited classical Antiquity, nor by treating Greece as merely and exclusively a modern nation-state. Rather, it approaches the subject in a kaleidoscopic way, by tracing the line from the Byzantine Empire to Modern Greek culture, society, philosophy, literature and politics. In presenting the diverse and certainly non-dominant approaches of a multitude of Greek scholars, it provides new insights into a diachronic problem, and will encourage new arguments and counterarguments. Despite commonly held views among Greek intelligentsia or the worldwide community, Modern Greek identity remains an open question – and wound.

This volume presents a long-overdue synthesis and update on West Mexican archaeology. Ancient West Mexico has often been portrayed as a ‘marginal’ or ‘underdeveloped’ area of Mesoamerica. This book shows that the opposite is true and that it played a critical role in the cultural and historical development of the Mesoamerican ecumene.

Written by one of the world's leading political geographers, this fully revised and updated textbook examines the dramatic changes wrought by ideological and economic forces unleashed by the end of the Cold War. Saul Cohen considers these forces in the context of their human and physical settings and explores their geographical influence on foreign policy and international relations.