Previously unpublished colour photographs of London's famous East End at a time before great social change.

This book by a new photographer continues from 1980 as the regeneration of the East End accelerates to an unprecedented degree. Tim Brown, a driver on London Underground's Central Line, spent his spare time photographing the city's financial centre and transport hubs, including the Docklands area just before the developers seized control of this vast industrial wasteland. His subtle, understated (and never-before-seen) colour images are a nostalgic record of a corner of the capital that has changed almost beyond recognition.

'Every page is a delight. Every chapter made vivid by a writer who has poured heart and soul into her book' Val Hennessy, Daily Mail The East End of London - cockneys, criminals, street markets, pub singalongs, dog racing, jellied eels . . . It is a place at once appealing and unruly, comforting and incomprehensible. Gilda O'Neill, an East Ender herself, shows there is more to this fascinating area than a collection of clichéd images. Using oral history and more traditional sources, she builds up a powerful image of this community - bringing to us, with wit and honesty, the real story of London's East End WHAT READERS ARE SAYING ABOUT MY EAST END: 'A true and detailed account of a community that has been sadly lost' Amazon Reader Review 'Excellent reading for anyone interested in the early life of London, one can't help being mesmerised by the hardships they endured!' Amazon Reader Review 'An extremely interesting and well-researched book' Amazon Reader Review

Life-long Hackney resident Neil Martinson was still at school when he began taking photos on his home turf, documenting people at work, children at play, protests, homelessness, Jewish life, street markets and other scenes. His documentary archive brings a past era to life and shows how much the working lives of Hackney - and the world over - have changed in the digital age. 'I grew up in a period when a lot of people were doing manual jobs. There was a huge amount of manufacturing going on in the borough, which helped to make it diverse and vibrant.'

Nostalgic photographs that capture unexpected moments of intimacy and humor on the Underground Think of the London Underground and what comes to mind? Shuffling human traffic, trains whirring through tunnels, tired silent faces. Mike Goldwater's pictures taken in the '70s and '80s, capture the moments of tenderness and life that lie beneath that: the kisses goodbye, the man cradling a cat, another smoking deep in thought, the homeless man curled up next to his belongings. We also see old ticket booths (before Travelcards existed), retro carriages, whisky adverts and bell flares. These images, full of human interaction, take us back to a time when it was fine to talk (and smoke) on our beloved Underground.

Published to mark the 10th anniversary of the 2008 global financial crisis, these street photographs are a study of one of the most crucial locations for the world economy: the City of London. Shot over a decade to document the rise and fall of the crash's aftermath, McLaren has captured these surreal and tense times with a critical and satirical eye.

Chris Dorley-Brown has documented more than 40 drivers stuck in traffic jams in East London during 1986 and 1987. The images, showing faces in various states of boredom, frustration or relaxation are as fascinating as they are humorous and subtly capture the mood and fashion of a very distinct era. Chris Dorley-Brown is a British photographer who has lived and worked in the East End for the last 30 years. During his career as a photographer he has documented many aspects of life in Hackney and its diverse community.