The hero recalls an unfruitful pilgrimage to the East during his youth and begins to realize its hidden spiritual meanings

An insightful and comprehensive look at Asia on the rise—a "masterful job of describing Asia's anguish and ambition" (The Washington Post Book World)—from the Pulitzer Prize–winning journalists and bestselling authors of Half a Sky and Tightrope The 1997 economic crisss in Asia heaped devastation upon millions. Yet Nicholas Kristof and Sheryl WuDunn argue that it was the best thing that could have happened to Asia. It destroyed the cronyism, protectionism, and government regulation that had been crippling Asian business for decades, and it left in its wake a vast region of resilient and determined millions poised to wrest economic, diplomatic and military power from the West. Thunder from the East is a riveting look at a complex region, a fascinating panoply of compelling characters, and a prophetic analysis from arguably the West's most informed and intelligent writers on Asia.

From New York Times bestselling author Tasha Alexander comes STAR OF THE EAST, a Lady Emily holiday story that will enchant readers and keep them guessing until the very last page... Emily and Colin Hargreaves make it a rule to spend as little time as possible with her parents in Kent, but are unable to refuse Lady Catherine Bromley's invitation to join them for a pre-Christmas party that includes the family of Ala Kapur Singh, a powerful Punjabi maharaja who has come to England after receiving the Order of the Star of India. Lady Bromley, quite taken with the exotic beauty and spectacular jewels of the maharani and her daughter, Sunita, throws herself with abandon into her own version of Indian culture, planning a feast she is certain will be more spectacular than any seen on the sub-continent. When a priceless diamond maang tika and a simple gold bangle disappear from Sunita's room, a diplomatic incident seems imminent, particularly after the maang tika turns up in Emily's possession. Emily may have what appears to be the more valuable of the two pieces, but the maang tika cannot be worn without the bangle, upon which is engraved the words necessary to ward off a curse placed on the set five hundred years ago by a princess forced to forsake the man she loved. Sunita must wear the maang tika at her wedding but cannot do so without the bangle. Can Emily convince the maharaja that she is not a thief? And, more important, can she and Colin find the bangle?

A new design expression is being formed in China as architects look internally for visionary design instead of toward the West.

The year 1955 was a watershed one for New York’s film industry: Elia Kazan’s On the Waterfront took home eight Oscars, and, more quietly, Stanley Kubrick released the low-budget classic Killer’s Kiss. A wave of films that changed how American movies were made soon followed, led by directors such as Sidney Lumet, William Friedkin, Francis Ford Coppola, and Martin Scorsese. Yet this resurgence could not have occurred without a deeply rooted tradition of local film production. Richard Koszarski chronicles the compelling and often surprising origins of New York’s postwar film renaissance, looking beyond such classics as Naked City, Kiss of Death, and Portrait of Jennie. He examines the social, cultural, and economic forces that shaped New York filmmaking, from city politics to union regulations, and shows how decades of low-budget independent production taught local filmmakers how to capture the city’s grit, liveliness, and allure. He reveals the importance of “race films”—all-Black productions intended for segregated African American audiences—that not only helped keep the film business afloat but also nurtured a core group of writers, directors, designers, and technicians. Detailed production histories of On the Waterfront and Killer’s Kiss—films that appear here in a completely new light—illustrate the distinctive characteristics of New York cinema. Drawing on a vast array of research—including studio libraries, censorship records, union archives, and interviews with participants—“Keep ’Em in the East” rewrites a crucial chapter in the history of American cinema.

The East India Company at Home, 1757–1857 explores how empire in Asia shaped British country houses, their interiors and the lives of their residents. It includes chapters from researchers based in a wide range of settings such as archives and libraries, museums, heritage organisations, the community of family historians and universities. It moves beyond conventional academic narratives and makes an important contribution to ongoing debates around how empire impacted Britain. The volume focuses on the propertied families of the East India Company at the height of Company rule. From the Battle of Plassey in 1757 to the outbreak of the Indian Uprising in 1857, objects, people and wealth flowed to Britain from Asia. As men in Company service increasingly shifted their activities from trade to military expansion and political administration, a new population of civil servants, army officers, surveyors and surgeons journeyed to India to make their fortunes. These Company men and their families acquired wealth, tastes and identities in India, which travelled home with them to Britain. Their stories, the biographies of their Indian possessions and the narratives of the stately homes in Britain that came to house them, frame our explorations of imperial culture and its British legacies.