No detailed description available for "Reality and Idea in the Early American Novel".

"Early American Literature and Culture: Essays Honoring Harrison T. Meserole, a timely collection that reflects changing conceptions of the field, contains studies by leading scholars and celebrates the achievements of Harrison T. Meserole--colonialist, bibliographer, and Shakespeare scholar extraordinaire. These dynamic essays deal with areas at the forefront of current research, such as popular culture, minority and non-Anglo writings, recanonization, genre studies, and Anglo-American links. All the contributors were Meserole's students sometime during the twenty-eight years he taught at The Pennsylvania State University, and all have established their own scholarly reputations since then." "Timothy K. Conley examines the institutionalization of American literature. Donald P. Wharton considers the influence of the English Renaissance on Colonial sea literature. Paul J. Lindholdt provides an overview of a vast popular genre, the colonial promotion tract." "Raymond F. Dolle uncovers the satire against Sir Walter Raleigh, the romantic treasure-seeker, by his more hard-nosed contemporary, John Smith. Reiner Smolinski's revisionist essay argues that New England's leading divines did not--as many still believe--justify their Errand eschatologically. Ada Van Gastel discusses the main text of the early Dutch colonists, by Adriaen van der Donck." "Kathryn Zabelle Derounian-Stodola analyzes Sarah Kemble Knight's travel journal as an unusual example of a Puritan picaresque. Jeffrey Walker probes eighteenth-century undergraduate commonplace books revealing the seamy side of Harvard undergraduate life. Stephen R. Yarbrough examines Jonathan Edwards's conceptions of time in the last work he saw to press before he died." "Robert D. Arner introduces and annotates two unpublished poems by the Samuel Pepys of eighteenth-century Virginia, Robert Bolling. Robert D. Habich explores Franklin's rhetorical method as rooted in contemporary empirical science. Cheryl Z. Oreovicz shows how Mercy Warren's tragedies contained stern messages for the post-Revolutionary "Lost generation."" "Jayne K. Kribbs looks at the popular novelist John Davis as a candidate for recanonization, and Paul Sorrentino shows that Mason Lock Weems's so-called children's classic, The Life of Washington, is a complex, artistic work for adults."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Taking his cue from Philadelphia-born novelist Charles Brockden Brown's Annals of Europe and America, which contends that America is shaped most noticeably by the international struggle between Great Britain and France for control of the world trade market, Stephen Shapiro charts the advent, decline, and reinvigoration of the early American novel. That the American novel "sprang so unexpectedly into published existence during the 1790s" may be a symptom of the beginning of the end of Franco-British supremacy and a reflection of the power of a middle class riding the crest of a new world economic system. Shapiro's world-systems approach is a relatively new methodology for literary studies, but it brings two particularly useful features to the table. First, it refines the conceptual frameworks for analyzing cultural and social history, such as the rise in sentimentalism, in relation to a long-wave economic history of global commerce; second, it fosters a new model for a comparative American Studies across time. Rather than relying on contiguous time, a world-systems approach might compare the cultural production of one region to another at the same location within the recurring cycle in an economic reconfiguration. Shapiro offers a new way of thinking about the causes for the emergence of the American novel that suggests a fresh way of rethinking the overall paradigms shaping American Studies.

Descriptive and critical study of American fiction to 1820. Systematically and without apology presents the derivative nature, cliché plots, flat characters, and limited range of America's earliest fiction.

Now greatly expanded, this classic study has been updated to include the major controversies & developments in literary & cultural theory over the past two decades. It traces the co-emergence of the United States as a nation & the literary genre of the novel.

The Power of Sympathy (1789) is a novel by American author William Hill Brown. Considered the first American novel, The Power of Sympathy is a work of sentimental fiction which explores the lessons of the Enlightenment on the virtues of rational thought. A story of forbidden romance, seduction, and incest, Brown’s novel is based on the real-life scandal of Perez Morton and Fanny Apthorp, a New England brother- and sister-in-law who struck up an affair that ended in suicide and infamy. Inspired by their tragedy, and hoping to write a novel which captured the need for rational education in the newly formed United States of America, Brown wrote and published The Power of Sympathy anonymously in Boston. The novel, narrated in a series of letters, is the story of Thomas Harrington. He falls for the local beauty Harriot Fawcet, initially hoping to make her his mistress. But when she rejects him, his friend Jack Worthy suggests that he attempt to court and then propose to her, which is the honorable and lawful choice. Thomas’ overly sentimental mind is persuaded by Jack’s unflinching reason, and so he decides to pursue Harriot once more. This time, he is successful, and the two eventually become engaged, but their happiness soon fades when Mrs. Eliza Holmes, a family friend of the Harringtons, reveals the true nature of Harriot’s identity. As the secrets of Mr. Harrington—Thomas’ father—are revealed, the couple are forced to choose between the morals and laws of society and the passionate love they share. The Power of Sympathy is a moving work of tragedy and romance with a pointed message about the need for education in the recently founded United States. Despite borrowing from the British and European traditions of sentimental fiction and the epistolary novel, Brown’s work is a distinctly American masterpiece worthy of our continued respect and attention. With a beautifully designed cover and professionally typeset manuscript, this edition of William Hill Brown’s The Power of Sympathy is a classic of American literature reimagined for modern readers.