This study, originally published in 1977, focuses on a critical examination of the life-work of Alfred Schutz, the most important and influential ‘father’ of several recent schools of empirical social research. The author shows why Shutz and his followers fail in their attempts to ‘humanize’ empirical social science. The problems they encounter, he argues, are due to their attempt to achieve a methodological synthesis of self-determining subjectivity and empirical criteria of validation, based on Schutz’s heuristic adoption of relevant ideas from Weber and Husserl. This is, in effect, an artificial union of subjectivity and objectivity – their ‘dual vision’ – that satisfies neither phenomenological nor naturalist perspectives. Dr Gorman suggests that the radical implications of phenomenology must lead to a consistent, socially-conscious method of inquiry, and, in a final chapter, he re-defines the methodological implications of phenomenology with the aid of existential and Marxist categories.

The Double Vision originated in lectures delivered at Emmanuel College in the University of Toronto, the texts of which were revised and augmented.

**NAMED ONE OF THE BEST ART BOOKS OF THE DECADE BY ARTNEWS** The first and definitive biography of the celebrated collectors Dominique and John de Menil, who became one of the greatest cultural forces of the twentieth century through groundbreaking exhibits of art, artistic scholarship, the creation of innovative galleries and museums, and work with civil rights. Dominique and John de Menil created an oasis of culture in their Philip Johnson-designed house with everyone from Marlene Dietrich and René Magritte to Andy Warhol and Jasper Johns. In Houston, they built the Menil Collection, the Rothko Chapel, the Byzantine Fresco Chapel, the Cy Twombly Gallery, and underwrote the Contemporary Arts Museum. Now, with unprecedented access to family archives, William Middleton has written a sweeping biography of this unique couple. From their ancestors in Normandy and Alsace, to their own early years in France, and their travels in South America before settling in Houston. We see them introduced to the artists in Europe and America whose works they would collect, and we see how, by the 1960s, their collection had grown to include 17,000 paintings, sculptures, drawings, photographs, rare books, and decorative objects. And here is, as well, a vivid behind-the-scenes look at the art world of the twentieth century and the enormous influence the de Menils wielded through what they collected and built and through the causes they believed in.

Double Vision from Pat Barker, a gripping novel about the effects of violence on the journalists and artists who have dedicated themselves to representing it In the aftermath of September 11, 2001, reeling from the effects of reporting from New York City, two British journalists, a writer, Stephen Sharkey, and a photographer, Ben Frobisher, part ways. Stephen, facing the almost simultaneous discovery that his wife is having an affair, returns to England shattered; he divorces and quits his job. Ben returns to his vocation. He follows the war on terror to Afghanistan and is killed. Stephen retreats to a cottage in the country to write a book about violence, and what he sees as the reporting journalist's or photographer's complicity in it; it is a book that will build in large part on Ben's writing and photography. Ben's widow, Kate, a sculptor, lives nearby, and as she and Stephen learn about each other their world speedily shrinks, in pleasing but also disturbing ways; Stephen's maid, with whom he has begun an affair, was once lovers with Kate's new studio assistant, an odd local man named Peter. As these connections become clear, Peter's strange behavior around Stephen and Kate begins to take on threatening implications. The sinister events that take place in this small town, so far from the theaters of war Stephen has retreated from, will force him to act instinctively, violently, and to face his most painful revelations about himself.

The aim of this thesis is to unfold the multilayered intersubjective experience of the author himself, a Chinese pastor. The author postulates himself as the subject in whom the said experience was evident, so that it can be analyzed and interpreted. Theauthor argues for a cultural-linguistic experience of shi as the locus at which the intersubjective experience takes place. He then shows that such experience embodies a Chinese Christian's 'two texts' inheritance, and argues that it is through unfoldingor revealing of such experience that the nature of his relationship with them can be demonstrated.

A powerful band of women warriors must face off against an oppressive enemy in one final showdown that will determine their survival and the fate of their world in this concluding volume in Ausma Zehanat Khan's powerful fantasy series—an epic of magic, bravery, adventure, and the fight for freedom that lies "somewhere between N. K. Jemisin and George R. R. Martin" (Saladin Ahmed). Armed with the powerful sorcery of the Bloodprint and supported by the Talisman, the oppressive One-Eyed Preacher is on the verge of conquering Ashfall, the Black Khan’s capital in the west. Yet not all is lost for Arian, Sinnia and the Council of Hira. If these brave female warriors can uncover the secrets of an ancient magic weapon known as the Bladebone, they can defeat the Preacher and crush his cruel regime. Neither Arian and Sinnia, nor their allies, the Mages of Khorasan, know the Bladebone’s whereabouts, and not all may survive the search to uncover it. Pursued by a nefarious enemy aligned with the Preacher, they become separated, each following a different path. Then, in their darkest hour, unexpected help appears. But is the Khanum of Black Aura a friend or foe? Arian may discover the answer too late. When the secret of the Bladebone is finally revealed, the knowledge comes at a devastating price for Arian. As the capital falls, only Hira, home of the Companions, stands in the way of the Preacher’s victory. While the Companions rise to defend their Citadel from enemies outside and within, Arian must face off in a cataclysmic battle with the Preacher that pits the powers of the Bloodprint against the Sana Codex. For those who survive, Khorasan will never be the same.