At the end of World War II and through the Allied occupation, the Allies deliberated whether to abolish or to preserve the Japanese Emperor system. This is a study of the transformation of Japan under the impact of the democratizing policy of a forceful military occupation from the West.

An actress yearns to become the real life love interest in a screenwriter’s heart in #1 New York Times bestselling author Nora Roberts’s Dual Image. In a role that propelled her to daytime television stardom, Ariel Kirkwood’s soap opera character reflects her actual playful personality. So when she gets cast as a devious bombshell in famous screenwriter Booth DeWitt’s semiautobiographical film, her dreams of a silver screen career seem assured. Impressed with Ariel’s believable portrayal, Booth can only see her as his heartless ex-wife, the basis for the character. Reading between the lines Booth projects on set, Ariel finds herself falling for the hopeful man beneath the cynicism. To make Booth see that the real Ariel is offering him a chance for love, she’s going to have to change her act.

On-camera conflict leads to behind-the-scenes love in this story of reluctant desire from #1 New York Times bestselling author Nora Roberts. Working with screenwriter Booth DeWitt is the chance of a lifetime for actor Ariel Kirkwood, but she’s landed the role of his conniving ex-wife in his semiautobiographical film. Doing her job well means turning him off, unless Ariel can convince the intense Booth to see her for the woman she is when the cameras stop rolling. A NORA ROBERTS CLASSIC AVAILABLE DIGITALLY FOR THE FIRST TIME

After a harrowing experience in Bosnia, war photographer Mitch Coltrane makes a vow. From now on, he will only take those pictures that celebrate life; that document hope instead of despair. Still, wartorn images continue to haunt him. He learns to shield himself by fixating on a beautiful woman in an old photograph. But slowly he grows obsessed. Who is she? He must know. And as Coltrane searches for answers, he falls hopelessly in love, forgetting that the past can sometimes intrude on the present, with terrifying consequences.

On-board image processing systems are used to maximize image data transmission efficiency for large volumes of data gathered by Earth observation satellites. This book explains the methods, mathematical models, and key technologies used for these systems. It introduces the background, basic concepts, and the architecture of on-board image processing, along with on-board detection of the image feature and matching, ground control point identification, on-board geometric correction, calibration, geographic registration, etc. • Describes algorithms and methodologies for on-board image processing with FPGA chips. • Migrates the traditional on-ground computing to on-board operation and the image processing is implemented on-board, not on-ground. • Introduces for the first time many key technologies and methods for on-board image processing. • Emphasizes the recent progress in image processing by using on-board FPGA chips. • Includes case studies from the author’s extensive research and experience on the topic. This book gives insights into emerging technologies for on-board processing and will benefit senior undergraduate and graduate students of remote sensing, information technology, computer science and engineering, electronic engineering, and geography, as well as researchers and professionals interested in satellite remote sensing image processing in academia, and governmental and commercial sectors.

Cinematic Appeals follows the effect of technological innovation on the cinema experience, specifically the introduction of widescreen and stereoscopic 3D systems in the 1950s, the rise of digital cinema in the 1990s, and the transition to digital 3D since 2005. Widescreen cinema promised to draw the viewer into the world of the screen, enabling larger-than-life close-ups of already larger-than-life actors. This technology fostered the illusion of physically entering a film, enhancing the semblance of realism. Alternatively, the digital era was less concerned with the viewer's physical response and more with information flow, awe, and the reevaluation of spatiality and embodiment. This study ultimately shows how cinematic technology and the human experience shape and respond to each other over time.