Tony Kovacs, seventeen, realizes that he is the only one who can stop a bloodthirsty succubus from increasing her powers

The Lamb Enters the Dreaming traces the life of Nathanael Pepper of the Wotjobaluk people, who was born as the first pastoralists were driving cattle and sheep into Victoria’s Wimmera region. In their wake came Christian missionaries, who were just as hostile to the settlers’ violence as they were to the traditional beliefs of Aboriginal people. Nevertheless, Pepper converted to Christianity in 1860. The extraordinary story of Pepper’s conversion, and his subsequent attempts to reconcile the apparently irreconcilable, reveals much about the deeper symbolic and moral forces at work in this collision of cultures. Robert Kenny challenges many orthodoxies in this profound reconsideration of how indigenous people and Europeans thought about each other. He traces Aboriginal attempts to accommodate the ‘people of the sheep’ and their pastoralist totem, Jesus, while arguing that it was European animals more than the settlers themselves that ruptured the Dreaming. On the European side, Kenny argues, increasingly powerful scientific and philosophical challenges undermined evangelical Christianity’s belief that all humanity was of ‘One Blood’. And behind it all lurked the spectre of slavery and the question of the moral order of imperialism. Brilliantly original in conception, and written with a rare lucidity and lightness of touch, The Lamb Enters the Dreaming is a detailed and sensitive exploration of a life, a meditation on the matter of culture and conversion, and a major reappraisal of the relations between Aboriginal and European societies in the first decades of contact in southern Australia.

In these tales from The Dreaming #1-6 and THE Sandman Universe Special #1, Lord Daniel’s absence triggers crimes and calamities that consume the lives of those already tangled in his fate. Until he is found, his realm’s residents must protect its broken borders alone. But the most senior story-tellers are tormented by invasive secrets, Lucien is doubting his own mind, and beyond the gates, something horrific awaits with tooth and talon.

Set in the untamed landscape of mid-nineteenth century Australia, The Dreaming is a rich and potent tale of hidden passion and broken taboo. Australia, 1871—Following her mother’s sudden death, Joanna Drury sets sail from India and arrives in Melbourne to claim the property left to her by her mother—and to trace the mysteries of her family’s past. From her first steps on shore, Joanna becomes entangled with a lost boy who leads her to the fascinating Hugh Westbrook. She agrees to look after the child in exchange for Hugh’s help in finding her inheritance. But she falls deeply in love with Hugh and with life at his sheep station, Merinda. When strange nightmares begin to plague her—the same that tormented her mother—Joanna starts to notice the Aborigines’ strange reaction to her. Delving into Australia’s past, she discovers the tragic events that have marked her family’s destiny and her own life, events that happened long ago in the time the Aborigines call “the Dreaming.” Full of intriguing historical detail, Wood’s compelling story brings the clash of immigrant and Aboriginal cultures to stunning life, capturing the danger, mystery, and romance of an emerging country.

In this whimsical fantasy adventure, a novelist’s search for an author takes him to a magical city, a villainous literary scholar, and perilous catacombs. Optimus Yarnspinner’s search for an author’s identity takes him to Bookholm―the so-called City of Dreaming Books. On entering its streets, our hero feels as if he has opened the door of a gigantic second-hand bookshop. His nostrils are assailed by clouds of book dust, the stimulating scent of ancient leather, and the tang of printer’s ink. Soon, though, Yarnspinner falls into the clutches of the city’s evil genius, Pfistomel Smyke, who treacherously maroons him in the labyrinthine catacombs underneath the city, where reading books can be genuinely dangerous . . . In The City of Dreaming Books, Walter Moers transports us to a magical world where reading is a remarkable adventure. Only those intrepid souls who are prepared to join Yarnspinner on his perilous journey should read this book. We wish the rest of you a long, safe, unutterably dull, and boring life! Praise for The City of Dreaming Books “German author and cartoonist Moers returns to the mythical lost continent of Zamonia in his uproarious third fantasy adventure to be translated into English, a delightfully imaginative mélange of Shel Silverstein zaniness and oddball anthropomorphism à la Terry Pratchett’s Discworld. . . . A wonderfully whimsical story that will appeal to readers of all ages.” —Publishers Weekly “A salmagundi of whimsy, imagination and book lore—remarkable fun.” —Cleveland Plain Dealer “Moers puts Tolkien through some sort of Willy Wonka sweetening process and comes up with characters such as Optimus Yarnspinner, who, names being fate and all, just has to be a storyteller.” —Kirkus Reviews

To the residents of Miguel Street, a derelict corner of Trinidad’s capital, their neighbourhood is a complete world, where everybody is quite different from everybody else. There’s Popo the carpenter, who neglects his livelihood to build “the thing without a name;” Man-man, who goes from running for public office to staging his own crucifixion; Big Foot, the dreaded bully with glass tear ducts; and the lovely Mrs. Hereira, in thrall to her monstrous husband. Their lives (and the legends their neighbours construct around them) are rendered by V. S. Naipaul with Dickensian verve and Chekhovian compassion in this tender, funny novel.