Excerpt from The Dramatic Works of Gerhart Hauptmann, Vol. 6 The three plays in this volume present, in clearly defined fashion, three phases of Hauptmann's dra matic art. In The Maidens of the Mount he te calls an episode of his own past which had faded into the remoteness and unsubstantiality of dreams; in Griselda he essays once more a modern and hu man interpretation of one of the famous fables of the world; in Gabriel Schilling': Flight he grapples with the problem of sex in its acutest and most modern form. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from The Dramatic Works of Gerhart Hauptmann, Vol. 6: Later Dramas in Prose In Griselda Hauptmann employs once more the method of psychological interpretation which he had used so triumphantly in Henry of Ami. The legend of Patient Grissel has, as it stands, no reality or humanity of motive to the modern mind. The figures are like medieval illuminations with rigid limbs and unearthly eyes. Hanptxnann causes them to melt into life. It is possible to contend, to be sure, that the motim which, in the play, are the springs of the action, are rather modern; that Ulrich's absorbing 1m of Griselda, which makes himjealonsofhisetssatouchoithepatho logical. Itiseqnally iairtoamue, ontheother hand, that human nature has known no great change thromthcages, evenasthemldahoutnshss becneonstanztlnltschaucterwithinthelhnitsof human history. Only neither literature nor science had, until quite recently. Cultivated either the gift of observation or the capacity of making an exact toca'd. Upon this assumption Hauptmann's art ingmcldah' isassoundinmethodasitlsadmirahle in e oct. There remains Gabriel Schilling's Flight, the mostnotahleot'theselsterplaysinprose. The strictly modem problem of the relation of the sexes especially as it affects the intellectual worker has never been long out of Hanptmann's mind. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from The Dramatic Works of Gerhart Hauptmann, Vol. 7 The Dramatic Works of Gerhart Hauptmann was written by Gerhart Hauptmann in 1917. This is a 382 page book, containing 65882 words. Search Inside is enabled for this title. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from The Dramatic Works of Gerhart Hauptmann, Vol. 3 The first three plays in this volume belong to the years 1890, 1891 and 1892. They were produced in the early fervour of the naturalistic movement and hence deal, explicitly or implicitly, with the conceptions of modern science. To-day naturalism means probity of observation merely. In 1890 it meant the literary expression of sci entific positivism. Hence it was all but inevitable that The Reconciliation and Colleague Crampton should deal with heredity and alcoholism, and that Lonely Lives should present the struggle between dogmatic Christianity and the evolutionary monism of Ernst Haeckel translated into terms of indi vidual human experience. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from The Dramatic Works of Gerhart Hauptmann, Vol. 5 Jau and thyself He there, thou here, my Jon, ye wander both As utter strangers through this wealthy realm Which will endure when both of ye at length Are mouldering dust fast hidden in the grave, And which is his as truly as 'tis thine. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.