A fun and informative exploration of how the classic television series Bonanza differs from the reality of Virginia City, Nevada. In 1959, one hundred years after the big bonanza silver strike in Virginia City, the classic television series Bonanza made its debut and brought the small Nevada city to the forefront of households around the country, and into many parts of the world. The richest city in the world at the time of the Comstock Lode, Virginia City today might well be a ghost town if not for the fame spurred by Bonanza.The show was so popular that it went on to air for thirteen years and even spawned a theme park. Historical accuracy was of great import to Bonanza’s creator, but as the series evolved, it took on a life of its own beyond the boundaries of real-life Virginia City. In Virginia City vs Bonanza: A Tale of Merging Histories, Monette Bebow-Reinhard explores select history from the show’s legendary storylines and compares it to the real history of nineteenth-century Virginia City. Readers will learn why gambling is so prominent in Nevada, how Virginia City was not necessarily developed as a cattle town, and much more, ultimately understanding how and where Bonanza got its history right. Through her analysis of history versus fiction, Bebow-Reinhard emphasizes the impact television had on shaping how we remember the Old West. From the beginnings on Sun Mountain to the new technology created for Virginia City’s mines to keep up with the demands of the labor force—hungry for more wealth—Virginia City vs Bonanza examines the politics, the environmental damage, and the social and cultural settings that made Virginia City unique. Readers will witness it all: silver’s inevitable collapse, the advent of tourism, the natives, the diversity, the violence, and today, the fun. A must-read for fans of televisionand history alike.

Founded in 1859, Virginia City quickly became world famous for its extraordinary prosperity. Over the next two decades, the mines of “the Richest City on Earth” yielded millions in gold and silver. The newly wealthy built mansions and churches, opera houses and schools, with furniture, fashions, and entertainment imported from Europe and the Far East. Here young Samuel Clemens, reporting for the Territorial Enterprise in 1863, first called himself Mark Twain. At its height Virginia City was a magnet for immigrants and the world leader in technological innovations in mining. The city’s story did not end when the Comstock Lode played out. Beginning in the 1930s, bohemian artists, literati, and tourists were intrigued by this remnant of the Old West. The leader of Manhattan’s café society, Lucius Beebe, moved here and relaunched the Territorial Enterprise in 1950. Television’s most popular western from 1959 to 1973, Bonanza, located its fictional Ponderosa Ranch nearby. In the summer of 1965, a handful of Bay Area musicians, including Big Brother and the Holding Company, performed at the Red Dog Saloon and launched psychedelic rock, part of the inspiration for a defining decade of youth culture. Today it is both a National Historic Landmark District and a living community. Visitors come to enjoy its saloons and restaurants, admire its architecture, and learn from its museums and exhibits. A Short History of Virginia City will enhance their experience and will also be enjoyed by anyone interested in the history of Nevada, mining, and the Old West. • Includes an illustrated walking tour describing more than thirty buildings and sites

Spent cartridges. The pieces of an original Tabasco Pepper Sauce bottle. Shards of a ceramic pot, stained red. For archaeologists each of the thousands of artifacts uncovered at a site tells a story. For noted Comstock authority Ronald M. James, it is a story resulting from decades of research and excavation at one of the largest National Historic Landmarks in America, the Nevada town that, with the discovery of the Comstock Lode, became a boomtown microcosm of the American West. Drawing on the work of hundreds of volunteers, students, and professional archaeologists, Virginia City: Secrets of a Western Past shows how every detail—from unearthed artifacts to reports of local saloons to plans for the cemetery to surviving nineteenth-century buildings—adds to our view of Virginia City when it was one of the richest places on earth. James recreates this unlikely epitome of frontier industry and cosmopolitan living, the thriving hub of corporate executives, middle-class families, miners, prostitutes, and barkeepers—and more foreign-born residents per capita than anywhere else in the country—in a spot that had begun its life a few years earlier as the mining camp of several lucky guys. An excavation of the history of Virginia City, a window on the heyday of the American frontier, James’s book is also an enlightening look at how archaeology brings the story of the past to life.

Perched on the side of a mountain in the Nevada desert, Virginia City existed for one reason only: to make money. The mining frenzy of the mid-nineteenth century uncovered veins of precious metals that would be expressed in billions today, attracting the enterprising madam Cad Thompson, the charismatic highwayman Nickanora and a plethora of swindlers. Miners, flush with their wages, supported a healthy economy of gambling, drinking and prostitution and even launched a few political careers. Sam Clemens, who became Mark Twain while reporting for the Virginia City Territorial Enterprise, called it "the livest town that America had ever produced." Join author Peter B. Mires as he explores the seamy side of this quintessential mining boomtown.

The stages of antebellum New Orleans did more than entertain. In the city's early years, French-speaking residents used the theatre to assert their political, economic, and cultural sovereignty in the face of growing Anglo-American dominance. Beyond local stages, the francophone struggle for cultural survival connected people and places in the early United States, across the American hemisphere, and in the Atlantic world. Moving from France to the Caribbean to the American continent, Creole Drama follows the people that created and sustained French theatre culture in New Orleans from its inception in 1792 until the beginning of the Civil War. Juliane Braun draws on the neglected archive of francophone drama native to Louisiana, as well as a range of documents from both sides of the Atlantic, to explore the ways in which theatre and drama shaped debates about ethnic identity and transnational belonging in the city. Francophone identity united citizens of different social and racial backgrounds, and debates about political representation, slavery, and territorial expansion often played out on stage. Recognizing theatres as sites of cultural exchange that could cross oceans and borders, Creole Drama offers not only a detailed history of francophone theatre in New Orleans but also an account of the surprising ways in which multilingualism and early transnational networks helped create the American nation.