The Lime Lizard Lads, curly-tail lizards of Cayman Brac, seek an adventure up on the bluff. Their goal is to reach Nani Cave and meet the dragon that lives there. Gene and Bony soon realize how big and how dangerous the world really is. Leaving home is easy, but can the lads make it back?

The greatest thief captures an unexpected prize. Madfall is the greatest thief in the kingdom, stealing crowns off the very heads of kings. His hoard is legendary. Simply put, he’s a dragon through and through. So, when he steals a basket of “gold” from the king’s castle but finds a baby inside, he’s at a loss. What’s a dragon to do? Seventeen years later, inexperienced knight Richard of Benfro sets out to slay the dragon, expecting death or glory. Not the most awkward meet-cute in history when he’s captured by the dragon’s human—and handsome—son. Oenyn has been content living with Madfall, enjoying the fierce and protective love of his adopted father. But he’s always been curious about humanity. When Richard blunders into the home he shares with Madfall, Oenyn grabs the chance to learn all he can about people, castle life, sex . . . and maybe love. At least until Richard makes a startling discovery. Caught between a potential future in the human world and his old life, Oenyn is faced with an impossible choice. Luckily, being raised by a dragon has left him plenty stubborn. He won’t give up his father, or his human family, without a fight. (Note: This is a revised second edition, originally published elsewhere.)

When an acorn hits her on the head, Chicken Little believes the sky is falling down and runs to tell the King and everyone she meets along the way.

The Boxcar Children are visiting Dragon Mouth's Cavern. Their plan is to explore the area and go rock hunting. But when Benny finds a way into secret underground caves, the children have even more to explore. The problem is, it seems like someone doesn't want them there. Can the Aldens solve this underground mystery?

While on an expedition to western China with his father, twelve-year-old Jake sees a panda but when he tries to take its picture the camera breaks and no one believe his story.

"A wonderful introduction the Japanese tradition of jisei, this volume is crammed with exquisite, spontaneous verse and pithy, often hilarious, descriptions of the eccentric and committed monastics who wrote the poems." --Tricycle: The Buddhist Review Although the consciousness of death is, in most cultures, very much a part of life, this is perhaps nowhere more true than in Japan, where the approach of death has given rise to a centuries-old tradition of writing jisei, or the "death poem." Such a poem is often written in the very last moments of the poet's life. Hundreds of Japanese death poems, many with a commentary describing the circumstances of the poet's death, have been translated into English here, the vast majority of them for the first time. Yoel Hoffmann explores the attitudes and customs surrounding death in historical and present-day Japan and gives examples of how these have been reflected in the nation's literature in general. The development of writing jisei is then examined--from the longing poems of the early nobility and the more "masculine" verses of the samurai to the satirical death poems of later centuries. Zen Buddhist ideas about death are also described as a preface to the collection of Chinese death poems by Zen monks that are also included. Finally, the last section contains three hundred twenty haiku, some of which have never been assembled before, in English translation and romanized in Japanese.