"The first systematic economic analysis of China's prewar railway development ... provides significant contributions to the study of railroad economics ... includes a substantial case study in the field of 'imperialism' in which the effects of foreign investment in Chinese railroads are described and evaluated in great detail." Huenemann addresses the political and diplomatic climate in which China's railroads were built, probes the economics of those railroads, and assesses the impact of outsiders and the gains and losses China experienced.

Dragons have thrilled the imagination since the days of ancient Greece and Rome. From heroes like Hercules to King Arthur and the Knights of the Round Table, from Frodo in The Hobbit to St. George, generations of heroes -- real and fictional -- have sought to slay the Great Worms and plunder their treasure troves. This volume collects 25 modern and classic works about dragons (plus a bonus short poem), from Beowulf to the Brothers Grimm, from Lewis Carroll's "Jabberwocky" to modern tales great new writers like Michael Kurland and Gary Lovisi. Included are: SYMPATHY FOR DRAGONS, by John Gregory Betancourt THE FOUR CLEVER BROTHERS, by The Brothers Grimm THE FIFTY-FIRST DRAGON, by Heywood Broun THE SLAYING OF THE MONSTER, by R. H. Barlow and H. P. Lovecraft THE KING OF THE FISHES, by Joseph Jacobs THE STUDENT WHO WAS FORCIBLY MADE KING, by Anonymous OF MICE & DRAGONS, by Gary Lovisi THE DRAGON OF THE NORTH, by Andrew Lang THE RELUCTANT DRAGON, by Kenneth Grahame JOHN THE TRUE, by Joseph Jacobs VERNAN'S DRAGON, by John Gregory Betancourt HOW THE DRAGON WAS TRICKED, by J. G. von Hahn LILY AND THE LION, by the Brothers Grimm LILY AND THE DRAGON, by Michael Kurland THE PRINCE AND THE DRAGON, by Andrew Lang WHY THE RED DRAGON IS THE EMBLEM OF WALES, by W. Jenkyn Thomas JABBERWOCKY, by Lewis Carroll THE DRAGON'S TEETH, by Nathaniel Hawthorne THE DRAGON OF WANTLEY, by Henry Carey THE LAST OF THE DRAGONS, by E. Nesbit THE DRAGON OF LA TRINITA, by Mary Lovett Cameron THE LITTLE BULL-CALF, by Andrew Lang RICH PETER THE PEDLAR, by George Webbe Dasent THE TWO BROTHERS, by The Brothers Grimm THE MANDELBROT DRAGON, by Mary A. Turzillo THE TALE OF BEOWULF, by Anonymous (translated by William Morris) And don't forget to search this ebook store for "Wildside Megapack" to see more great collections, ranging from fantasy and science fiction to mysteries, westerns, adventure stories, and more! (View them by publication date to see the most recent additions.)

Fantastic legends, myths and tales of magical creatures come alive in this meticulously edited collection by Musaicum Books. Content: The Dragon of the North My Father's Dragon The Reluctant Dragon The Book of Dragons The Book of Beasts Uncle James, or the Purple Stranger The Deliverers of Their Country The Ice Dragon, or Do as You Are Told The Island of the Nine Whirlpools The Dragon Tamers The Fiery Dragon, or the Heart of Stone and the Heart of Gold Kind Little Edmund, or the Caves and the Cockatrice Five Children and It The Phoenix and the Carpet Beowulf The Gorgon's Head The Chimæra The Minotaur The Dragon's Teeth Mermaids The Iron Wolf The Good Sea Monster The Ogre The Troll's Hammer Jack the Giant Killer Jack and the Bean-Stalk The Seven Voyages of Sindbad the Sailor The Enchanted Horse Beauty and the Beast Alice in Wonderland Through the Looking Glass The Magical Monarch of Mo The Master Key The Sea Fairies Prince Mud-Turtle The Princess and the Goblin The Princess and Curdie Lilybell and Thistledown Ripple, the Water Sprite The Brownie and the Princess Snow-White and Rose-Red Rumpelstiltskin… The Elves and the Shoemaker Puss in Boots The Story of Hok Lee and the Dwarfs The Dragon and His Grandmother The Seven-Headed Serpent The Giants and the Herd-Boy How the Dragon Was Tricked The Goblin and the Grocer The Slaying of the Tanuki The Troll's Daughter The Goblin Pony Herr Lazarus and the Draken The History of Dwarf Long Nose The Headless Dwarfs The Prince and the Dragon The Boy who found the Pots of Gold The Bad Boy and the Leprechaun The Leprechaun, or Fairy Shoemaker The Boggart The Sick-Bed Elves The Pixies The Brownie of Blednoch Elsa and the Ten Elves Piskey Fine! and Piskey Gay! The Fairy Wedding The Floating Prince How the Aristocrats Sailed Away (A Sequel) Huckleberry The Sprig of Holly… Hilda's Mermaid The Tell-Tale Goblin The Revenge of the Gnomes The Rain Elves The Dwarf with the Golden Beard The Great White Bear and the Trolls The King of the Buffaloes The Farmer and the Pixy…

'The first systematic economic analysis of China's prewar railway development ... provides significant contributions to the study of railroad economics ... includes a substantial case study in the field of 'imperialism' in which the effects of foreign investment in Chinese railroads are described and evaluated in great detail.' -Thomas G. Rawski

e-artnow presents to you this meticulously edited Andrew Lang's Complete Fairy Book Collection of classic fairytales, myths and folk tales. This epic collection includes the tales from Norse mythology, Arabian Nights, myths of American Indians, Australian Bushmen and African Kaffirs. The collections presents the greatest French, Spanish, Russian, Danish, Norwegian fairytales, Sicilian traditional tales, as well as stories from Persia, Lapland, Brazil, India, Romania, Serbia, Japan, China, Lithuania, Africa and Portugal…among others. _x000D_ Content:_x000D_ The Blue Fairy Book_x000D_ The Red Fairy Book_x000D_ The Green Fairy Book_x000D_ The Yellow Fairy Book_x000D_ The Pink Fairy Book_x000D_ The Grey Fairy Book_x000D_ The Violet Fairy Book_x000D_ The Crimson Fairy Book_x000D_ The Brown Fairy Book_x000D_ The Orange Fairy Book_x000D_ The Olive Fairy Book_x000D_ The Lilac Fairy Book

DigiCat presents to you this unique collection of the most beloved fairy tales of all time: Complete Fairy Tales of Hans Christian Andersen Complete Fairy Tales of Brothers Grimm Complete Fairy Books of Andrew Lang Peter Pan in Kensington Gardens (J. M. Barrie) Peter and Wendy (J. M. Barrie) Five Children and It (E. Nesbit) The Phoenix and the Carpet (E. Nesbit) The Story of the Amulet (E. Nesbit) The Enchanted Castle (E. Nesbit) Alice in Wonderland (Lewis Carroll) Through the Looking Glass (Lewis Carroll) The Wonderful Wizard of Oz Collection (L. Frank Baum): The Wonderful Wizard of Oz The Marvelous Land of Oz The Woggle-Bug Book Ozma of Oz Dorothy and the Wizard in Oz The Road to Oz The Emerald City of Oz The Patchwork Girl of Oz Little Wizard Stories of Oz Tik-Tok of Oz The Scarecrow of Oz Rinkitink in Oz The Lost Princess of Oz The Tin Woodman of Oz The Magic of Oz Glinda of Oz At the Back of the North Wind (George MacDonald) The Princess and the Goblin (George MacDonald) The Princess and Curdie (George MacDonald) Wonder Book (Nathaniel Hawthorne) Tanglewood Tales (Nathaniel Hawthorne) The Happy Prince and Other Tales (Oscar Wilde) A House of Pomegranates (Oscar Wilde) All the Way to Fairyland (Evelyn Sharp) The Blue Bird for Children (Maurice Maeterlinck and Georgette Leblanc) The King of the Golden River (John Ruskin) Rootabaga Stories (Carl Sandburg) Knock Three Times! (Marion St. John Webb) The Cuckoo Clock (Mary Louisa Molesworth) Friendly Fairies (Johnny Gruelle) Raggedy Ann Stories (Johnny Gruelle) Raggedy Andy Stories (Johnny Gruelle) Russian Fairy Tales From the Skazki of Polevoi Old Peter's Russian Tales

When the learned first gave serious attention to popular ballads, from the time of Percy to that of Scott, they laboured under certain disabilities. The Comparative Method was scarcely understood, and was little practised. Editors were content to study the ballads of their own countryside, or, at most, of Great Britain. Teutonic and Northern parallels to our ballads were then adduced, as by Scott and Jamieson. It was later that the ballads of Europe, from the Faroes to Modern Greece, were compared with our own, with EuropeanMärchen, or children’s tales, and with the popular songs, dances, and traditions of classical and savage peoples. The results of this more recent comparison may be briefly stated. Poetry begins, as Aristotle says, in improvisation. Every man is his own poet, and, in moments of stronge motion, expresses himself in song. A typical example is the Song of Lamech in Genesis—“I have slain a man to my wounding, And a young man to my hurt.” Instances perpetually occur in the Sagas: Grettir, Egil, Skarphedin, are always singing. In Kidnapped, Mr. Stevenson introduces “The Song of the Sword of Alan,” a fine example of Celtic practice: words and air are beaten out together, in the heat of victory. In the same way, the women sang improvised dirges, like Helen; lullabies, like the lullaby of Danae in Simonides, and flower songs, as in modern Italy. Every function of life, war, agriculture, the chase, had its appropriate magical and mimetic dance and song, as in Finland, among Red Indians, and among Australian blacks. “The deeds of men” were chanted by heroes, as by Achilles; stories were told in alternate verse and prose; girls, like Homer’s Nausicaa, accompanied dance and ball play, priests and medicine-men accompanied rites and magical ceremonies by songs. These practices are world-wide, and world-old. The thoroughly popular songs, thus evolved, became the rude material of a professional class of minstrels, when these arose, as in the heroic age of Greece. A minstrel might be attached to a Court, or a noble; or he might go wandering with song and harp among the people. In either case, this class of men developed more regular and ample measures. They evolved the hexameter; the laisse of the Chansons de Geste; the strange technicalities of Scandinavian poetry; the metres of Vedic hymns; the choral odes of Greece. The narrative popular chant became in their hands the Epic, or the mediaeval rhymed romance. The metre of improvised verse changed into the artistic lyric. These lyric forms were fixed, in many cases, by the art of writing. But poetry did not remain solely in professional and literary hands. The mediaeval minstrels and jongleurs (who may best be studied in Léon Gautier’s Introduction to his Epopées Françaises) sang in Court and Camp. The poorer, less regular brethren of the art, harped and played conjuring tricks, in farm and grange, or at street corners. The foreign newer metres took the place of the old alliterative English verse. But unprofessional men and women did not cease to make and sing.