The Doppelganger Invasion by Juan Carlos Arjona Ollero Second part of a Trilogy [The Doppelganger Invasion] The Earth, 2018. A year after our heroes finished the Chrono-Hunters, everything or, at least, half of it, seemed to be back to normal - Billy and Jessel were still missing since the Continuum incident. For their part, James, Mary and a renewed Louis have become the spearhead of the most ambitious scientific project of humanity: the Hyperion Project, of which main objective was to create a dimensional portal that facilitates the space-time travel. However, from a forgotten dimension a greater threat looms: the Doppelgangers, strange mythical beings who ambition to take over the entire Universe, have set their eyes on our planet. Promoting one of the most elaborate deceptions of History, they will break the barrier that keeps them apart from our world. Under this precept of anarchy, Rick van Helsing and Rasputin will meet in a battle, their personal domain will further complicate the serious situation that our world is going through. A predestined clash between Bearers of Infinity and Chaos that entails much more than mere revenge. The world as we know it is about to face its darkest time. How can you believe in someone you do not trust? How can you fight against someone who was once your ally? This time it is not a war, it is an invasion.

An intriguing study of the life and works of one of the world's most celebrated writers

Horror and the supernatural have fascinated people for centuries, and many of the most central figures appear over and over again. These figures have gained iconic status and continue to hold sway over popular culture and the modern imagination. This book offers extended entries on 24 of the most enduring and significant figures of horror and the supernatural, including The Sea Creature, The Witch, The Alien, The Vampire, The Werewolf, The Sorcerer, The Ghost, The Siren, The Mummy, The Devil, and The Zombie. Each entry is written by a leading authority on the subject and discusses the topic's essential features and lasting influence, from the classical epics of Homer to the novels of Stephen King. Entries cite sources for further reading, and the Encyclopedia closes with a selected, general bibliography. Entries include illustrations, sidebars of interesting information, and excerpts from key texts. Horror and the supernatural have fascinated people for centuries, with many of the most central figures appearing over and over again across time and cultures. These figures have starred in the world's most widely read literary works, most popular films, and most captivating television series. Because of their popularity and influence, they have attained iconic status and a special place in the popular imagination. This book overviews 24 of the most significant icons of horror and the supernatural.

Ever since its literary coinage in Jean Paul's novel, Siebenkäs (1796), the concept of Doppelgänger has had significant influence upon representations of the self in German literature. This study charts the development of the double from its origins in the Romantic period, through its more marginal - but nonetheless significant - manifestations in the post-Romantic culture, to its revival at the fin-de-siècle and transfer to the silent screen. The book features an introduction to the practice and theory underlying the use of the Doppelgänger, with particular reference to psychoanalysis, followed by chapters on Jean Paul, Hoffmann, Kleist, poetic realism (Droste-Hülshoff, Keller, Storm) and modernism (Kafka, Rilke, Hoffmannsthal, Schnitzler, Meyrink, Werfal). This study shows that the often underestimated figure of the double may provide a key to the epistomological, aesthetic and psychosexual structures of the texts it visits and revisits, with a particular focus on its effects in the fields of vision and language.

After a mudslide devastates the neighborhood of Winston Hills, no one expects it to get worse. When fifteen-year-old Greyson Bennell joins the volunteer cleanup effort, he thinks he'll excavate some belongings and head home. But when his best friend Trevor goes missing, Grey starts to realize that the people around him are acting strangely . . . and it might have something to do with the mud that surrounds them.

What happens to imaginary friends once they've been forgotten? Do they know that they're imaginary? How would they spend their time? When the Earth is invaded by extra-dimensional beings, a few imaginary friends may be humanity's only hope.

Postmodernism’s ‘end’ is a complex and contentious topic. Yet, one overarching consensus emerges: the postmodern has been surpassed. This book poses a thought experiment challenging this position – what if postmodernism persists within the twenty-first century? Rather than designate a new epoch or coherent movement, this book interrogates the fragmented, contradictory, and counterintuitive endurance of postmodern aesthetics within post-Cold War America. An alternative use of postmodern aesthetics becomes possible when they are decoupled from their twentieth-century historical location. Collectively, these repetitions posit a postmodern continuum, contrasting the widely called-for succession of postmodernism via this decoupling. When postmodern aesthetics are no longer unconsciously repeated within their cultural moment, this emergent shift within a period ‘after’ postmodernism presents an alternative historical positioning and use. After their cultural vanguard, postmodern aesthetics become a confrontation of the chaotic realism of an inescapable post-Cold War capitalism, tapping into this cultural zeitgeist through literature.