The shadows run deep in the city of Lago. Behind the glimmering façades and halls of power, a parallel world exists, hidden from ordinary citizens. It is a realm of mafia families, backroom deals, and businesses masking illicit empires. A place where territory is claimed in blood, and weakness is exploited without mercy. Many deny this darkness undermining society, but it permeates every level of their lives, whether they choose to see it or not. Into this cynical web steps Vincenzo, exiled son of a legendary mafia boss. Lured by the promise of power and ready to shake up the existing hierarchies, Vincenzo intends to carve out his own fearsome legacy. But first he must navigate rivals both inside and outside the mafia commission overseeing Lago. And as Vincenzo claws his way to the top through cunning and ruthlessness, he will find out just how many moral compromises dominion requires. This is a story of ambition and loyalty, betrayal and revenge. Of an empire built rapidly through violence and intimidation, only to crumble from internal rot. It is a cautionary tale of how even noble intentions become distorted when driven solely by ends justifying means. Most of all, this chronicle reveals the constant struggles between light and darkness raging within every soul, community, and age.

The Squatter and the Don (1885) is a novel by Mexican American author María Amparo Ruiz de Burton. The novel, Ruiz de Burton’s second, explores the consequences of the Treaty of Guadalupe Hidalgo for the Californios whose land was taken following the Mexican American War. Central to its focus are the ways in which Californios were forced to provide proof of ownership while squatters, with the support of the US government, settled on their land. Following the conquest of California, the Alamar family struggles to assimilate into American culture while maintaining their cultural heritage. Faced with immense prejudice, the Alamars, who like many Californios consider themselves to be racially white, embrace the capitalist culture introduced by American settlers and accelerated by the introduction of the railroad. Against this sociopolitical backdrop, the Alamars become increasingly entwined with the Darrells, a settler family, turning a story of political and economic circumstances into tale of romance between Clarence and Mercedes, whose love becomes representative of a new United States. Both personal and political, historical and fictional, The Squatter and the Don is a novel that captures a complex moment in American history without losing sight of the humanity at its heart. With a beautifully designed cover and professionally typeset manuscript, this edition of María Amparo Ruiz de Burton’s The Squatter and the Don is a classic of Mexican American literature reimagined for modern readers.

"Problems of the land, squatter, and railroad interests in Alameda County, San Francisco, Los Angeles, and San Diego"--Baird & Greenwood.

María Amparo Ruiz de Burton was the first female Mexican-American author to write in English. In her career she published two books: Who Would Have Thought It? and The Squatter and the Don and one play: Don Quixote de la Mancha: A Comedy in Five Acts: Taken From Cervantes' Novel of That Name.

Reproduction of the original: The Squatter and the Don by Mariá Amparo Ruiz de Burton

'The Don Giovanni Movement' examines the aesthetic and moral legacy of Mozart's operatic masterpiece in the literature, philosophy, and culture of the nineteenth century. Deeply rooted in the enlightenment and romanticism, the opera functions as icon andmyth, and its tensions still resonate today.

Nazi Germany’s assault on the Soviet Union in the summer of 1941, Operation Barbarossa, was the largest invasion in history. Almost 3.5 million men smashed into Stalin’s Red Army, reaching the gates of Leningrad, Moscow and Sevastopol. But not all of this vast army was German; indeed, by the summer of 1942, over 500,000 were Romanians, Italians, Hungarians, Slovaks and Croatians – Hitler’s Axis allies. As part of the German offensive that year, more than four allied armies advanced to the Don only to be utterly annihilated in the Red Army’s Saturn and Uranus winter offensives. Hundreds of thousands were killed, wounded or captured, and the German Sixth Army was left surrounded and dying in the rubble of Stalingrad. Poorly equipped, often badly led and totally unprepared for the war, they were asked to fight. Drawing on first-hand accounts from veterans and civilians, as well as previously unpublished source material, Death on the Don tells the story of one of the greatest military disasters of the Second World War.