The Dome of the Rock was fully restored in the last half-century, it was built during the reign of Herod.

Originally published in 1968. In The Dome and the Rock: Structure in the Poetry of Wallace Stevens, James Baird traces the process of Wallace Steven's Grand Poem and the total structure that it accomplished in language. In the words of Professor Baird, "The full art of Stevens is organized with architectural precision. The shape of the mind becomes a building, the framework of which is founded in a willed symmetry of design." In The Dome and the Rock, James Baird exposes the capacity of Wallace Stevens to design his poetry in a manner similar to an architect, and he "reveals the craftsmanship of [Wallace's] acts as builder."

Constructed at the end of the seventh century, the Dome of the Rock dominates the old town of Jerusalem. This new chronology allows for a reinterpretation of the iconography of the building, making use of contemporary evidence including coins and texts carved on stone.

This study presents the first comprehensive survey of the abundant early Islamic sources that recognize the historical Jewish bond to the Temple Mount (Masjid al-Aqsa) and Jerusalem. Analyzing these sources in light of the views of contemporary Muslim religious scholars, thinkers and writers, who – in the context of the Arab-Israeli conflict – deny any Jewish ties to the Temple Mount and promote the argument that no Jewish Temple ever stood on the Temple Mount. The book describes how this process of denying Jewish ties to the site has become the cultural rationale for UNESCO decisions in recent years regarding holy sites in Jerusalem, Bethlehem and Hebron, which use Muslim Arabic terminology and overlook the Jewish (and Christian) history and sanctification of these sites. Denying the Jewish ties to the Temple Mount for political purposes inadvertently undermines the legitimacy of Islam’s sanctification of Al-Aqsa and the Dome of the Rock as well as the credibility of the most important sources in Arabic, which constitute the classics of Islam and provide the foundation for its culture and identity. Identifying and presenting the Jewish sources in the Bible, Babylonian Talmud and exegesis on which these Islamic traditions are based, this volume is a key resource for readers interested in Islam, Judaism, religion and political science and history in the Middle East.

Creative Art: Methods and Materials educates readers about a variety of art methods and the ways different civilizations have used them in artistic expression. Each of the fourteen chapters is designed around a specific art method and material, and includes examples of art works and the artists who created them. Students learn about bronze casting, stone carving, clay sculpture, woodcuts and posters, glass work, and installation art. Each method is matched to artists both ancient and modern. Rather than adhering to a standard approach that focuses on white, male, European artists, the book broadens the student's perspective by including often overlooked female artists. Global in approach and comprehensive in coverage of arts forms, representations, and styles throughout history, Creative Art has been developed for sixteen-week courses in art appreciation, or introductory survey courses in art history.

Jesus: His Story in Stone is a reflection on still-existing stone objects that Jesus would have known, seen, or even touched. Each of the seventy short chapters is accompanied by a photograph taken on location in Israel. Arranged chronologically, the one-page meditations compose a portrait of Christ as seen through the significant stones in His life, from the cave where He was born to the rock of Calvary. While packed with historical and archaeological detail, the book’s main thrust is devotional, leading the reader both spiritually and physically closer to Jesus.

Explores the history and religious significance of the Holy City and chronicles the violent struggles among Jews, Christians and Moslems to gain possession of Jerusalem's ancient Temple Mount