The Dollmaker was originally published in 1954 to immediate success and critical acclaim. In unadorned and powerful prose, Harriette Arnow tells the unforgettable and heartbreaking story of the Nevels family and their quest to preserve their deep-rooted values amidst the turmoil of war and industrialization. When Gertie Nevels, a strong and self-reliant matriarch, follows her husband to Detroit from their countryside home in Kentucky, she learns she will have to fight desperately to keep her family together. A sprawling book full of vividly drawn characters and masterful scenes, The Dollmaker is a passionate tribute to a woman's love for her children and the land.

In the vein of The Boy in the Striped Pajamas and Number the Stars, this fusion of fairy tales, folklore, and World War II history eloquently illustrates the power of love and the inherent will to survive even in the darkest of times. In the land of dolls, there is magic. In the land of humans, there is war. Everywhere there is pain. But together there is hope. Karolina is a living doll whose king and queen have been overthrown. But when a strange wind spirits her away from the Land of the Dolls, she finds herself in Kraków, Poland, in the company of the Dollmaker, a man with an unusual power and a marked past. The Dollmaker has learned to keep to himself, but Karolina’s courageous and compassionate manner lead him to smile and to even befriend a violin-playing father and his daughter—that is, once the Dollmaker gets over the shock of realizing a doll is speaking to him. But their newfound happiness is dashed when Nazi soldiers descend upon Poland. Karolina and the Dollmaker quickly realize that their Jewish friends are in grave danger, and they are determined to help save them, no matter what the risks.

A TOR.COM BEST BOOK OF THE YEAR: A fairy-tale-infused love story between two lonely souls—with “distinctly Gothic overtones and a Nabokovian narrator” (Locus). “The literary equivalent of getting lost in a steampunk-inspired, cutting edge fashion show . . . while you dream of places you’ve never seen.” —Book Riot Stitch by perfect stitch, Andrew Garvie makes exquisite dolls in the finest antique style. Like him, they are diminutive, but graceful, unique and with surprising depths. Perhaps that’s why he answers the enigmatic personal ad in his collector’s magazine. Letter by letter, Bramber Winters reveals more of her strange, sheltered life in an institution on Bodmin Moor, and the terrible events that put her there as a child. Andrew knows what it is to be trapped; and as they knit closer together, he weaves a curious plan to rescue her. On his journey through the old towns of England he reads the fairy tales of Ewa Chaplin—potent, eldritch stories which, like her lifelike dolls, pluck at the edges of reality and thread their way into his mind. When Andrew and Bramber meet at last, they will have a choice—to remain alone with their painful pasts or break free and, unlike their dolls, come to life.

Now in mass market for the first time, USA Today bestselling author Mary Burton presents the heart-stopping next installment in her Forgotten Files Trilogy, where forensic pathologist Dr. Tessa McGowan and agent Dakota Sharp must work together to unravel the mysteries behind the macabre doll-like killings before Tessa becomes the next victim. Dr. Tessa McGowan had never seen anything quite like it. But the mutilated bodies on her exam table tell a stunningly macabre tale. Someone with a twisted mind is kidnapping women and altering their faces to resemble real, life-size dolls. As a forensic pathologist, it's her job to aid the agent leading the case--even if that agent is her estranged husband. Twelve years ago, an unspeakable tragedy destroyed Dakota Sharp's world. Haunted by the ghosts of his past, he's devoted himself to capturing killers. His only regret is that it cost him Tessa. Now, as the Dollmaker case brings them together--and raises his suspicions that he's crossed paths with this deranged psychopath before-- they may just have their second chance. But it seems Dakota's not the only one who wants to make Tessa his own . . . She may be the Dollmaker's next target, but Tessa has no intention of winding up as another toy on his shelf. Can she and Dakota stop this ghastly killer before his next deadly playdate?

Goldie, the dollmaker, created each doll with great love and sincerity, and the pleasure from this and her acquisition of a lamp whose maker was equally careful made her poverty and loneliness bearable.

And now a new clue has surfaced...a doll that is the spitting image of Claire Doucett's missing child, right down to the tiny birthmark on the girl's left arm. A chance sighting of the eerily lifelike doll in a French Quarter collectibles shop leaves Claire shaken to her core...and more determined than ever to find out what happened to her beloved Ruby. When the doll is snatched and the store's owner turns up dead, Claire knows the only person she can turn to is ex-husband Dave Creasy, a former cop who has spent the past seven years imprisoned by his own guilt and despair. He let Claire down once when she needed him the most. Can she make him believe the doll really exists? She'll have to if they're to survive an encounter with a brutal psychopath— the dollmaker—who stole their future to feed an obsession that will never die.

Detectives Byrne and Balzano return to the streets of Philadelphia to put an end to a macabre succession of murdered children. A quiet Philadelphia suburb. A woman cycles past a train depot with her young daughter. There she finds a murdered girl posed on a newly painted bench. Beside her is a formal invitation to a tea dance in a week's time. Seven days later, two more young victims are discovered in an abandoned house, posed on painted swings. At the scene is an identical invitation. This time, though, there is something extra waiting for Detectives Kevin Byrne and Jessica Balzano: a delicate porcelain doll. It's a message. And a threat. With the killers at large, Detectives Byrne and Balzano have just seven more days to find the link between the murders before another innocent child is snatched from the streets.