“A vibrant, original portrait of a man of contradictions,” the Renaissance-era Swiss father of modern medicine (Publishers Weekly, starred review). Philippus Aureolus Theophrastus Bombast von Hohenheim, who called himself Paracelsus, stands at the cusp of medieval and modern times. A contemporary of Luther, an enemy of the medical establishment, a scourge of the universities, an alchemist, an army surgeon, and a radical theologian, he attracted myths even before he died. His fantastic journeys across Europe and beyond were said to be made on a magical white horse, and he was rumored to carry the elixir of life in the pommel of his great broadsword. His name was linked with Faust, who bargained with the devil. Who was the man behind these stories? Some have accused him of being a charlatan, a windbag who filled his books with wild speculations and invented words. Others claim him to be the father of modern medicine. Philip Ball exposes a more complex truth in The Devil’s Doctor—one that emerges only by entering Paracelsus’s time. He explores the intellectual, political, and religious undercurrents of the sixteenth century and looks at how doctors really practiced, at how people traveled, and at how wars were fought. For Paracelsus was a product of an age of change and strife, of renaissance and reformation. And yet by uniting the diverse disciplines of medicine, biology, and alchemy, he assisted, almost despite himself, in the birth of science and the emergence of the age of rationalism. Praise for The Devil’s Doctor “An enlivening portrait that will spark interest in [Paracelsus’s] role in the rise of science.” —Booklist “A true iconoclast, [Paraclesus] inhabited an ideological landscape somewhere between the medieval and the modern. Ball effectively places Paracelsus in the larger context of Renaissance magic and philosophy, and of a turbulent period. . . . Worth the effort.” —Kirkus Reviews

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In this “unmissable book” (The Guardian), an internationally renowned forensic psychiatrist and psychotherapist demonstrates the remarkable human capacity for radical empathy, change, and redemption. What drives someone to commit an act of terrible violence? Drawing from her thirty years of experience in providing therapy to people in prisons and secure hospitals who have committed serious offenses, Dr. Gwen Adshead provides fresh and surprising insights into violence and the mind. Through a collaboration with coauthor Eileen Horne, Dr. Adshead brings her extraordinary career to life in a series of unflinching portraits. Alongside doctor and patient, we discover what human cruelty, ranging from serial homicide to stalking, arson or sexual offending, means to perpetrators, experiencing firsthand how minds can change when the people some might label as “evil” are able to take responsibility for their life stories and get to know their own minds. With outcomes ranging from hope to despair, from denial to recovery, these men and women are revealed in all their complexity and shared humanity. In this era of mass incarceration, deep cuts in mental health care and extreme social schisms, this book offers a persuasive argument for compassion over condemnation. Moving, thought-provoking, and brilliantly told, The Devil You Know is a rare and timely book with the power to transform our ideas about cruelty and violence, and to radically expand the limits of empathy. “A welcome contribution to the literature of crime and rehabilitation” (Kirkus Reviews).

The author of Guarding Hitler delivers “a study revealing the Japanese use of Allied POWs in medical experiments during WWII.”—The Guardian The brutal Japanese treatment of Allied POWs in WW2 has been well documented. The experiences of British, Australian and American POWs on the Burma Railway, in the mines of Formosa and in camps across the Far East, were bad enough. But the mistreatment of those used as guinea pigs in medical experiments was in a different league. The author reveals distressing evidence of Unit 731 experiments involving US prisoners and the use of British as control groups in Northern China, Hainau Island, New Guinea and in Japan. These resulted in loss of life and extreme suffering. Perhaps equally shocking is the documentary evidence of British Government use of the results of these experiments at Porton Down in the Cold War era in concert with the US who had captured Unit 731 scientists and protected them from war crime prosecution in return for their cooperation. The author’s in-depth research reveals that, not surprisingly, archives have been combed of much incriminating material but enough remains to paint a thoroughly disturbing story. “The narrative does not seek sensation or attempt to draw irrefutable conclusions where it is clearly impossible to do so, instead it simply provides a balanced assessment of what is known and what seems probable.”—Pegasus Archive

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • The Washington Post • Publishers Weekly New Hyde Hospital’s psychiatric ward has a new resident. It also has a very, very old one. Pepper is a rambunctious big man, minor-league troublemaker, working-class hero (in his own mind), and, suddenly, the surprised inmate of a budget-strapped mental institution in Queens, New York. He’s not mentally ill, but that doesn’t seem to matter. He is accused of a crime he can’t quite square with his memory. In the darkness of his room on his first night, he’s visited by a terrifying creature with the body of an old man and the head of a bison who nearly kills him before being hustled away by the hospital staff. It’s no delusion: The other patients confirm that a hungry devil roams the hallways when the sun goes down. Pepper rallies three other inmates in a plot to fight back: Dorry, an octogenarian schizophrenic who’s been on the ward for decades and knows all its secrets; Coffee, an African immigrant with severe OCD, who tries desperately to send alarms to the outside world; and Loochie, a bipolar teenage girl who acts as the group’s enforcer. Battling the pill-pushing staff, one another, and their own minds, they try to kill the monster that’s stalking them. But can the Devil die? The Devil in Silver brilliantly brings together the compelling themes that spark all of Victor LaValle’s radiant fiction: faith, race, class, madness, and our relationship with the unseen and the uncanny. More than that, it’s a thrillingly suspenseful work of literary horror about friendship, love, and the courage to slay our own demons. Praise for The Devil in Silver “A fearless exploration of America’s heart of darkness . . . a dizzying high-wire act.”—The Washington Post “LaValle never writes the same book and his recent is a stunner. . . . Fantastical, hellish and hilarious.”—Los Angeles Times “It’s simply too bighearted, too gentle, too kind, too culturally observant and too idiosyncratic to squash into the small cupboard of any one genre, or even two.”—The New York Times Book Review “Embeds a sophisticated critique of contemporary America’s inhumane treatment of madness in a fast-paced story that is by turns horrifying, suspenseful, and comic.”—The Boston Globe “LaValle uses the thrills of horror to draw attention to timely matters. And he does so without sucking the joy out of the genre. . . . A striking and original American novelist.”—The New Republic