One of the most fundamental questions asked throughout human history is, “How did the universe come into existence?” Throughout the ages spirituality has provided answers to that question through various mystical cosmologies. Today, science has an answer—the Big Bang theory. But can scientific and spiritual explanations, which are normally considered to be incompatible, co-exist? Is it possible to construct a single comprehensive vision that unites these seemingly divergent approaches to knowledge?The Architecture of the Universe attempts to do just that by extending a contemporary mystical cosmology and merging it with modern-day physics. The result is a new theory of physics, which proposes something more fundamental to the universe than time and space: existence. Emerging out of nothingness, existence serves as the basic component of time and space. Time and space are viewed not just as containers for everything in the universe, but rather as the substance out of which energy and mass arise. This radical viewpoint opens new realms of understanding, shedding light on mysterious aspects of quantum mechanics and Einstein's theory of relativity. At the same time the theory creates a vision unifying science and spirituality by linking the infinite transcendent reality with the finite physical universe.Simple explanations along with illustrations make this book easily accessible and an interesting and inspiring read for a wide audience.

The dynamic relationship between art and theology continues to fascinate and to challenge, especially when theology addresses art in all of its variety. In Architecture and Theology: The Art of Place, author Murray Rae turns to the spatial arts, especially architecture, to investigate how the art forms engaged in the construction of our built environment relate to Christian faith. Rae does not offer a theology of the spatial arts, but instead engages in a sustained theological conversation with the spatial arts. Because the spatial arts are public, visual, and communal, they wield an immense but easily overlooked influence. Architecture and Theology overcomes this inattention by offering new ways of thinking about the theological importance of space and place in our experience of God, the relation between freedom and law in Christian life, the transformation involved in God's promised new creation, biblical anticipation of the heavenly city, divine presence and absence, the architecture of repentance and remorse, and the relation between space and time. In doing so, Rae finds an ample place for theology amidst the architectural arts.

"We are now at a time in our planetary evolution known to many as 'ascension'. Those individuals who are known as 'starseeds' are currently in their millions and are collectively going through an awakening process. In this transmission, they bring forward 'memory triggers' designed to act as a catalyst into the awakening process at various stages and respond to many of the questions which the starseeds are asking. Why are we here? Who are we? What are we supposed to do? What is it that we are to remember? Why did we lose our memories in the first place? What is the call of humanity? What is the fall of man? What is 'zero point'? An in depth analysis and explanation of the 'twin flame consciousness' and how this relates to the ascension experience is part of this transmission. Embracing the inner archetypes of the 'Alchemist' and the 'Architect' and knowing how to construct your own personal matrix will move you into the memory recall needed. This transmission will take you on a multidimensional journey of profound discovery as you move into the creation of the Divine Architecture. The triggers contained within this material are there to assist you in accessing the codes for the new formation of the original crystalline DNA matrix known as the 'Starseed Template'."-- Amazon.com

Booklist Starred Review Named to the 2022 Texas Topaz Nonfiction Reading List The Spanish architects Rafael Guastavino Sr. and hisson, Rafael Guastavino Jr., designed more than one thousand iconic spaces across New York City and the United States, such as the New York City Hall Subway Station (still a tourist destination though no longer active), the Manhattan Federal Reserve Bank, the Nebraska State Capitol, the Great Hall of Ellis Island, the Oyster bar at Grand Central Terminal in New York, the Elephant House at the Bronx Zoo, the soaring tiled vaults under the Queensboro Bridge, the central dome of the Cathedral Church of St. John the Divine, and the Boston Public Library. Written in the voice of the son, who was eight years old in 1881 when he immigrated to America with his father, this is their story. Rafael Guastavino Sr. was 39 when he left a successful career as an architect in Barcelona. American cities—densely packed and built largely of wood—were experiencing horrific fires, and Guastavino had the solution: The soaring interior spaces created by his tiled vaults and domes made buildings sturdier, fireproof, and beautiful. What he didn’t have was fluent English. Unable to win design commissions, he transferred control of the company to his American-educated son, whose subsequent half-century of inspired design work resulted in major contributions to the built environment of America. Immigrant Architect is an introduction to architectural concepts and a timely reminder of immigrant contributions to America. The book includes four route maps for visiting Guastavino-designed spaces in New York City: uptown, midtown, downtown, and Prospect Park.

"As he entered his seventies, the great Italian Renaissance artist Michelangelo despaired that his productive years were past. Anguished by the death of friends and discouraged by the loss of commissions to younger artists, this supreme painter and sculptor began carving his own tomb. It was at this unlikely moment that fate intervened to task Michelangelo with the most ambitious and daunting project of his long creative life. 'Michelangelo, God's Architect' is the first book to tell the full story of Michelangelo's final two decades, when the peerless artist refashioned himself into the master architect of St. Peter's Basilica and other major buildings. When the Pope handed Michelangelo control of the St. Peter's project in 1546, it was a study in architectural mismanagement, plagued by flawed design and faulty engineering. Assessing the situation with his uncompromising eye and razor-sharp intellect, Michelangelo overcame the furious resistance of Church officials to persuade the Pope that it was time to start over. In this richly illustrated book, leading Michelangelo expert William Wallace sheds new light on this least familiar part of Michelangelo's biography, revealing a creative genius who was also a skilled engineer and enterprising businessman. The challenge of building St. Peter's deepened Michelangelo's faith, Wallace shows. Fighting the intrigues of Church politics and his own declining health, Michelangelo became convinced that he was destined to build the largest and most magnificent church ever conceived. And he was determined to live long enough that no other architect could alter his design."--Provided by publisher.