The Distant Shores of Freedom analyses literary works in English written by Vietnamese refugees in the US. Fiction and memoirs by Vietnamese Americans recover stories and memories that are often different from mainstream American ones and that difference enables readers to think of the US war in Vietnam from perspectives that are missing in mainstream representations. Dwelling not only on the war and its aftermaths, Vietnamese American writings also ponder over the existential issues of exile; the idea of home; the pain of marginality and racism; the question of community formation within the US; and the complexity of diasporic lives. Subarno Chattarji raises critical questions such as who gets to speak and write, and to what ends and purposes? Who reads Vietnamese American writings and how can we account for these publications in the US over a period of time? What can and cannot be written or spoken? What is remembered and what is silenced? What traumas and memories are articulated? These questions point towards a larger context of diaspora studies as well as 'the rituals of cultural memory' that complicate our understanding of the Vietnam War and its aftermaths.

The Distant Shores of Freedom analyses literary works in English written by Vietnamese refugees in the US. Fiction and memoirs by Vietnamese Americans recover stories and memories that are often different from mainstream American ones and that difference enables readers to think of the US war in Vietnam from perspectives that are missing in mainstream representations. Dwelling not only on the war and its aftermaths, Vietnamese American writings also ponder over the existential issues of exile; the idea of home; the pain of marginality and racism; the question of community formation within the US; and the complexity of diasporic lives. Subarno Chattarji raises critical questions such as who gets to speak and write, and to what ends and purposes? Who reads Vietnamese American writings and how can we account for these publications in the US over a period of time? What can and cannot be written or spoken? What is remembered and what is silenced? What traumas and memories are articulated? These questions point towards a larger context of diaspora studies as well as 'the rituals of cultural memory' that complicate our understanding of the Vietnam War and its aftermaths.

This volume examines relations between U.S. Protestants and Africa since the end of colonial rule. It draws attention to shifting ecclesiastical and socio-political priorities, especially the decreased momentum of social justice advocacy and the growing missionary influence of churches emphasizing spiritual revival and personal prosperity. The book provides a thought-provoking assessment of U.S. Protestant involvements with Africa, and it proposes forms of engagement that build upon ecclesiastical dynamism within American and African contexts.

The #1 New York Times bestselling author and “inspirational fiction superstar” (Publishers Weekly) presents this high stakes love story of danger, passion, and faith. She was a child caught in a riptide in the Caribbean Sea. He was a teenager from the East Coast on vacation with his family. He dove in to save her, and that single terrifying moment changed both of their lives forever. Ten years later Jack Ryder is a daring undercover agent with the FBI and Eliza Lawrence still lives on that pristine island. She’s an untainted princess in a kingdom of darkness and evil, on the brink of a forced marriage with a dangerous neighboring drug lord, a marriage arranged by her father. This time when Jack and Eliza meet, there’s a connection neither of them can explain. Both of their lives are on the line, and once again, the stakes are deadly high. Can they join forces in a complicated and dangerous mission, pretending to have a breathtaking love…without really falling? Sometimes miracles happen not once, but twice…along a distant shore.

War Memories explores the patchwork formed by collective memory, public remembrance, private recollection, and the ways in which they form a complex composition of observations, initiatives, and experiences. Offering an international perspective on war commemoration, contributors consider the process of assembling historical facts and subjective experiences to show how these points of view diverge according to various social, cultural, political, and historical perspectives. Encompassing the representations of wars in the English-speaking world over the last hundred years, this collection presents an extensive, yet integrated, reflection on various types of commemoration and interpretations of events. Essays respond to common questions regarding war memory: how and why do we remember war? What does commemoration tell us about the actors in wars? How does commemoration reflect contemporary society’s culture of war? War Memories disseminates current knowledge on the performance, interpretation, and rewriting of facts and events during and after wars, while focusing on how patriotic fervour, resistance, conscientious objection, injury, trauma, and propaganda contribute to the shaping of individual and collective memory. Contributors include Joan Beaumont (Australian National University, Canberra), Gilles Chamerois (University of Brest, France), Subarno Chattarji (University of Delhi, India), Nicole Cloarec (Rennes 1 University, France), Corinne David-Ives (European University of Brittany – Rennes 2, France), Jeffrey Demsky (San Bernardino Valley College, California), Sam Edwards (Manchester Metropolitan University), Georges Fournier (Jean Moulin University, France), Annie Gagiano (University of Stellenbosch, South Africa), David Haigron (Rennes 2 University, France), Judith Keene (University of Sydney, Australia), Melissa King (San Bernardino Valley College, California), Christine Knauer (Eberhard Karls University Tübingen, Germany), Liliane Louvel (University of Poitiers), Michelle P. Moore (Canadian Army Doctrine and Training Centre, Kingston, Ontario), John Mullen (University of Rouen, France), Lorie-Anne Duech-Rainville (Caen University, France), Elizabeth Rechniewski (Australian Research Council Discovery Project), Raphaël Ricaud (University ‘Paris Ouest Nanterre La Défense’, France), Laura Robinson (Royal Military College of Canada), and Isabelle Roblin (Université du Littoral-Côte d’Opale, France).

Autobiographical account of a freedom fighter in the liberation of Goa, India.

It is 1941 and America teeters on the brink of war. Outgoing naval officer Ensign Jim Avery escorts British convoys across the North Atlantic in a brand-new destroyer, the USS Atwood. Back on shore, Boston Navy Yard secretary Mary Stirling does her work quietly and efficiently, happy to be out of the limelight. Yet, despite her reserved nature, she never could back down from a challenge. When evidence of sabotage on the Atwood is found, Jim and Mary must work together to uncover the culprit. A bewildering maze of suspects emerges, and Mary is dismayed to find that even someone close to her is under suspicion. With the increasing pressure, Jim and Mary find that many new challenges--and dangers--await them. Sarah Sundin takes readers to the tense months before the US entered WWII. Readers will encounter German U-boats and torpedoes, along with the explosive power of true love, in this hopeful and romantic story.