This is the first collection of essays on Chartism by leading social historian Dorothy Thompson, whose work radically transformed the way in which Chartism is understood. Reclaiming Chartism as a fully-blown working-class movement, Thompson intertwines her penetrating analyses of class with ground-breaking research uncovering the role played by women in the movement. Throughout her essays, Thompson strikes a delicate balance between down-to-the-ground accounts of local uprisings, snappy portraits of high-profile Chartist figures as well as rank-and-file men and women, and more theoretical, polemical interventions. Of particular historical and political significance is the previously unpublished substantial essay co-authored by Dorothy and Edward Thompson, a superb piece of local historical research by two social historians then on the brink of notable careers.

This is the first collection of essays on Chartism by leading social historian Dorothy Thompson, whose work radically transformed the way in which Chartism is understood. Reclaiming Chartism as a fully blown working-class movement, Thompson intertwines her penetrating analyses of class with groundbreaking research uncovering the role played by women in the movement. Throughout her essays, Thompson strikes a delicate balance between on-the-ground accounts of local uprisings, snappy portraits of high-profile Chartist figures as well as rank-and-file men and women, and more theoretical, polemical interventions. Of particular historical and political significance is the previously unpublished substantial essay coauthored by Dorothy and Edward Thompson, a superb piece of local historical research by two social historians then on the brink of notable careers.

Can imaginative literature change the political and social history of a class or nation? In The Chartist Imaginary: Literary Form in Working-Class Political Theory and Practice, Margaret Loose turns to the Chartist Movement?Britain's first mass working-class movement, dating from the 1830s to the 1840s?and argues that, based on literature by members of the movement, the answer to that question is a resounding ?yes.” Chartist writing awakened workers' awareness of discord between professed ideals and reality; exercised their conceptual powers (literary and social); and sharpened their appetite for more knowledge, intellectual power, dignity, and agency in the present to fashion a utopian future. Igniting such self-respecting, politically transfigurative energy was a unique kind of agency Loose calls ?the Chartist imaginary.” In examining the Chartist movement, Loose balances the nervous projections of canonical Victorian writers against a consideration of the ways that laborers represented Chartism's aims and tactics. The Chartist Imaginary offers close readings of poems and fiction by Chartist figures from Ernest Jones and Thomas Cooper to W. J. Linton, Thomas Martin Wheeler, and Gerald Massey. It also draws on extensive archival research to examine, for the first time, working-class female Chartist poets Mary Hutton, E. L. E., and Elizabeth La Mont. Focusing on the literary form of these works, Loose strongly argues for the political power of the aesthetic in working-class literature.

The Chartists is a major contribution to our understanding not just of Chartism but of the whole experience of working-class people in mid-nineteenth century Britain. The book looks at who the Chartists were, what they hoped for from the political power they strove to gain, and why so many of them felt driven toward the use of physical force. It also studies the reactions of the middle and upper classes and the ways in which the two sides - radical and establishment - influenced each other's positions. This book is a uniquely authoritative discussion of the questions that Chartism raises for the historian; and for the historian, student and general reader alike it provides a vivid insight into the lives of working people as they passed through the traumas of the industrial revolution.

This book brings together Dorothy Thompson's most important essays on English social history, written over the last 25 years, many previously unpublished. Thompson analyzes the Chartist movement, not simply as a political programme, however significant, but as the mass phenomenon which offers the focus for an "elucidation of the concept of class". Thompson is also concerned with Queen Victoria: how did a woman holding the highest office in the land affect British women and was it a factor in the non-republican stance of radical politics of the time? The essays are complemented by an introduction in which Dorothy Thompson reflects on the politics of the period in which she wrote them, on her own political involvements and on the relationship of her work as a historian to that of her husband, E.P. Thompson. The book should make a useful introductory text for students of history. It includes Thompson's essays on women's activism in early radical politics and 19th century popular politics. The book should also attract a wide general readership.

"Chartism was a Victorian era working class movement for political reform in Britain between 1838 and 1848. It takes its name from the People's Charter of 1838. The term "Chartism" is the umbrella name for numerous loosely coordinated local groups, often named "Working Men's Association," articulating grievances in many cities from 1837. Its peak activity came in 1839, 1842 and 1848. It began among skilled artisans in small shops, such as shoemakers, printers, and tailors. The movement was more aggressive in areas with many distressed handloom workers, such as in Lancashire and the Midlands. It began as a petition movement which tried to mobilize "moral force", but soon attracted men who advocated strikes, General strikes and physical violence, such as Feargus O'Connor and known as "physical force" chartists."--Wikipedia

This book is a wide-ranging survey of the rise of mass movements for democracy and workers’ rights in northern England. It is a provocative narrative of the closing down of public space and dispossession from place. The book offers historical parallels for contemporary debates about protests in public space and democracy and anti-globalisation movements. In response to fears of revolution from 1789 to 1848, the British government and local authorities prohibited mass working-class political meetings and societies. Protesters faced the privatisation of public space. The ‘Peterloo Massacre’ of 1819 marked a turning point. Radicals, trade unions and the Chartists fought back by challenging their exclusion from public spaces, creating their own sites and eventually constructing their own buildings or emigrating to America. This book also uncovers new evidence of protest in rural areas of northern England, including rural Luddism. It will appeal to academic and local historians, as well as geographers and scholars of social movements in the UK, France and North America.