Few have written more beautifully about the British countryside than Francis Kilvert. A country clergyman born in 1840, Kilvert spent much of his time visiting parishioners, walking the lanes and fields of Herefordshire and writing in his diary. Full of passionate delight in the natural world and the glory of the changing seasons, his diaries are as generous, spontaneous and vivacious as Kilvert himself. He is an irresistible companion. This new edition of William Plomer’s original selection contains new archival material as well as a fascinating introduction illuminating Kilvert’s world and the history of the diaries. ‘One of the best books in English’ Sunday Times 'Kilvert has touched and delighted (and mildly shocked) readers of his diaries ever since they were first published. New readers are in for a treat' Alan Bennett

In this autobiography, the author evokes his Edwardian childhood in his portrait of a vanished community as he tells how he and the other children of Salford struggled daily to survive the poverty that surrounded them.

Francis Kilvert born in 1840 at Hardenhuish, Wiltshire, England, was the son of Robert Kilvert and Thermulthis Coleman. He married Elizabeth Ann Rowland on 20 August 1879 at Wooton-by-Woodstock. Five weeks after his marriage he became ill and died 23 September 1879 at Bredwardine, Hereford, where he was Vicar. Elizabeth survived him by 30 years. She died in 1911.

Choice Outstanding Academic Title In her third and final volume on Virginia Woolf’s diaries, Barbara Lounsberry reveals new insights about the courageous last years of the modernist writer’s life, from 1929 until Woolf’s suicide in 1941. Woolf turned more to her diary—and to the diaries of others—for support in these years as she engaged in inner artistic wars, including the struggle with her most difficult work, The Waves, and as the threat of fascism in the world outside culminated in World War II. During this period, the war began to bleed into Woolf’s diary entries. Woolf writes about Hitler, Mussolini, and Stalin; copies down the headlines of the day; and captures how war changed her daily life. Alongside Woolf’s own entries, Lounsberry explores the diaries of 18 other writers as Woolf read them, including the diaries of Leo Tolstoy, Dorothy Wordsworth, Guy de Maupassant, Alice James, and André Gide. Lounsberry shows how reading diaries was both respite from Woolf’s public writing and also an inspiration for it. Tellingly, shortly before her suicide Woolf had stopped reading them completely. The outer war and Woolf’s inner life collide in this dramatic conclusion to the trilogy that resoundingly demonstrates why Virginia Woolf has been called “the Shakespeare of the diary.” Lounsberry’s masterful study is essential reading for a complete understanding of this extraordinary writer and thinker and the development of modernist literature.

Plutarch's parallel biographies of the great men in Greek and Roman history are cornerstones of European literature, drawn on by writers and statesmen since the Renaissance, most notably by Shakespeare. This selection provides intimate glimpses into the lives of these men, depicting, as he put it, 'those actions which illuminate the workings of the soul'. We learn why the mild Artaxerxes forced the killer of his usurping brother to undergo the horrific 'death of two boats'; why the noble Dion repeatedly risked his life for the ungrateful mobs of Syracuse; why Demosthenes delivered a funeral oration for the soldiers he had deserted in battle; and why Alexander, the most enigmatic of tyrants, self-destructed after conquering half the world.