Excerpt from The Diary and Letters of Frances Burney Madame D'arblay, Vol. 1 of 2 This year was ushered in by a grand and most important event! At the latter end of January, the literary world was favored with the first publication of the ingenious, learned, and most profound Fanny Burney! I doubt not but this memorable affair will, in future times, mark the period whence chronologers will date the zenith of the polite arts in this island! This admirable authoress has named her most elaborate performance, evelina; or, a Y onng Lady's Entrance into the World. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from The Diary and Letters of Frances Burney, Madame D'arblay, Vol. 2 of 2 Mr. Turbulent, who looked big with heroics, was quite provoked to see he had no chance of giving them vent. They each outstayed the patience of the other, and at last both went off together. Some hours after, however, while I was dressing, the Canon returned. I could not admit him, and bid Goter tell him at the door I was not visible. He desired he might wait till I was ready, as he had busi ness of importance. I would not let him into the next room, but said he might stay in the eating-parlor. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Embark on a captivating journey through the rich tapestry of English literature with William J. Long's insightful guide, "English Literature: William J. Long's Journey through Literary Heritage." Explore the depths of literary history and discover the timeless works that have shaped the literary landscape for centuries. As you delve into Long's illuminating exploration, prepare to be enchanted by the beauty and brilliance of some of the greatest literary masterpieces ever written. From Shakespeare to Austen, Dickens to Brontë, each chapter is a treasure trove of wisdom and inspiration. But amidst the pages of classic literature and iconic characters, a tantalizing question arises: What makes these works stand the test of time? What secrets do they hold that continue to resonate with readers across generations? Join Long on a journey of discovery as he unlocks the mysteries of English literature's enduring legacy. His insightful commentary sheds light on the genius of the authors and the profound impact of their words on the human experience. Are you ready to embark on a literary adventure that will transport you through the annals of time and into the hearts of some of the greatest literary minds? Prepare to be inspired and enlightened as you journey through the pages of "English Literature: William J. Long's Journey through Literary Heritage." Long's passion for literature is contagious, igniting a love of reading that will stay with you long after you've turned the final page. Here's your chance to immerse yourself in the timeless beauty of English literature. Dive into "English Literature: William J. Long's Journey through Literary Heritage" and let the adventure begin. Seize the opportunity to explore the literary treasures that have shaped our cultural heritage. Purchase "English Literature: William J. Long's Journey through Literary Heritage" now, and embark on a journey of discovery that will enrich your mind and soul.

Novelist and playwright Frances (Fanny) Burney, 1752-1840, was also a prolific writer of journals and letters, beginning with the diary she started at fifteen and continuing until the end of her eventful life. From her youth in London high society to a period in the court of Queen Charlotte and her years interned in France with her husband Alexandre d'Arblay during the Napoleonic Wars, she captured the changing times around her, creating brilliantly comic and candid portraits of those she encountered - including the 'mad' King George, Samuel Johnson, Sir Joshua Reynolds, David Garrick and a charismatic Napoleon Bonaparte. She also describes, in her most moving piece, undergoing a mastectomy at fifty-nine without anaesthetic. Whether a carefree young girl or a mature woman, Fanny Burney's forthright, intimate and wickedly perceptive voice brings her world powerfully to life.

Evelina, the first novel by Frances Burney, published in 1778, enjoys lasting popularity among the reading public. Tracing its publication history through 174 editions, adaptations, and reprints, many of them newly discovered and identified, this book demonstrates how the novel’s material embodiment in the form of the printed book has been reshaped by its publishers, recasting its content for new generations of readers. Four main chapters vividly describe how during 240 years, Evelina, a popular novel of manners, metamorphosed without any significant alterations to its text into a Regency “rambling” text, a romantic novel for “lecteurs délicats,” a cheap imprint for circulating libraries, a yellow-back, a book with a certain aesthetic cachet, a Christmas gift-book, finally becoming an integral part of the established literary canon in annotated scholarly editions. This book also focuses on the remodelling and transformation of the paratext in this novel, written by a woman author, by the heavily male-dominated publishing industry. Shorter Entr’acte sections discuss and describe alterations in the forms of Burney’s name and the title of her work, the omission and renaming of her authorial prefaces, and the redeployment of the publisher’s prefatorial apparatus to support particular editions throughout almost two-and-a-half centuries of the novel’s existence. Illustrated with reproductions of covers, frontispieces, and title pages, the book also provides an illuminating insight into the role of Evelina’s visual representation in its history as a marketable commodity, highlighting the existence of editions targeting various segments of the book market: from the upper-middle-class to mass-readership. The first comprehensive and fully updated bibliography of English and translated editions, adaptations, and reprints of Evelina published in 13 languages and scripts appears in an appendix.