In this study of D.H.Lawrence and critical theory, Robert Burden pays particular attention to the critical formations that underpin the reception history of the main novels, including the much maligned “leadership” novels, because strong readings have always contested the meaning and significance of Lawrence, and because there has been a persistent reluctance to approach his writing through post-structuralist theory. This study demonstrates in some detail that once Lawrence’s texts are the objects of the newer critical paradigms, their principles of coherence are understood differently; and that older notions of textual unity are displaced by aesthetic structures of degrees of generic and linguistic destabilization. This enables a radicalizing of Lawrence’s fiction by drawing out its deconstructive effects on his myth-making and essentialist notions of the self. The sexual identities represented in the fiction are read as experiments, or “thought adventures”, as Lawrence himself characterized his work. The different approaches to Lawrence’s writing in this study lead to a radical reassessment of his relationship to Modernism, especially in the light of the more elastic concept of Modernism in recent discussion, and one which traditional Lawrence scholars have ignored. What emerges is a more self-deconstructive Lawrence, with some surprising results.

The Lacanian Tradition is unique among psychoanalytic schools in its influence upon academic fields such as literature, philosophy, cultural and critical studies. This book aims to make Lacan's ideas accessible and relevant also to mainstream psychoanalysts, and to showcase developments in Lacanian thinking since his death in 1981. The volume highlights the clinical usefulness of such concepts as the paternal metaphor, the formula of fantasy, psychic structure, the central role of desire and the interlinking of the individual subject in the matrix of the Other. While these themes are woven through all the papers, each is a highly individual reflection upon some aspect of Lacanian theory, practice or history.

The study of Theodor Adorno has largely ignored or dismissed the enigmatic and provocative moments in his writing on the body. Dialectics of the Body corrects this gap by arguing that Adorno's analysis of reified society emanates and returns to the body and that hope and desire are present throughout Adorno's philosophy.

The state's use of the threat, and imposition, of punishments to regulate conduct is thought (or at least said) by many to be legitimised by the idea that the criminal law's burdens only fall on those who are blameworthy for their conduct. However, the formal concept of 'blameworthiness' needs to be made substantive. This puts various ideas regarding the criminal law's person at the heart of debates about blame, guilt, and responsibility. How is the criminal law's person constructed, by whom, and with what disciplinary norms? How is it threatened by new 'knowledge', and how do those threats play out amongst the various stakeholders who claim the criminal law's person as 'theirs'? To address these and cognate questions, this volume brings together an international group of academics to engage with the criminal law's person from a range of disciplinary perspectives.