Cyprinodon diabolis, or Devils Hole pupfish: a one-inch-long, iridescent blue fish whose only natural habitat is a ten-by-sixty-foot pool near Death Valley, on the Nevada-California border. The rarest fish in the world. As concern for the future of biodiversity mounts, Devils Hole Pupfish asks how a tiny blue fish—confined to a single, narrow aquifer on the edge of Death Valley National Park in Nevada’s Amargosa Desert—has managed to survive despite numerous grave threats. For decades, the pupfish has been the subject of heated debate between environmentalists intent on protecting it from extinction and ranchers and developers in the region who need the aquifer’s water to support their livelihoods. Drawing on archival detective work, interviews, and a deep familiarity with the landscape of the surrounding Amargosa Desert, author Kevin C. Brown shows how the seemingly isolated Devils Hole pupfish has persisted through its relationships with some of the West’s most important institutions: federal land management policy, western water law, ecological sciences, and the administration of endangered-species legislation. The history of this entanglement between people and the pupfish makes its story unique. The species was singled out for protection by the National Park Service, made one of the first “listed” endangered species, and became one of the first controversial animals of the modern environmental era, with one bumper sticker circulating in Nevada in the early 1970s reading “Save the Pupfish,” while another read “Kill the Pupfish.” But the story of the pupfish should be considered for more than its peculiarity. Moreover, Devils Hole Pupfish explores the pupfish’s journey through modern American history and offers lessons for anyone looking to better understand the politics of water in southern Nevada, the operation of the Endangered Species Act, or the science surrounding desert ecosystems.

Successful natural resource management is much more than good science; it requires working with landowners, meeting deadlines, securing funding, supervising staff, and cooperating with politicians. The ability to work effectively with people is as important for the conservation professional as it is for the police officer, the school teacher, or the lawyer. Yet skills for managing human interactions are rarely taught in academic science programs, leaving many conservation professionals woefully unprepared for the daily realities of their jobs. Written in an entertaining, easy-to-read style, The Conservation Professional’s Guide to Working with People fills a gap in conservation education by offering a practical, how-to guide for working effectively with colleagues, funders, supervisors, and the public. The book explores how natural resource professionals can develop skills and increase their effectiveness using strategies and techniques grounded in social psychology, negotiation, influence, conflict resolution, time management, and a wide range of other fields. Examples from history and current events, as well as real-life scenarios that resource professionals are likely to face, provide context and demonstrate how to apply the skills described. The Conservation Professional’s Guide to Working with People should be on the bookshelf of any environmental professional who wants to be more effective while at the same time reducing job-related stress and improving overall quality of life. Those who are already good at working with people will learn new tips, while those who are petrified by the thought of conducting public meetings, requesting funding, or working with constituents will find helpful, commonsense advice about how to get started and gain confidence.

Along a tiny spring in a narrow canyon near Death Valley, seemingly against all odds, an Inyo Mountain slender salamander makes its home. "The desert," writes conservation biologist Christopher Norment, "is defined by the absence of water, and yet in the desert there is water enough, if you live properly." Relicts of a Beautiful Sea explores the existence of rare, unexpected, and sublime desert creatures such as the black toad and four pupfishes unique to the desert West. All are anomalies: amphibians and fish, dependent upon aquatic habitats, yet living in one of the driest places on earth, where precipitation averages less than four inches per year. In this climate of extremes, beset by conflicts over water rights, each species illustrates the work of natural selection and the importance of conservation. This is also a story of persistence--for as much as ten million years--amid the changing landscape of western North America. By telling the story of these creatures, Norment illustrates the beauty of evolution and explores ethical and practical issues of conservation: what is a four-inch-long salamander worth, hidden away in the heat-blasted canyons of the Inyo Mountains, and what would the cost of its extinction be? What is any lonely and besieged species worth, and why should we care?

When most people think of piracy, they think of Bittorrent and The Pirate Bay. These public manifestations of piracy, though, conceal an elite worldwide, underground, organized network of pirate groups who specialize in obtaining media – music, videos, games, and software – before their official sale date and then racing against one another to release the material for free. Warez: The Infrastructure and Aesthetics of Piracy is the first scholarly research book about this underground subculture, which began life in the pre-internet era Bulletin Board Systems and moved to internet File Transfer Protocol servers (“topsites") in the mid- to late-1990s. The “Scene," as it is known, is highly illegal in almost every aspect of its operations. The term “Warez" itself refers to pirated media, a derivative of “software." Taking a deep dive in the documentary evidence produced by the Scene itself, Warez describes the operations and infrastructures an underground culture with its own norms and rules of participation, its own forms of sociality, and its own artistic forms. Even though forms of digital piracy are often framed within ideological terms of equal access to knowledge and culture, Eve uncovers in the Warez Scene a culture of competitive ranking and one-upmanship that is at odds with the often communalist interpretations of piracy. Broad in scope and novel in its approach, Warez is indispensible reading for anyone interested in recent developments in digital culture, access to knowledge and culture, and the infrastructures that support our digital age.