A gripping biography by the author of Brave New World In 1634 Urbain Grandier, a handsome and dissolute priest of the parish of Loudun was tried, tortured and burnt at the stake. He had been found guilty of conspiring with the devil to seduce an entire convent of nuns. Grandier maintained his innocence to the end but four years after his death the nuns were still being subjected to exorcisms to free them from their demonic bondage. Huxley's vivid account of this bizarre tale of religious and sexual obsession transforms our understanding of the medieval world.

1643: In one of history’s most sensational cases of mass possession and sexual hysteria, Urbain Grandier, a handsome seducer of women, and priest of the parish of Loudon, was found guilty of being in league with the devil and burnt at the stake. Huxley gives a vivid account of this bizarre tale of religious and sexual obsession.

It is August 18, 1634. Father Urbain Grandier, convicted of sorcery that led to the demonic possession of the Ursuline nuns of provincial Loudun in France, confesses his sins on the porch of the church of Saint-Pierre, then perishes in flames lit by his own exorcists. A dramatic tale that has inspired many artistic retellings, including a novel by Aldous Huxley and an incendiary film by Ken Russell, the story of the possession at Loudun here receives a compelling analysis from the renowned Jesuit historian Michel de Certeau. Interweaving substantial excerpts from primary historical documents with fascinating commentary, de Certeau shows how the plague of sorceries and possessions in France that climaxed in the events at Loudun both revealed the deepest fears of a society in traumatic flux and accelerated its transformation. In this tour de force of psychological history, de Certeau brings to vivid life a people torn between the decline of centralized religious authority and the rise of science and reason, wracked by violent anxiety over what or whom to believe. At the time of his death in 1986, Michel de Certeau was a director of studies at the école des hautes études en sciences sociales, Paris. He was author of eighteen books in French, three of which have appeared in English translation as The Practice of Everyday Life,The Writing of History, and The Mystic Fable, Volume 1, the last of which is published by The University of Chicago Press. "Brilliant and innovative. . . . The Possession at Loudun is [de Certeau's] most accessible book and one of his most wonderful."—Stephen Greenblatt (from the Foreword)

“A genius . . . a writer who spent his life decrying the onward march of the Machine.” — The New Yorker Brave New World author Aldous Huxley on enlightenment and the "ultimate reality." In this anthology of twenty-six essays and other writings, Aldous Huxley discusses the nature of God, enlightenment, being, good and evil, religion, eternity, and the divine. Huxley consistently examined the spiritual basis of both the individual and human society, always seeking to reach an authentic and clearly defined experience of the divine. Featuring an introduction by renowned religious scholar Huston Smith, this celebration of "ultimate reality" proves relevant and prophetic in addressing the spiritual hunger so many feel today.

Thank you for checking out this book by Theophania Publishing. We appreciate your business and look forward to serving you soon. We have thousands of titles available, and we invite you to search for us by name, contact us via our website, or download our most recent catalogues. THE following extraordinary account of the "Cause Célèbre" of Urbain Grandier, the Curé of Loudun, accused of Magic and of having caused the Nuns of the Convent of Saint Ursula to be possessed of devils, is written by an eye-witness, and not only an eye-witness but an actor in the scenes he describes. It is printed at "Poitiers, chez J. Thoreau et la veuve Ménier, Imprimeurs du Roi et de l'Université, 1634." I believe two copies only are known: my own, and the one in the National Library, Paris. The writer is Monsieur des Niau, Counsellor at la Flèche, evidently a firm believer in the absurd charges brought against Grandier.

THE DEVILS (1971) Ken Russell's horrifying film of the possession and resultant exorcism of the "Loudun Nuns," (based upon the book THE DEVILS OF LOUDON by Aldous Huxley), scourged the eyes of audiences in the 1970s, with its harsh, brutal, and sickening depiction of blasphemous torture, hideous pain, possession, and wild, orgiastic rites to fallen spirits. Now here is the classic full account of this bizarre, startling, and tragic chapter in the history of possession and exorcism, the annals of primitive witch hysteria: the exorcism of the Loudun Nuns, and the subsequent trial and hideous execution, by burning, of Father Urbain Grandier, (claimed by some to have entered into a pact with Satan to torment and afflict the sisters of the afflicted Ursuline order). Was Urbain Grandier an emissary of Satan? Or was he simply a man caught up in the crosshairs of his vindictive enemies and powerful forces, those willing to send a man to his death for purely political reasons? What of the hunchbacked Sister Jeanne? Was she really the focus of a black, demonic incubus? Or was she simply a disturbed, repressed woman, one whose life of piety, self-abnegation, penance, and sacrifice, lead her to the brink of madness? To read this chilling account is to step back through a doorway in time, gaining an insight into the hysteria of the witchcraft hysteria of the old world, and what it might tell us about our own contemporary society. Published by Zem Books

Secret, strange, dark, impure and dissonant...Enter the haunted landscapes of folk horror, a world of ­pagan ­village conspiracies, witch finders, and teenagers awakening to evil; of dark fairy tales, backwoods cults and obsolete technologies. Beginning with the classics Night of the Demon, Witchfinder General, The Wicker Man and Blood on Satan's Claw, We Don't Go Back surveys the genre of screen folk horror from across the world. Travelling from Watership Down to The Texas Chain Saw Massacre, with every stop inbetween, We Don't Go Back is a thoughtful, funny and essential overview of folk horror in TV and cinema."A beautiful rumination on the dark films and television that shaped me and a generation of odd children, for good or ill, worth a year of your time, because you won't just read the book, you'll feel a burning desire to watch everything mentioned within." - Robin Ince"A comprehensive, accessible and often riotously funny tome weaving together folk horror in all its forms, from British television to the American backwoods, from Eastern European fairytales to the vengeful ghosts of East Asia. Ingham explores uncanny landscapes haunted by things buried, old cultures converging with the reluctance of contemporary reason, that very tension that gives his book its name. He attempts to both define folk horror and free it from definition, creating the ultimate guide to the genre's manifestations on film and offering a convincing argument as to why the genre resonates so compellingly with people today." - Kier-La Janisse, author of House of Psychotic Women