Steeped in the overripe beauty, violence and exoticism of sixteenth century Naples, this is the riveting story behind one of the most famous and terrible murders in the history of the Renaissance. In 1590, the great and tormented composer Carlo Gesualdo, Prince of Venosa, murdered his beautiful wife Maria d'Avalos and her aristocratic lover. Gesualdo was a character of Shakespearian proportions: nobleman, musical genius and, for the last sixteen years of his life, madman or so it is alleged. With the chilling calculation of a hunter, he staged the violent and bloody murder of the lovers like an opera. Yet far from ending his torment, in the years that followed Gesualdo became increasingly persecuted by his furies and demons. Inspired by this story that has haunted generations of Neapolitans and ignited the imaginations of artists the world over, Victoria Hammond has written a lush and sensual evocation of love, desire and madness, vividly imagining the life of the mysterious and seductive Maria, her tormented marriage to Carlo, and her affair with Fabrizio Carafa, the handsomest and accomplished nobleman in Naples.

A collection of Hispanic folktales.

"Few decisions in life should be more personal than the choice of a spouse or lover. Yet, throughout history, this intimate experience has been subjected to painstaking social and religious regulation in the form of legislation and restraining social mores." With that statement, Asunción Lavrin begins her introduction to this collection of original essays, the first in English to explore sexuality and marriage in colonial Latin America. The nine contributors, including historians and anthropologists, examine various aspects of the male-female relationship and the mechanisms for controlling it developed by church and state after the European conquest of Mexico and Central and South America. Seldom has so much light been shed on the sexual behavior of the men and women who lived there from the sixteenth to the eighteenth century. These chapters examine the variety of sexual expression in different periods and among persons of different social and economic status, the relations of the sexes as proscribed by church and state and the various forms of resistance to their constraints, the couple's own view of the bond that united them and of their social obligations in producing a family, and the dissolution of that bond. Topics infrequently explored in Latin American history but discussed her include premarital relations, illegitimacy, consensual unions, sexual witchcraft, spouse abuse, and divorce. Lavrin's opening survey of the forms of sexual relationships most discussed in ecclesiastical sources serves as a point of departure for the chapters that follow. The contributors are Serge Grunzinski, Ann Twinam, Kathy Waldron, Ruth Behar, Susan Socolow, Richard Boyer, Thomas Calvo, and María Beatriz Nizza da Silva. Asunción Lavrin is a professor of history at Arizona State University at Tempe. Her 1995 book, Women, Feminism, and Social Change in Argentina, Chile, and Uruguay, 1890-1940, won the Arthur P. Whitaker Prize from the Middle Atlantic Council on Latin American Studies.

Witchcraft and magical beliefs have captivated historians and artists for millennia, and stimulated an extraordinary amount of research among scholars in a wide range of disciplines. This new collection, from the editor of the highly acclaimed 1992 set, Articles onWitchcraft, Magic, and Demonology, extends the earlier volumes by bringing together the most important articles of the past twenty years and covering the profound changes in scholarly perspective over the past two decades. Featuring thematically organized papers from a broad spectrum of publications, the volumes in this set encompass the key issues and approaches to witchcraft research in fields such as gender studies, anthropology, sociology, literature, history, psychology, and law. This new collection provides students and researchers with an invaluable resource, comprising the most important and influential discussions on this topic. A useful introductory essay written by the editor precedes each volume.

"An investigation of the life and historical milieu of Catalina de Erauso (1592-1650), the lieutenant nun, with emphasis on her national and gender identities"--Provided by publisher.

Called the "Quintessence of the Baroque" and "Bridge to the Enlightenment," Mexican writer and nun Sor Juana Inés de la Cruz has also been celebrated as the "First Feminist of the New World." Feminist Perspectives on Sor Juana Inés de la Cruz fills a gap Called the "Quintessence of the Baroque" and "Bridge to the Enlightenment," Mexican writer and nun Sor Juana Inés de la Cruz has also been celebrated as the "First Feminist of the New World." Feminist Perspectives on Sor Juana Inés de la Cruz fills a gap in the scholarship on Sor Juana by exploring the implications of her feminist staus in literary and cultural terms. Editor Stephanie Merrim's introduction surveys key issues in Sor Juana criticism from a feminist literary perspective and suggests a blueprint for future studies. Essays by Dorothy Schons and Asunción Lavrin reconstitute essential dimensions or Sor Juana's world, addressing biographical questions about the norms and values of religious life. Moving from social norms to their verbal expression, Josefina Ludmer reads Sor Juana's Respuesta for its stratagems of resistance, and Stehanie Merrim uncovers in Sor Juana's theater the encoded drama of the conflicted creative woman.