A fascinating, full-colour compendium of extremely rare, late 19th and early 20th century Krampus postcards culled from key postcard collections around the world, this lavishly illustrated book features over 150 striking and stylised full-page examples, as well as a short introduction tracing the character's origin and overwhelming popularity throughout Europe. Saint Nicholas's dark servant, Krampus is a hairy, horned, supernatural beast who paid a visit each year to disobedient children, punishing them until they promised to be good!

“The Devil holds the strings which move us!” (Charles Baudelaire, The Flowers of Evil, 1857.) Satan, Beelzebub, Lucifer... the Devil has many names and faces, all of which have always served artists as a source of inspiration. Often commissioned by religious leaders as images of fear or veneration, depending on the society, representations of the underworld served to instruct believers and lead them along the path of righteousness. For other artists, such as Hieronymus Bosch, they provided a means of denouncing the moral decrepitude of one’s contemporaries. In the same way, literature dealing with the Devil has long offered inspiration to artists wishing to exorcise evil through images, especially the works of Dante and Goethe. In the 19th century, romanticism, attracted by the mysterious and expressive potential of the theme, continued to glorify the malevolent. Auguste Rodin’s The Gates of Hell, the monumental, tormented work of a lifetime, perfectly illustrates this passion for evil, but also reveals the reason for this fascination. Indeed, what could be more captivating for a man than to test his mastery by evoking the beauty of the ugly and the diabolic?

For 25 years the architects who make up Jersey Devil have been constructing their own designs while living on site in tents or Airstream trailers, making adjustments to their structures in response to problems encountered during the building process. Jersey Devil is a name that has been attached to work by Steve Badanes, John Ringel, Jim Adamson, or any combination of the above, plus many other people who have participated in their diverse projects. This loose-knit group of designer-builders has created projects that critique conventional practice, both the process of making architecture and the accepted definitions of architecture itself. Jersey Devil's architecture shows a concern for craft and detail, an attention to the expressiveness of the construction materials, and a strong environmental consciousness. Devil's Workshop contains complete project descriptions, photographs, drawings, and plans on more than a dozen projects, including the Snail House, the Silo House, the Hoagie House, and the Seaside Pavillion. Essays analyze Jersey Devil's work, providing an insight into the design-build process and its historical context, and discussing the formal qualities inherent in these projects.

Steve Badanes, Jim Adamson, and John Ringel believe an architect's job does not stop at designing a building, but that it extends to constructing it as well. Now working into their fifth decade, Jersey Devil, the loose-knit group they founded in 1972, bands together under this design/build ethos that an architect's place is just as much on the job site as it is at the drawing board. The trio pioneered design/build practice and their influence has spawned more than one hundred design/build programs. Jersey Devil's process and expertise are unpacked in this Architecture Brief, providing students and teachers with a toolkit for design/build education. Through stories, didactic commentary, and sample exercises, the Design/Build complements nuts-and-bolts content with Jersey Devil's philosophy and perspective, allowing the book to impart practical instruction while acting as a valuable guide for navigating the elusive challenges of design/build. Themes touch on socially responsible architecture, intuition and intentionality, detailing and fostering craftsmanship, group work and collaboration, off-the-shelf components and nonstandard applications, educational reform, ethos and risk, good life and play, the politics of building, and university-community relations.

“A brilliant account” of the controversial 2005 legal battle between evolution and creationism in public education “by a first-rate journalist” (Howard Zinn). In 2004, the School Board of Dover, Pennsylvania, decided to require its ninth-grade biology students to learn intelligent design—a pseudoscientific theory positing evidence of an intelligent creator. In a case that recalled the infamous 1925 Scopes “monkey” trial, eleven parents sued the school board. When the case wound up in federal court before a President George W. Bush–appointed judge, local journalist Lauri Lebo had a front-row seat. Destined to become required reading for a generation of journalists, scientists, and science teachers, as well as for anyone concerned about the separation of church and state, The Devil in Dover is Lebo’s acclaimed account of religious intolerance, First Amendment violations, and an assault on American science education. Lebo skillfully probes the background of the case, introducing the plaintiffs, the defendants, the lawyers, and a parade of witnesses, along with Judge John E. Jones III, who would eventually condemn the school board’s decision as one of “breathtaking inanity.” With the antievolution battle having moved to the state level—and the recent passage of state legislation that protects the right of schools to teach alternatives to evolution—Lebo’s work is more necessary than ever. “Lebo courageously exhibits the highest standards in intellectual honesty and journalistic ethos.” —Daily Kos “An unapologetic indictment of intelligent design, fundamentalist Christianity, and American journalism’s insistence on objectivity in the face of clear untruths.” —Columbia Journalism Review

With an additional 32 pages, superior printing and a secure hardcover binding, Krampus! picks up where the paperback edition of The Devil in Design (Fantagraphics, 2003) left off. In the early Christmas traditions of Western Europe, the Krampus was St. Nicholas' dark servant - a hairy, horned, supernatural beast whose pointed ears and long slithering tongue gave misbehaving children the creeps! Whereas St. Nick would reward children who had been good all year, those that had behaved badly were visited by the Krampus.

In these wry and explosively funny essays, nature obsessive Charles Hood reveals his abiding affection for the overlooked and undervalued parts of the natural world. Like a Bill Bryson of the Mojave exurbs, Hood takes us on a joyride through the obscure, finding wilderness in Hollywood palms, the airports of Alaska, and the empty lots of Palmdale. In a zinger-filled whirl of literary and artistic allusions, he celebrates Audubon's droopy condor, the world-changing history of a cactus parasite, and the weird art of natural history dioramas. This debut collection of creative nonfiction from a widely published poet, photographer, and wildlife guide unveils the wonderment of nature's underbelly with poetic vision and singular wit.