In Mexico’s western Sonoran Desert along the Gulf of California is a place made extraordinary by the desert solitude, the dynamic sea, and the people who live there—the Seris. Central to the lives of these people are the sea and its shores. Shells on a Desert Shore describes the Seri knowledge of mollusks and includes names, folklore, history, uses, and much more. Cathy Moser Marlett’s research of several decades, conducted in the Seri language, builds on work begun in 1951 by her parents, Edward and Becky Moser. The language, spoken by fewer than a thousand people today, is considered endangered. Marlett presents what she has learned from Seri consultants over recent decades and also draws from her own childhood experiences while living in a Seri village. The information from the people who had lived as hunter-gatherers provides a window into a lifestyle no longer recalled from personal experience by most Seris today—and perhaps a window into the lives of other peoples who made the Gulf’s shores their home. The book offers a wealth of information about Seri history, as well as species accounts of more than 150 mollusks from the Seri area on the central Gulf coast. Chapters describe how the people ate mollusks or used them medicinally, how the mollusks were named, and how their shells were used. The author provides several hundred detailed drawings and photographs, many of them archival. Shells on a Desert Shore is a fresh, original presentation of a significant part of the Seri way of life. Unique because it is written from the perspective of a participant in the Seri culture, the book will stand as a definitive, irreplaceable work in ethnography, a time capsule of the Seri people and their connection to the sea.

Shells on a Desert Shore is a fresh, original look at an indigenous culture of North America having a deep and intimate knowledge of the Gulf of California. Cathy Moser Marlett offers a richly illustrated ethnographic work, describing the Seri knowledge of mollusks and their cultural importance.

"This, the last journal-writing Thomas Merton ever approved for publication, details his departure from the Trappist Abbey at Gethsemani in 1968, and his subsequent journey through the American West. As The Seven Storey Mountain detailed the thoughts and fears of an aspirant to the monastic life, the never-before-published Woods, Shore, Desert is almost a canticle of a mature Religious, remarkable in its frankness and self-questioning. Recalling sources as diverse as Hegel, Unamuno, and the Astavakra Gita, Merton magically weaves his impressions of the rare and the mundane. And throughout the book, his thoughts are preoccupied by the lovely and vibrant land about him... I dream every night of the West"--Back cover.

'Ocean Shores to Desert Dunes' is an award-winning book that takes the reader on a journey through the landscapes of New South Wales and the Australian Capital Territory, describing the 12 broad formations - or types - of vegetation, and 99 vegetation classes. Each vegetation class is comprehensively described, including where each occurs and why, interesting aspects of its ecology, evolution, history and development, as well as current conservation and management challenges. This spectacularly illustrated book includes more than 100 maps and 400 colour photographs, species lists for each of the vegetation classes, and extensive botanical and general indexes. 'Ocean Shores to Desert Dunes' is the perfect companion to the many plant identification guides currently available, and is based on a significant new state-wide map and vegetation classification by the author.

The Burning Shore, another gripping installment in Wilbur Smith's Courtney Family Adventure series Centaine de Thiry grew up with privilege, wealth, and freedom on a sprawling French estate. Then war came crashing down around her, and a daring young South African aviator named Michael Courtney stole her heart amidst the destruction. But the tides of fate and battle sent the young woman on a journey across a dangerous sea to the coast of Africa. When Centaine's ship is torpedoed and sunk, she is plunged into a shark-filled sea miles from the unseen shore. And when she reaches land, Centaine puts foot not in the lush world that Michael Courtney described to her, but on the edge of a burning desert--alone and fighting for her life. In a strange world, under a great rushing sky, Centaine sets forth in the company of wandering Bushmen--and then into the arms of a renegade white soldier who may be her savior or destruction. As Michael Courtney's family searches for Centaine, she comes near her promised land--and the untold tragedy and riches that it holds...

For those who visit the United Arab Emirates (UAE), staying in its the lavish hotels and browsing in the ultra-modern shopping malls of Abu Dhabi or Dubai, the country can be a mystery, a glass and concrete creation that seems to have sprung from the desert overnight. Keepers of the Golden Shore looks behind this glossy façade, illuminating the region’s history, which stretches from the ancient Arabian tribes who controlled a desolate but economically important shoreline to the ostentatious architectural wonders—bankrolled by a massive wealth of oil—that characterize it today. As Michael Quentin Morton recounts, the region now known as the UAE likely began as a trading post between Mesopotamia and Oman, and since that time has been the stage of important economic and cultural exchanges. It has seen the rise and fall of a thriving pearl industry, piracy, invasions and wars, and the arrival of the oil age that would make it one of the richest countries on earth. Since the early 1970s, when seven sheikhs agreed to enter into a union, it has been a sovereign nation, carrying on the resourceful spirit—with resplendent fervor—that the brutally inhospitable landscape has long demanded of the people. Ultimately, Morton shows that the country is not only rich in oil and money but in an extraordinarily deep history and culture.