A new translation of the late Okot p'Bitek's classic epic poem 'Wer pa Lawino', first published in Acholi in 1969, and recently listed in Africa's 100 Best Books. Lawino is a female voice, taking issue with her husband whom she witnesses imitating a European culture which is destroying a more deeply rooted African culture.

Okot p'Bitek's epic poem, Song of Lawino, debates Acholi customs around the time that Uganda became independent. This book presents seminal anthropological works from that period by p'Bitek himself and by Frank Girling, who was researching among the Acholi when p'Bitek was a teenager. They were both introduced to anthropology in Oxford by Edward Evan Evans-Pritchard, and they both faced difficulties writing up their fieldwork. Girling, a veteran of the Spanish Civil War, was a suspected communist activist, and was expelled from Uganda in 1950. Against the odds, he managed to complete his doctorate, but the Colonial Office demanded cuts to the published version. Okot p'Bitek is a famous African creative writer, but his engaging anthropological studies have been unjustly neglected. He found academic ideas about Africans taught at Oxford misconceived and offensive. He rejected established analytical approaches and, consequently, the university failed his doctorate in 1970."

This surprising study draws together the disparate fields of postcolonial theory and book history in a challenging and illuminating way. Fraser illustrates his combined approach with comparative case studies of print, script and speech cultures in South Asia and Africa.

A Companion to Comparative Literature presents a collection of more than thirty original essays from established and emerging scholars, which explore the history, current state, and future of comparative literature. Features over thirty original essays from leading international contributors Provides a critical assessment of the status of literary and cross-cultural inquiry Addresses the history, current state, and future of comparative literature Chapters address such topics as the relationship between translation and transnationalism, literary theory and emerging media, the future of national literatures in an era of globalization, gender and cultural formation across time, East-West cultural encounters, postcolonial and diaspora studies, and other experimental approaches to literature and culture

This book is a seminal study that significantly expands the interdisciplinary discourse on African literature and cinema by exploring Africa’s under-visited carnivalesque poetics of laughter. Focusing on modern African literature as well as contemporary African cinema, particularly the direct-to-video Nigerian film industry known as Nollywood, the book examines the often-neglected aesthetics of the African comic imagination. In modern African literature, which sometimes creatively traces a path back to African folklore, and in Nollywood — with its aesthetic relationship to Onitsha Market Literature — the pertinent styles range from comic simplicitas to comic magnitude with the facilitation of language, characterization, and plot by a poetics of laughter or lightness as an important aspect of style. The poetics at work is substantially carnivalesque, a comic preference or tendency that is attributable, in different contexts, to a purposeful comic sensibility or an unstructured but ingrained or virtual comic mode. In the best instances of this comic vision, the characteristic laughter or lightness can facilitate a revaluation or reappreciation of the world, either because of the aesthetic structure of signification or the consequent chain of signification. This referentiality or progressive signification is an important aspect of the poetics of laughter as the African comic imagination variously reflects, across genres, both the festival character of comedy and its pedagogical value. This book marks an important contribution to African literature, postcolonial literature, world literature, comic imagination, poetics, critical theory, and African cinema.

Crisis and Commonwealth: Marcuse, Marx, McLaren advances Marcuse scholarship by presenting four hitherto untranslated and unpublished manuscripts by Herbert Marcuse from the Frankfurt University Archive on themes of economic value theory, socialism, and humanism. Contributors to this edited collection, notably Peter Marcuse, Henry Giroux, Peter McLaren, Zvi Tauber, Arnold L. Farr and editor, Charles Reitz, are deeply engaged with the foundational theories of Marcuse and Marx with regard to a future of freedom, equality, and justice. Douglas Dowd furnishes the critical historical context with regard to U.S. foreign and domestic policy, particularly its features of economic imperialism and militarism. Reitz draws these elements together to show that the writings by Herbert Marcuse and these formidable authors can ably assist a global movement toward intercultural commonwealth. The collection extends the critical theories of Marcuse and Marx to an analysis of the intensifying inequalities symptomatic of our current economic distress. It presents a collection of essays by radical scholars working in the public interest to develop a critical analysis of recent global economic dislocations. Reitz presents a new foundation for emancipatory practice—a labor theory of ethics and commonwealth, and the collection breaks new ground by constructing a critical theory of wealth and work. A central focus is building a new critical vision for labor, including academic labor. Lessons are drawn to inform transformative political action, as well as the practice of a critical, multicultural pedagogy, supporting a new manifesto for radical educators contributed by Peter McLaren. The collection is intended especially to appeal to contemporary interests of college students and teachers in several interrelated social science disciplines: sociology, social problems, economics, ethics, business ethics, labor education, history, political philosophy, multicultural education, and critical pedagogy.