The nine essays in this volume make significant contributions to the development of contemporary literary theory and demonstrate how a range of new approaches can be applied to modern British drama. In addressing the questions of power, subjectivity, sexuality, psychoanalysis, and the nature of the dramatic text, the contributors reveal how much modern drama can be re-read to discover its radically subversive characteristics. Their conclusions challenge accepted interpretations and suggest major revisions of the processes of understanding and staging drama.

The latest collection of Barker's philosophical musings on theatre, this volume includes speculations, deductions, prose poems & poetic apercus, which cast a unique light on the nature of tragedy, eroticism, love & theatre.

Russian playwright and historian Radzinsky mines sources never before available to create a fascinating portrait of the monarch, and a minute-by-minute account of his terrifying last days.

Without William Shakespeare, we wouldn’t have literary masterpieces like Romeo and Juliet. But without Henry Condell and John Heminges, we would have lost half of Shakespeare’s plays forever! After the death of their friend and mentor, the two actors are determined to compile the First Folio and preserve the words that shaped their lives. They’ll just have to borrow, beg, and band together to get it done. Amidst the noise and color of Elizabethan London, THE BOOK OF WILL finds an unforgettable true story of love, loss, and laughter, and sheds new light on a man you may think you know.

The Pulitzer Prize-winning tragedy of a salesman’s deferred American dream Ever since it was first performed in 1949, Death of a Salesman has been recognized as a milestone of the American theater. In the person of Willy Loman, the aging, failing salesman who makes his living riding on a smile and a shoeshine, Arthur Miller redefined the tragic hero as a man whose dreams are at once insupportably vast and dangerously insubstantial. He has given us a figure whose name has become a symbol for a kind of majestic grandiosity—and a play that compresses epic extremes of humor and anguish, promise and loss, between the four walls of an American living room. "By common consent, this is one of the finest dramas in the whole range of the American theater." —Brooks Atkinson, The New York Times "So simple, central, and terrible that the run of playwrights would neither care nor dare to attempt it." —Time

Perfect for fans of Alma and How She Got Her Name and Your Name is a Song, this picture book encourages readers to take up space and support each other with respect and kindness When Zimdalamashkermishkada starts at a new school, he knows he’ll have to introduce himself to lots of new people. He trips over his long name and decides to shrink it down to the shorter, simpler Zim. The nickname works fine for introductions, but deep down, it doesn’t feel right. It’s not until a new friend sees him for who he truly is that Zimdalamashkermishkada finds the confidence to step proudly into his long name. The Boy Who Tried to Shrink His Name is a warm and uplifting story that encourages young readers to celebrate their authentic selves, and proclaims that no one should ever have to shrink themselves to fit in.

Reflections on the late Arthur Miller from over seventy writers, actors, directors and friends, with 'Arthur Miller Remembers', an interview with the writer from 1995. Following his death in February 2005, newspapers were filled with tributes to the man regarded by many as the greatest playwright of the twentieth century. Published as a celebration and commemoration of his life, Part I of Remembering Arthur Miller is a collection of over seventy specially commissioned pieces from writers, actors, directors and friends, providing personal, critical and professional commentary on the man who gave the theatre such timeless classics as All my Sons, A View from the Bridge, The Death of a Salesman, and The Crucible. Contributors read like a Who's Who of theatre, film and literature: Edward Albee, Alan Ayckbourn, Brian Cox, Richard Eyre, Joseph Fiennes, Nadine Gordimer, Dustin Hoffman, Warren Mitchell, Harold Pinter, Vanessa Redgrave and Tom Stoppard, to name but a few. Part II, 'Arthur Miller Remembers', is an in-depth and wide-ranging interview conducted with Miller in 1995. Bigsby's expertise and Miller's candour produce a wonderfully insightful commentary and analysis both of Miller's life and the life of twentieth century America. It covers Miller's upbringing in Harlem, the Depression, marriage to Marilyn Monroe, post-war America, being sentenced to prison by the House Un-American Activities Committee in 1956, and his presidency of the writer's organisation, PEN International. The discourse also provides a commentary on and analysis of his many plays andMiller's reflections on the Amercian theatre.