In a fresh interpretation of Lucretius's On the Nature of Things, Charles Segal reveals this great poetical account of Epicurean philosophy as an important and profound document for the history of Western attitudes toward death. He shows that this poem, aimed at promoting spiritual tranquillity, confronts two anxieties about death not addressed in Epicurus's abstract treatment--the fear of the process of dying and the fear of nothingness. Lucretius, Segal argues, deals more specifically with the body in dying because he draws on the Roman concern with corporeality as well as on the rich traditions of epic and tragic poetry on mortality. Segal explains how Lucretius's sensitivity to the vulnerability of the body's boundaries connects the deaths of individuals with the deaths of worlds, thereby placing human death into the poem's larger context of creative and destructive energies in the universe. The controversial ending of the poem, which describes the plague at Athens, is thus the natural culmination of a theme developed over the course of the work. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This book provides an overview of Lucretius' philosophical poem 'De rerum natura' intended to clarify the poem's overarching themes to a first-time reader. It also gives a brief running commentary on the individual books as well as more detailed notes on selected passages, which are reproduced in the original Latin.

This is the first detailed analysis of the fate of Lucretius' De rerum natura from its composition in the 50s BC to the creation of our earliest extant manuscripts during the Carolingian Age. Close investigation of the knowledge of Lucretius' poem among writers throughout the Roman and medieval world allows fresh insight into the work's readership and reception, and a clear assessment of the indirect tradition's value for editing the poem. The first extended analysis of the 170+ subject headings (capitula) that intersperse the text reveals the close engagement of its Roman readers. A fresh inspection and assignation of marginal hands in the poem's most important manuscript (the Oblongus) provides new evidence about the work of Carolingian correctors and offers the basis for a new Lucretian stemma codicum. Further clarification of the interrelationship of Lucretius' Renaissance manuscripts gives additional evidence of the poem's reception and circulation in fifteenth-century Italy.

Lucretius' On the Nature of Things - one of the glories of Latin literature - provides a vivid poetic exposition of the doctrines of the Greek atomist, Epicurus. The poem played a crucial role in the reinvention of science in the seventeenth century, its influence on the French Enlightenment was powerful and pervasive, and it became a major battlefield in the wars of religion with science in nineteenth-century England. But in the twentieth century, despite its vital contributions to modern thought and civilisation, it has been largely neglected by common readers and scientists alike. This book offers an extensive description of the poem, with special emphasis on its cheerful version of materialism and on its attempt to devise an ethical system that suits such a universe. It surveys major relevant texts form the eighteenth and nineteenth centuries (Dryden, Diderot, Voltaire, Tennyson, Santayana) and speculates on why Lucretius and the ancient scientific tradition he championed has become marginalised in the twentieth century. It closes with a discussion of what value the poem has for students of science and technology in the new century: what advice it has to offer us about how to go about reinventing our machines and our morality.