Selected papers from the conference held in Washington DC, July 9-14, 1989.

Cover -- title page -- Copyright page -- Contents -- Introduction -- Curtis Robbins -- No Rhythm, They Say -- Empty Ears -- Solo Dining While Growing Up -- Learning Up Front -- About the Tale of an Old Bay Fisherman -- Hand Tied -- Melissa Whalen -- The Noisy House -- Christopher Jon Heuer -- The Hands of My Father -- Bone Bird -- Diving Bell -- Holiday -- Corresponding Oval -- Listening for the Same Thing -- Carmen Cristiu -- Leaves on the Water -- Is It a Sin? -- My Mother -- Gaynor Young -- My Plunge to Fame -- John Lee Clark -- Q -- Exuberance -- Carl Wayne Denney -- Borrowed Time -- Sibylle Gurtner May -- "if I could wish to hear well"--Sotonwa Opeoluwa -- The Victim of the Silent Void -- Douglas Bullard -- Yet: Jack Can Hear! -- Pamela Wright-Meinhardt -- When They Tell Me ... -- Silent Howl -- A Letter to C.F. -- Kristi Merriweather -- Be Tellin' Me -- Remember -- It Was His Movin' Hands -- Raymond Luczak -- How to Become a Backstabber -- Depths of the River -- Justine Vogenthaler -- Between Two Worlds -- Cicadas Roar -- 2 Triple Ought -- Willy Conley -- Every Man Must Fall -- Salt in the Basement -- The Cycle of the X-Ray Technician -- The Perfect Woman -- Tonya Marie Stremlau -- A Nice Romantic Dinner

In July 2002, more than 9,700 Deaf people from around the world met in Washington, D.C., to share their arts, research, and languages at Deaf Way II, a joyous festival of diverse Deaf cultures. Deaf Way II: An International Celebration offers 250 full-color photographs with captions and introductory essays to capture again the excitement of this historical event. Those who attended the gathering will relive their rich experiences visually, while those who view it for the first time through this book will feel as though they had lived its splendor in person. The Deaf Way II photographs, taken during the course of the six-day event, create a matchless pictorial record that travels back and forth from the formal grandeur of the opening celebration to fascinating looks behind the scenes at the arts festival and the scholarly conference program. The warm depictions of the youth program and many attendees complement the compelling portrayals of the people and technology that made Deaf Way II accessible to all. Through this magnificent cross-section of photographs, Deaf Way II reveals a wonderful international society of Deaf people that will engage all who see it.

Bragg (English, Gallaudet U.) has collected a selection of sources including political writings and personal memoirs covering topics such as eugenics, speech and lip-reading, the right to work, and the controversy over separation or integration. This book offers a glimpse into an often overlooked but significant minority in American culture, and one which many of the articles asserts is more like an internal colony than simply a minority group. Annotation copyrighted by Book News Inc., Portland, OR

"The moment when a society must contend with a powerful language other than its own is a decisive point in its evolution. This moment is occurring now in American society". Peters explains precisely how ASL literature achieved this moment, tracing its past and predicting its future in this trailblazing study. Peters connects ASL literature to the literary canon with the archetypal notion of carnival as "the counterculture of the dominated". Throughout history carnivals have been opportunities for the "low", disenfranchised elements of society to displace their "high" counterparts. Citing the Deaf community's long tradition of "literary nights" and festivals like the Deaf Way, Peters recognizes similar forces at work in the propagation of ASL literature. The agents of this movement, Deaf artists and ASL performers -- "Tricksters", as Peters calls them -- jump between the two cultures and languages. Through this process they create a synthesis of English literary content reinterpreted in sign language, which also raises the profile of ASL as a distinct art form in itself. Peters applies her analysis to the craft's landmark works, including Douglas Bullard's novel Islay and Ben Bahan's video-recorded narrative Bird of a Different Feather. Deaf American Literature, the only work of its kind, is its own seminal moment in the emerging discipline of ASL literary criticism.

Table of contents

Printbegrænsninger: Der kan printes 10 sider ad gangen og max. 40 sider pr. session