The Dead Lady of Clown Town' is a retelling of the story of Joan of Arc. Even though humanity achieved a utopian state, people still live sterile and shallow lives. The underpeople are modified animals who look human and have human intelligence but have no rights and are treated like animals, to be used and destroyed without a doubt. But there exists one hope for the underpeople that can bring them equality.

DigiCat Publishing presents to you this special edition of "The Dead Lady of Clown Town" by Paul Myron Anthony Linebarger. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Though animal stories and fables stretch back into the antiquity of ancient India, Persia, Greece and Rome, the reasons for writing them and their resonance for readers (and listeners) remain consistent to the present. This work argues that they were essential sources of amusement and instruction--and were also often profoundly unsettling. Such authors in the realm of the animal fable as Tolkien, Freud, Voltaire, Bakhtin, Cordwainer Smith, Karel Capek, Vladimir Propp, and many more are discussed.

In a far-flung future, planoforming ships knit together a galaxy ruled from Earth by the ruthless benevolence of the mysterious Lords of the Instrumentality, who presided over a utopia without death, danger-or freedom. The Underpeople, humanlike beings created from animals to do the work of utopia, had no rights, and could be disposed of at the whim of a human. But they had become more humanlike than their creators, and their leader, the cat woman C'Mell, had a plan for gaining their freedom-which made her much too dangerous a person to be permitted to live. Elsewhere in the galaxy, the planet Norstrilia had power of its own, for it was the only source of stroon, the drug which arrested aging and made humans immortal. Its inhabitants were wealthy beyond comprehension, and one of them, a boy named Rod McBan, with the help of his computer, had manipulated the galactic economy until he completely owned the planet Earth-which made him much too dangerous a person to be permitted to live. But when Rod came to Earth and joined forces with C'Mell and the Underpeople, the petrified utopia of the Instrumentality began to crack and fall apart as freedom was reborn in the galaxy. . . .