“Queen of the Undead, Carrie Ryan, takes readers once again to the world of The Forest of Hands and Teeth." -- School Library Journal on "Bougainvillea." From a life raft cast adrift in the middle of the ocean to the attic of a suburban garage; from the heart-pounding moments just after the dead begin to rise, to the ravaged world generations later, the five stories in The Dead and Empty World present a chilling portrait of what it takes to survive – or not – the zombie apocalypse. This 39,000 word collection contains five previously published stories and never before published bonus materials, including background information on each story, easter eggs, and an essay detailing the inspiration for the Forest of Hands and Teeth. Stories included in this collection: "Flotsam & Jetsam," originally published in The Living Dead 2, edited by John Joseph Adams and published by Night Shade Books; "Scenic Route," originally published in Enthralled, edited by Melissa Marr and Kelley Armstrong and published by HarperCollins; "Bougainvillea," originally published in Zombies vs. Unicorns, edited by Holly Black and Justine Larbalestier and published by Simon and Schuster; "A Game of Firsts," originally published in The First Time, edited by Jessica Verday and Rhonda Stapleton; "Hare Moon," originally published in Kiss Me Deadly: 13 Tales of Paranormal Love, edited by Trisha Telep and published by Running Press Teens; later published in a slightly different form by Random House.

Includes an excerpt from another adventure by John Christopher entitled 'In the beginning.'

They said her grandfather was dead. They said her grandmother was crazy. Christy knows they're wrong. When her grandmother dies, 13-year-old Christy inherits an old family secret: the pond behind her house is in fact a portal to another world. What’s more, she learns that her grandfather went through the portal when he mysteriously “disappeared” nine years ago. Christy tries to respect her grandmother’s final wishes and not go exploring, but when a classmate named Rob falls into the pond, she has to act. Since no one would believe her if she told them the truth about the pond, Christy arranges her own rescue party. In order to rescue Rob, she’ll have to brave a bizarre alien landscape, evade hostile creatures, and protect Danny, the boy from next door who followed her through the portal. Meanwhile on Earth, the grown-ups launch a frantic search, and they’re willing to drain the pond to find out what happened. Will Christy be able to find her grandfather, rescue Rob, and return safely to Earth before she becomes a permanent resident of the Empty World? Portal Through the Pond is the first book of the Empty World Saga, a science fiction adventure series for kids aged 8-12. If your kids have blown through the Land of Stories, devoured the Keeper of the Lost Cities, or can't wait for the next Wings of Fire, make the complete Empty World Saga their next read. Pick up your copy of Portal Through the Pond, and land in an alien world!

A lone woman. A mysterious drifter. An Empty World. Thirty years after The Fall killed millions of people and turned them into walking corpses, twenty-three-year-old Shell Langford is the last inhabitant of Yazoo City, a small town in the Mississippi Delta. After spending five years on her own, a gang of bandits discovers her barren town, and a solitary drifter helps her escape into the post-apocalyptic wasteland filled with the living dead. Can Shell survive in the Empty World? Empty World takes place 30 years after the events of Zach Bohannon

PULITZER PRIZE FINALIST • From one of our most heralded writers comes the “poetic, disturbing, yet very funny” (The Washington Post Book World) life-and-death adventures of three misfit teenagers in the American desert. Alice, Corvus, and Annabel, each a motherless child, are an unlikely circle of friends. One filled with convictions, another with loss, the third with a worldly pragmatism, they traverse an air-conditioned landscape eccentric with signs and portents—from the preservation of the living dead in a nursing home to the presentation of the dead as living in a wildlife museum—accompanied by restless, confounded adults. A father lusts after his handsome gardener even as he's haunted (literally) by his dead wife; a heartbroken dog runs afoul of an angry neighbor; a young stroke victim drifts westward, his luck running from worse to awful; a sickly musician for whom Alice develops an attraction is drawn instead toward darker imaginings and solutions; and an aging big-game hunter finds spiritual renewal through his infatuation with an eight-year-old—the formidable Emily Bliss Pickless. With nature thoroughly routed and the ambiguities of existence on full display, life and death continue in directions both invisible and apparent. Gloriously funny and wonderfully serious, The Quick and the Dead limns the vagaries of love, the thirst for meaning, and the peculiar paths by which all creatures are led to their destiny. A panorama of contemporary life and an endlessly surprising tour de force: penetrating and magical, ominous and comic, this is the most astonishing book yet in Joy Williams's illustrious career. Joy Williams belongs, James Salter has written, "in the company of Céline, Flannery O'Connor, and Margaret Atwood."

A new collection of images by celebrated photographer Nick Brandt, whose epic, disturbingly beautiful panoramas address the escalating destruction of the natural world at the hands of man. Moving into color photography for the first time, this monograph of new work from photographer Nick Brandt is both a technical tour de force of contemporary image making and an ambitiously scaled project that uses constructed sets of a scale typically seen in major film productions. Each image is a combination of two photographs taken weeks apart, almost all from the exact same camera position. The starting point of each composition is always the animal photographed in its native savannah landscape. Brandt then designs and builds sets in the precise location of the original photograph depicting the human developments, such as gas stations, highway and bridge construction sites, and bus stations, that are invading the East African landscape. A second sequence is then photographed with the completed set, populated by a large cast of people drawn from local communities and beyond. The final images are powerful composites of the two source photographs, which presents the wild animals and the people as equal victims of the environmental—both now aliens in their once-natural, once-native habitat. Including an introductory essay by Nick Brandt and a descriptive behind-the- scenes section, this new book is a must-have publication for all fans of Brandt’s work.

From the authors of the bestselling The Big Shift, a provocative argument that the global population will soon begin to decline, dramatically reshaping the social, political, and economic landscape. For half a century, statisticians, pundits, and politicians have warned that a burgeoning planetary population will soon overwhelm the earth's resources. But a growing number of experts are sounding a different kind of alarm. Rather than growing exponentially, they argue, the global population is headed for a steep decline. Throughout history, depopulation was the product of catastrophe: ice ages, plagues, the collapse of civilizations. This time, however, we're thinning ourselves deliberately, by choosing to have fewer babies than we need to replace ourselves. In much of the developed and developing world, that decline is already underway, as urbanization, women's empowerment, and waning religiosity lead to smaller and smaller families. In Empty Planet, Ibbitson and Bricker travel from South Florida to Sao Paulo, Seoul to Nairobi, Brussels to Delhi to Beijing, drawing on a wealth of research and firsthand reporting to illustrate the dramatic consequences of this population decline--and to show us why the rest of the developing world will soon join in. They find that a smaller global population will bring with it a number of benefits: fewer workers will command higher wages; good jobs will prompt innovation; the environment will improve; the risk of famine will wane; and falling birthrates in the developing world will bring greater affluence and autonomy for women. But enormous disruption lies ahead, too. We can already see the effects in Europe and parts of Asia, as aging populations and worker shortages weaken the economy and impose crippling demands on healthcare and social security. The United States is well-positioned to successfully navigate these coming demographic shifts--that is, unless growing isolationism and anti-immigrant backlash lead us to close ourselves off just as openness becomes more critical to our survival than ever before. Rigorously researched and deeply compelling, Empty Planet offers a vision of a future that we can no longer prevent--but one that we can shape, if we choose.