"The Daughters of England" from Sarah Stickney Ellis. English author (1799-1872).

By reading the work of the British modernists - Dorothy Richardson, Sylvia Townsend Warner, Mary Butts and Virginia Woolf - through the lens of material culture, this text argues that women's imaginative work is inseparable from their ambivalent, complicated relation to Britain's imperial history.

Sixteenth-century England was scarcely a paradise for anyone by modern standards. Yet despite huge obstacles, many sixteenth-century women achieved personal success and even personal wealth. This is a resource for all interested in this time-period.

Winner of the 2004 Book Award from the Society for the Study of Early Modern Women and the 2003 Roland H. Bainton Prize for Literature from the Sixteenth Century Society and Conference. Our common definition of literacy is the ability to read and write in one language. But as Margaret Ferguson reveals in Dido's Daughters, this description is inadequate, because it fails to help us understand heated conflicts over literacy during the emergence of print culture. The fifteenth through seventeenth centuries, she shows, were a contentious era of transition from Latin and other clerical modes of literacy toward more vernacular forms of speech and writing. Fegurson's aim in this long-awaited work is twofold: to show that what counted as more valuable among these competing literacies had much to do with notions of gender, and to demonstrate how debates about female literacy were critical to the emergence of imperial nations. Looking at writers whom she dubs the figurative daughters of the mythological figure Dido—builder of an empire that threatened to rival Rome—Ferguson traces debates about literacy and empire in the works of Marguerite de Navarre, Christine de Pizan, Elizabeth Cary, and Aphra Behn, as well as male writers such as Shakespeare, Rabelais, and Wyatt. The result is a study that sheds new light on the crucial roles that gender and women played in the modernization of England and France.

DIVThe riveting Cornwall saga continues with the story of Lucie Lansdon, the sole witness to a horrifying crime much too close to home . . . /divDIV After her father is murdered, Lucie Lansdon’s eyewitness testimony sends a fanatical Irish terrorist to the gallows. Fate claims another victim when Lucie receives news that her fiancé has died in Africa. Reeling from the deaths of the two men she loved most, and convinced that her life is cursed, Lucie finally finds happiness when she marries the gentle Roland Fitzgerald./divDIV /divDIVBut her domestic life with Roland and his sister is not all it should be. Someone is watching—and waiting to carry out a cunningly orchestrated plan of retribution. As Lucie’s life is threatened and she begins to doubt her sanity, she’s visited by someone she believed lost to her forever. On the verge of uncovering the truth about a long-ago night, she places her trust in the wrong person./div

Virginal, chaste, humble, patiently waiting for rescue by brave knights and handsome princes: this idealized – and largely mythical – notion of the medieval noblewoman still lingers. Yet the reality was very different, as Kelcey Wilson-Lee shows in this vibrant account of the five daughters of the great English king, Edward I. The lives of these sisters – Eleanora, Joanna, Margaret, Mary and Elizabeth – ran the full gamut of experiences open to royal women in the Middle Ages. Living as they did in a courtly culture founded on romantic longing and brilliant pageantry, they knew that a princess was to be chaste yet a mother to many children, preferably sons, meek yet able to influence a recalcitrant husband or even command a host of men-at-arms. Edward’s daughters were of course expected to cement alliances and secure lands and territory by making great dynastic marriages, or endow religious houses with royal favour. But they also skilfully managed enormous households, navigated choppy diplomatic waters and promoted their family’s cause throughout Europe – and had the courage to defy their royal father. They might never wear the crown in their own right, but they were utterly confident of their crucial role in the spectacle of medieval kingship. Drawing on a wide range of contemporary sources, Daughters of Chivalry offers a rich portrait of these spirited Plantagenet women. With their libraries of beautifully illustrated psalters and tales of romance, their rich silks and gleaming jewels, we follow these formidable women throughout their lives and see them – at long last – shine from out of the shadows, revealing what it was to be a princess in the Age of Chivalry.

"Ever wonder what it's really like to grow up in Manhattan with a famous mom or dad? Well, Joanna Philbin is going to tell you. The Daughters is authentic and well-told. Gossip Girl herself would love this new series." --Cecily von Ziegesar, author of the #1 New York Times bestselling series Gossip Girl They didn't ask for fame. They were born with it. The only daughter of supermodel Katia Summers, witty and thoughtful Lizzie Summers likes to stick to the sidelines. The sole heir to Metronome Media and daughter of billionaire Karl Jurgensen, outspoken Carina Jurgensen would rather climb mountains than social ladders. Daughter of chart-topping pop icon Holla Jones, stylish and sensitive Hudson Jones is on the brink of her own music breakthrough. By the time freshman year begins, unconventional-looking Lizzie Summers has come to expect fawning photographers and adoring fans to surround her gorgeous supermodel mother. But when Lizzie is approached by a fashion photographer that believes she's "the new face of beauty," Lizzie surprises herself and her family by becoming the newest Summers woman to capture the media's spotlight. Don't miss this insider's look at what it's like to be the child of a world-famous celebrity, all while trying to navigate the ups and downs of high school.