This is the family story set in Ireland. It deals with everlasting troubles of inheritance and succession in a wealthy family. L. T. Meade was the pseudonym of Elizabeth Thomasina Meade Smith (1844–1914), a prolific writer of girls' stories.She began writing at 17 and produced over 280 books in her lifetime,[2] being so prolific that no fewer than eleven new titles under her byline appeared in the first few years after her death. She was primarily known for her books for young people, of which the most famous was A World of Girls, published in 1886. However, she also wrote "sentimental" and "sensational" stories, religious stories, historical novels, adventure, romances, and mysteries, including several with male co-authors.

This edited collection is the first to address the topic of adolescence in Irish history. It brings together established and emerging scholars to examine the experience of Irish young adults from the 'affective revolution' of the early nineteenth century to the emergence of the teenager in the 1960s.

Peggy from Kerry is a sweet drama with a wholesome storybook feel. Peggy, an Irish peasant girl from the small town of Kerry is suddenly summoned to Dublin by her late father's close friend. There, Peggy goes on lively, fun adventures with the Wyndham girls around Preston Manor.

All hardbacks in the first print run will be signed by the author. The story of genre fiction - horror, romantic fiction, science fiction, crime writing, and more - is also the story of Irish fiction. Irish writers have given the world Lemuel Gulliver, Dracula, and the world of Narnia. They have produced pioneering tales of detection, terrifying ghost stories and ground-breaking women's popular fiction. Now, for the first time, John Connolly's one volume presents the history of Irish genre writing and uses it to explore how we think about fiction itself. Deeply researched, and passionately argued, SHADOW VOICES takes the lives of more than sixty writers - by turns tragic, amusing, and adventurous, but always extraordinary - and sets them alongside the stories they have written, to create a new way of looking at genre and literature, both Irish and beyond. Here are vampires and monsters, murderers and cannibals. Here are female criminal masterminds and dogged detectives, star-crossed lovers and vengeful spouses. Here are the SHADOW VOICES.